new beat

Anti-Time – Dream Baby / Free Recipe [SMR016]

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The original Berlin dance floor trouble makers from the early 90s, Saba Komossa and Gabi Delgado’s joint project Anti-Time was a powerful soundtrack to Berlin’s nightlife after the wall came down. Merging their naive curiosity with access to latest studio equipment guided by an unmatchable instinct for what works on a dancefloor, Gabi and Saba created a sound so classic and unmistakably their own that still today it refreshes the ears. For many an established masterpiece, for others a time capsule love message from over 3 decades ago, but for everyone it’s an essential piece of European club scene history. This album combines both of the known Anti-Time releases from 1990 and 1991 into one release.

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Anti-Time – Dream Baby / Free Recipe [SMR016]

Puerta Negra – Costo Humano [OR113]

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Puerta Negra delivers amazing industrial breaks covered in a very simple but extremely effective by funky bass lines perfectly finished by ensoniq style super synth leads culminated by harsh raged vocals sung in castillan language. This is for sure one of the most fresh and brilliant modern ebm work coming from the states recently.

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Puerta Negra – Costo Humano [OR113]

Intension – Tragic Revolution (Lennart Edit) [FREE DOWNLOAD]

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Tragic Revolution, a New Beat track from 1988, gets an uptempo edit by Lennart. The catchy melodies and dark vocoder voices caught his attention and inspired him to give this song a new twist. Lennart is a 25-year-old producer and DJ from The Netherlands who started working at Slow Motion at the beginning of 2021. This edit was made in the summer of 2021 in the studios of Sameheads in Berlin.

Intension – Tragic Revolution (Lennart Edit) [FREE DOWNLOAD]

Asymetric80 – Blood Lies [OR110]

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Asymetric80 is the EBM/new beat project from producer and DJ Gonzalo Sendon from Spain, Barcelona. “Blood Lies Mini-album” continue exploring the evolution around the late 80’s / early 90’s underground “spaniard sound”, you could expect a mixture of new ebm, new beat and even trance melodies usually combined with hypnotic spoken words.

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Asymetric80 – Blood Lies [OR110]

Delkom – Futur Ultra [SMR013]

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Delkom’s only known previously released album. Originally released in 1990 by the wonder duo consisting of Saba Komossa and Gabi Delgado. The album is released as a continuous mix with each track delineated on the grooves. Imagine Berlin in 1990, the wall is about to come down, no social media, no CDJs, new drugs are being standardized and this is the soundtrack to your night out in this debaucherous capital, exploding with energies that anthropology PhD students still haven’t been able to fully describe. The entire record sounds like a dub mix that almost wasn’t allowed to be released by the record label, unorthodox in its methods, too experimental for most studios yet highly effective on the best of dancefloors. Sexually charged lyrics, driving percussive rawness over heftily synthesized bass lines, all boxes are checked for total club mayhem. Pioneers in their own right, clearly marking their territory in Berlin dancefloor culture from its early post reunification days. Powerfully tasteful and unique sounds from a golden age.

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Delkom – Futur Ultra [SMR013]

Danton’s Voice – Danton’s Voice Selected Works ’89 [SMI001]

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Although his released body of work is relatively small, Dirk De Saever’s EPs come with a rather unique aesthetic in sound. Once New Beat was established and exploded as a dancefloor craze in Europe, there seems to have been a bit of a flood of attempts at making “a hit” within the style, filter through most of that and you’ll eventually land on Dirk’s mini catalogue of top grade Belgian New Beat. This 12” is a compilation of De Saever’s 3 EPs combined in one, featuring original mixes on the A-side and instrumentals on the B-side.

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Danton’s Voice – Danton’s Voice Selected Works ’89 [SMI001]

Innershades – Heritage Vol. 1 [ALT004]

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Over the last years a rehabilitation of the New Beat genre has taken place. Short-lived it succumbed under its own immense popularity at the beginning of the nineties, watered down once producers with an eye for commercial success – and not quality control – joined in on its seemingly easy recipe. Below the surface a lot of highly original tracks remain to be enjoyed however: the sound, with its unique mix of amongst others Chicago acid house and Belgian EBM, reveals itself to be an essential node in electronic music’s Trans-Atlantic trajectory. Innershades has been a longtime enthusiast of the genre and made it a focal point of attention on ”Heritage Vol. 1”, the first part of a series that celebrates his inspirations and influences. Rather than making a selection of style exercises, he opts to subtly inject his tech and progressive productions with some of its tropes. It is a blend that comes naturally as menacing melodies and throbbing pulses are vital to his sound.

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Innershades – Heritage Vol. 1 [ALT004]

WLDV – The Fourth Kind [AH011]

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WLDV introduces four tracks on this new 12″ release in tribute to Valencia’s ‘La Ruta del Bacalao’ (or Ruta Destroy), with a kind of Proto-Techno that reminds us the late eighties and early nineties movement sound, also mixed with his personal Horror Disco.

