Edmund Xavier’s dark minimal wave project Horrid Red new EP on Soft Abuse. “Silent Party” features the group’s signature style of combining gloomy creepiness with an overall very danceable rhythm pattern, adding up to strangely irresistible party tunes, new wave & post-punk.
Pylon Records presents an essential 6 track LP from New York via Detroit minimal wave producer Neud Photo, who takes the kraut of Kraftwerk, the sublime groove of early New Order, and the funk of Liquid Liquid to create vintage electronic masterpieces.
New single on Mannequin Label featuring a real collaboration between Tobias Bernstrup and Martial Canterel, in a sense that Tobias sings on the Martial Canterel-tracks and vice versa.
Parade Ground has always been the duo of brothers Jean-Marc and Pierre Pauly from Brussels, Belgium formed in 1981. Taking cues from Post-Punk, Cold Wave, Dada and Surrealism, Parade Ground channeled suffering, tension and rage through pulsing synthesizers, skeletal guitar, severe bass and Jean-Marc’s expressive vocals as the most melodic and emotional instrument. “The Golden Years” is an 11-song, career-spanning collection of Parade Ground’s long out-of-print 7” and 12” singles as well as rare compilation tracks from the pioneers of emotional body music created during 1982-1988.
Upset The Rhythm released John Maus’ third album ‘We Must Become The Pitiless Censors Of Ourselves’. Questing synthesisers, tensely strung bass lines and chasing drum machines providing the perfect backdrop for John’s deeply resonant reverb-drenched vocal.
Minimal Wave takes an old sound in a new direction entirely, giving Futurisk’s classic ‘Lonely Streets’ a modern shake-up through a remix package from current artists – out now on MW’s sublabel reserved for new music and old favorites, Cititrax. Remixes by Prince Language, Chris Carter, Complexxion and Tom Furse.
A Compilation of Minimal Wave from Around the World ‘79-‘85. The Hidden Tapes features rare, unreleased, and licensed tracks from as far as Japan and the former Yugoslavia. Most of the bands on this compilation recorded on 4-track tape in their bedroom studios while two of them went further to collaborate by sending tapes through the mail. The sounds on this record range from raw proto-industrial to naive danceable Belgradian new wave, to filmic synthesizer music to more complex, vocal-driven melodic synthpop.
Ata’s Volume of the “Life At Robert Johnson” vinyl extract with two of the most extraordinary songs and mysterious corkers of his outstanding compilation. Ramonaäs main man picked Grauzone with “Raum” and Zwischenfall’s “Flucht” for this special plate. As this wouldn’t be a treat in itself already, Ata extended the pop arrangement of “Raum” into an almost 8 minute long powerful ballroom blitz edit for all you new wavers and old romantics.
A new release by Tropic of Cancer, the LA-based duo of Camella Lobo and Juan Mendez (aka Silent Servant). They make make raw, visceral music in the loose tradition of minimal synth, post-punk, industrial and goth, produced with authority and a supremely evolved grasp of spatial arrangement. Superb experimental edged & punk drone-rock infected cuts.
Stark and beautiful.. an amazing new title from John Mendez (Silent Servant / Sandwell) alongside his partner Camella Lobbo with the one and only Richard H Kirk (Cabaret Voltaire, Sweet Exorcist etc.) on remix duties.
From the Bauhaus-influenced record cover, to the dead thuds that pound every corner of “The Soft Moon”, there is something imposing and stark about Luis Vasquez’s debut record. It casts a bleak shadow, like a graying tower block. The record heavily recalls the industrial and goth 1980s, eras of music bathed in blackness, yet beneath the squall and the otherwise monolithic sound poke out some impressive moments of clarity.
A huge flying interstellar mental asylum collecting the most hopeless cases of our galaxy. Meet Dr. Dabic and his hideous device, listen to Klaus Nomi’s desperate tale and watch the beauty of NGC891 from your padded cell!