
Deep droning warehouse techno… just as we like it.

The anonymous entity CHPTR derived from undefined controlled sequences progressing into endless alienated narratives, all live recorded and captured on the eponymous label, CHPTR.

Bolstered by the unshakable body of work behind it, Brooklyn-born Berlin-based techno label Chronicle reaches its milestone tenth release with its gaze fixed dead ahead. Ten releases in, it pays to make a strong, defiant statement of intent, toasting to what the label has been about so far. More important though is to remind those tuned in to take heed, because the next step is always the most significant. Joining in on this behemoth project is; Aiken, Arnaud Le Texier, Ben Gibson, Hironori Takahashi, Imugem Orihasam, Echoplex, Mike Storm, Staffan Linzatti, & Zadig. The forward-thinking nature of the music in this collection sums up the ethos of Chronicle as a whole. Each artist has a distinct identity but they all strive to push techno into unexplored realms, placing the emphasis on atmosphere and psychological impact. In such an approach can the most affecting sounds be found, and there will surely be few listeners left unmarked by this record.

The first chapter in a series of three EPs to come from Dutch label Field Records is from Swedish producer Staffan Linzatti. Hypnotic techno from the outer edges of our galaxy combined with richly melodic, angelic and heavenly electronics on the deep space affair. Dedicated Millsian productions which are riddled with spaceship communications and distant sonar pushes.

Ben Sims’ Symbolism continues apace with a release from Binny, a Liverpool-based producer DJ otherwise known for some superb output as part of Phantom Planet Outlaws. Comprising three original tracks, the Subtractive Rhythm EP also takes in a remix from long-time Sims collaborator and British techno legend, Paul Mac.

The MNS X series returns for its 4th issue with one from the Spainard mystic: Eduardo De La Calle. Featuring full EPs from the label artists, the MNS X series plays in the field of the analog, acid and techno. For this, Eduardo De La Calle has put forward a tougher stance from his other silky productions, heading into the rough, analogue and raw terrain for Midnight Shift. The result packs a punch, rounded up with a remix by Hodge.

Already moving forward towards the 5th addition to their catalog within barely one year of existence. The Rotterdam-based Self Reflektion imprint continues to expand their crew presenting a four-track sampler with music from the likes of Logotech (Manifesto/IT), Hiroaki Iizuka (THEM/JP), Remco Beekwilder (Self Reflektion/NL) and Lenson (Paling Trax/NL).

Dyad is a collaborative music project and label by Ben Gibson and Fundamental Interaction. For their third release they deliver two pieces of mesmerizing warehouse techno in ‘Zou’ and ‘Fully Automated’. To round things off they’ve assigned Irish techno master Lee Holman, who weighs-in with a devastating remix of ‘Fully Automated’.

Proper techno tools by this Dutch producer-duo. Known for their signature solid techno tool sound, they’ve delivered a strong four tracker release with Trigeminus EP.

The original version of Stunned was released on Mark Broom & Dave Hills renowned Pure Plastic label back in 1997. The 97 Mix featured here started as a live mix of the track, which Mark has now tweaked for maximum dancefloor devastation. Its accompanied on the flip side by a brand new composition of equally outstanding quality. Broom is in fine form on Decay with his tight production skills delivering the kind of tough, raw Techno that sits perfectly on M-Plant.

11 years after the release of Exhibitionist, Jeff Mills reveals the follow-up to his innovative film with Exhibitionist 2. Exhibitionist 2 explores DJing as an art form and gives us a peak into how a DJ makes use of current technological means to create seamless mixes and complex transitions to levels that were thought impossible not long ago. In this second volume, Jeff Mills goes deeper and not only shows how he approaches the mixing process but also how he thinks in real time, spontaneously creating, just like a musician playing an acoustic instrument or a soloist thinking of rhythms on-the-fly. The ambitious project captures the DJ over the course of multiple sequences, with closeup and multi-angle shots that allow us to see exactly what a DJ does and how music is programmed and played for the purpose of dancing.

Some more quality techno by Madrid’s Jose Cabrera who is having a mighty good run of releases at the moment, we must say. This inaugurates his new label. It’s bleeping and majestic Jeff Mills style techno that’s the flavour on “Exodus”. “J1” by NX1 though is a tribute to? You guessed it: Robert Hood. This time with cyclical and entrancing synth stabs and claps on the kick, and a fine tribute we must say.

The second installment of 12” EP from “Exhibitionist 2” DVD+CD. All the tracks are created by Jeff Mills during the session in the Studio Mix in the DVD, where the audience can see and learn how Jeff Mills produces tracks.

Float Records first vinyl release is a fact. And what could be better then divide it in 2 parts. The first output reflects the second. Label owners TWR72 presents you ‘Reflect’. The 1st remix comes from Berlin based Markus Suckut. A subtle angle is taken on Reflect which makes the remix feel sustainable. Just the perfect remix to include in his impeccable oeuvre. All the way from Finland is analog devotee Samuli Kemppi, who takes care of the 2nd remix. Samuli creates a sudden tension with builds up until the very end. A001, from Amsterdam, turns the original Reflect into a obscure remix with an perplexing 2nd half. A001’s mysterious and quiet appearance is a paradox compare to his musical output. TWR72 closes the EP with the bonus track ‘Response’.

Hail Blk is a Maltese collective record label founded by N.d. Through its algorithmic resonance the label envisions to challenge and re-model the cognitive perception of time and self-consciousness.

Proper analog and psychotic techno. Exactly the right to destroy the floor. One part of A&S – Dimi Angelis come up with his very own imprint.

High Mobility Weapons Unit sets off from an unknown location on Earth, making its maiden voyage beyond our solar system and towards a distant galaxy. The ‘Transverse Velocity EP’ is the debut release on the self-titled imprint, serving up four original tracks that are heavily influenced by mechanical cycles and deep space concepts.

Liverpool’s Binny debuts on Monnom Black imprint, a label reserved for the darker of techno joints. In apt style, “Mispress” kicks things off in a menacing fashion, blasting out heavy kicks, minimal melodies and rough shots of percussion, followed by the bouncier but nonetheless charged belter that is “Outline”. Over on the flipside, “Quarantine” is a dirty squelcher in the style of Surgeon and Regis, while “Event Horizon” recalls Jeff Mills at his poignant and would sit incredibly well in a set by the man himself.