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WLDV – The Fourth Kind [AH011]

VA – The Brutality Of Rhythm – Part​.​1 [MEC075]

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“The Brutality Of Rhythm” is a compilation series focused to rescue EBM-electro-industrial jewels from the 90’s. On the first installment have been included some hits, remixes and rare tracks by Sigbefia Five (Germany), Institute For The Criminally Insane (Denmark), Lights of Euphoria (Germany), Birmingham 6 (Denmark), Kevorkian Death Cycle (USA), Fiction 8 (USA), Sleepwalk (Germany) and Brigade Werther (Germany).

VA – The Brutality Of Rhythm – Part​.​1 [MEC075]

Deux – Let’s Go ! [MW080]

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Minimal Wave presents a 4-song EP by the iconic French synth duo, Deux, entitled Let’s Go !. Gérard Pelletier and Cati Tête formed Deux shortly after meeting in Lyon in 1981. They became known for their stripped-down synth pop compositions and suitably cold duets, through their archival Minimal Wave releases Decadence (2010) and Golden Dreams EP (2012). In the late 1980s and early 1990s, they began to branch out and make more dancefloor-oriented music. The Let’s Go ! EP features three remastered mixes of their underground classic Let’s Go ! and an unreleased version of Everybody’s Night (Dirty Mix).

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Deux – Let’s Go ! [MW080]

Itako – Broken Materials [SGCD2201]

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Itako hails from Strasbourg , France. His music creation speciality is blending an array of consciousness-expanding sounds over slower electro and technoid beats. His debut album “Broken Material” on SonicGroove splashes acid, dashes Body music basslines , and sprinkles Belgian New Beat over a ten song album creating a perfect concoction of sci fiction cyber psychodelia that will you drive you into unexplored dimensions.

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Itako – Broken Materials [SGCD2201]

Buzz Kull – Fascination LP [AV!080]

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The Aussie master of the dark synth arts is back in full force as Buzz Kull with the third album Fascination. Early days of minimal wave seem far away now that Marc Dwyer has gone full Body Music with new full-length, but there is a thread that binds Buzz Kull hits from the past with these ten new cuts: a thread of darkness proper to the most handsome man in the game and that’s here to stay. Cause this record is not just about music subgenres we all know and love, it’s about a feeling that comes alive only with the dark and drives you through the small hours just to leave you drained and filled at once.

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Buzz Kull – Fascination LP [AV!080]

VA – Italo Moderni Edits (III Xmas Edizione)

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Italo Moderni brings Xmas III Edizione it’s the third compilation on Digital. Quality mastering on that super rare italo-electro utterance, perfect for dancefloors or mixes. Another trippy strings and arps, throat singing and ecstatic chanting all around.
We have edits from the likes of Skatebard, Hysteric, Adrian Marth, Flemming Dalum, Franz Scala, Sneaker, Katmandu, Vinilette. All tracks have been carefully edited without overdubs, in order to bring the spirit of classic italo disco and reflect the real underground vibe from the age.

VA – Italo Moderni Edits (III Xmas Edizione)

Krishna Goineau ft. MCL – 80’s Tapes [IM011]

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“Krishna Goineau is well known for his starring role in ‘Los Niños del Parque’ with Liaisons Dangereuses and in other projects such as Velodrome and Xeroox. Through one of his friends we have been lucky enough to receive a hard disk on which there are a variety of unreleased tracks by Krishna Goineau with MCL (Micro Cheap League) recorded in the year 85-86. Krishna lived in Barcelona at that time and was involved in different groups while traveling through Germany and Belgium to create new projects. After dissolving Liaisons Dangereuses in 1983 Krishna started a new project with MCL where you can identify the essence and influences that he had at that time, touches of EBM and metal synthesizers with vocals in Spanish as in the track ” No Information”. These tracks are preserved in excellent quality in which Alden Tyrell has done the mastering on vinyl and digital. Having something like this is like finding a treasure in the middle of a secret island. To finalize the release we have edits from Silent Servant, Curses, Esprit Divers. Deckard & Lucient.”

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Krishna Goineau ft. MCL – 80’s Tapes [IM011]

Scannoir – Through My Silence [FRV041]

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After his appearance on Frigio Allstars Vol 3, Scannoir (also half member of the amazing GOTT project) delivers his first full length EP with “Through My Silence”. Emotive and raw, the style pursued blurs the lines between synth wave, EBM and techno.

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Scannoir – Through My Silence [FRV041]

Ton Lebbink – Wat Doe Je Met Me? [RUBBER011]

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By the late 1980’s Ton Lebbink was a well respected figure in Amsterdam’s alternative scene: he was the drummer for the Amsterdam post punk group Mecano, a true punk poet and worked as a bouncer at Amsterdam’s main music venue Paradiso. He released two solo albums, both in his unique narcotic style: laying absurd Dutch wordplay over stripped down frigid instrumentals. When house music took the world by storm in the early 90s, Lebbink hopped on the bandwagon – trading in his cult status as one of the main faces of the 1980s underground, for a life spent toiling to produce sampledelic house music in comparative anonymity. “Wat Doe Je Met Me?” is one of many fruits of Lebbink’s labour during this renaissance period: only three tracks appear on the EP, but all make up an unusual early house sound tempered by Gregorian chant, cut-up vocal, subdued synth plucks and an overall hazy sound.

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Ton Lebbink – Wat Doe Je Met Me? [RUBBER011]