Blackest Ever Black have performed an interesting exercise in issuing this new 12″ from Tropic Of Cancer along with the Archive: The Downwards Singles collection; as it allows you to hear first-hand how Camella Lobo’s band has progressed musically in a few short years. This three track 12″ is her first new music since that excellent debut Tropic of Cancer LP, and finds Lobo working with Joshua Eustis of Telefon Tel Aviv.
Blackest Ever Black serve up a double dose of Tropic Of Cancer goodness, with the fresh material from Camella Lobo complemented by this Archive: The Downwards Singles 12″. The smarter cookies out there will glean the content from the title, with Blackest Ever Black gathering together the earliest Tropic of Cancer material issued through the DO sublabel of Karl O’Connor’s Downwards label. These three tracks were recorded in Tropic Of Cancer’s original iteration of Lobo and Juan ‘Silent Servant’ Mendez, a time when the band was exploring a more explicitly bleaker, hazier sound. The motorik stomp and yelping Mendez vocals of closing track “Be Brave” remains a thrilling experience to sink into.
Restless Idylls is the first full length album from Tropic of Cancer, the solo project of Los Angeles-based Camella Lobo. Lobo debuted in 2009 with ‘The Dull Age’/’Victims’, a 10” single on Downwards and the first of three collaborations with Juan Mendez (Silent Servant). Two years later came a second Downwards release (‘Be Brave’, remixed by Cabaret Voltaire’s Richard H. Kirk), followed soon after by The Sorrow Of Two Blooms on Blackest Ever Black – the label’s third release and one if its most cherished. Since then there have been 12” releases on Mannequin, Sleeperhold Publications, Ghostly International (a Part Times Punks Sessions live split with HTRK) and a limited edition compilation, The End of All Things, compiling singles and unreleased recordings. Restless Idylls marks ToC’s return to BEB and consists of eight new recordings written in Los Angeles, with additional production from Karl O’Connor (Regis) in New York and London. Its themes? The usual: romance, devotion, pain and helplessness. Mixed up mortals struggling against the brute mechanics of fate, and proving unequal to the task. A forced retreat into private, precious idylls of longing, faith, mystery, even misery. The urgent motorik of lead single ‘More Alone’ is perhaps a misleading foretaste of the full-length, which is more lush, languid and extravagantly despondent than previous TOC material. Troubled hymns from an empty room, in a drowned world. A sensual and sepulchral psychedelia.
The line-up for the second remix EP after the successful and now deleted Regis / Monoton remixes 12 represents a wide catalogue of electronic beats. LA owns Tropic Of Cancer delivers a great ethereal version of Half A God. Camella Lobo provides a rare remix. Former Ike Yard member and synths wizard Fred Szymanski also reinterprets Half A God with a unique musique concrte inspired electronica piece under his Recombinant guise. On the B side its club time with a long, Detroit inspired techno version of Cherish 8 by Arnaud Rebotini, head honcho of Black Strobe.
This year has seen Tropic Of Cancer stealthily plot a successful course for total infiltration of our affections, with some well chosen releases laying down the foundations of expectation for the band’s much vaunted debut album, slated for release on Blackest Ever Black next year. This eminently collectable three track release for Belgian imprint Sleeperhold will no doubt jostle for first place with that wonderfully atmospheric 12″ on Mannequin and split HTRK release on Ghostly for best Tropic Of Cancer release of 2012. It’s “Children Of A Lesser God”, the final exquisite track that will floor most people, capturing Camella Lobo and company at their most powerful. Spartan drum machines and nerve tingling guitars form the backbone of this stunning seven minute track as Lobo’s undeniably plaintive delivery sinks ever deeper into the murky recesses.
The Part Time Punks Radio Sessions 12″ by HTRK and Tropic of Cancer holds six sublime songs of desire. Comparable to a fly-on-a-wall Peel Sessions, the critically acclaimed Part Time Punks radio show is the sound of the LA underground, run by local icon Michael Stock. The limited split captures both bands live at the radio headquarters during HTRK’s first 2011 tour of the USA, accompanied by comrades in minimalism and melancholia, Tropic of Cancer. Flipping this vinyl sounds like two sides of the same cursed coin, and mirrors a high school dance playing an endless lustful waltz. BPMs bumped down to a psychic stalk. It’s a broken and beautiful memento.
Downwards’ collect the best of their DO series, together with a handful of exclusive aces on ‘So Click Heels’. Since 2009 the label’s affections for the miasmatic drizzle, sonic innovation and repressed violence of post-punk and shoegaze has manifested itself in some twelve releases veering between the scuzzy basement noise of Collin Gorman Weiland, the blissful feedback blooms of The KVB, and swaggering rock’n’roll from DVA Damas. A good proportion of them feature here – including Richard H Kirk’s droning remix of Tropic Of Cancer’s ‘Be Brave’, the desiccated drum machines of Sandra Electronics (Regis), and Pink Playground’s powdered-glass shoegaze bloomer ‘Ten”. Unreleased bits: the phet-clenched twitch of Deathday’s ‘Dropped Into Obscurity’ or V West’s ‘Catching Me Cold’; the excoriating sludge of The KVB’s ‘Dayzed’; a mighty slab of monochrome, motorik punk from Silent Servants (Juan Mendez); the psychoactivated rock ‘n roll of Green Screen Door; and not least an insidious Electro cut from Antonym, or the graphite surfaces and choking dust of Six Six Seconds’ ‘Tearing Down Heaven’.
Brand new 12” from Tropic of Cancer, one the most important realities in the modern post-punk and darkwave scene. The band consists of Camella Lobo and John Juan Mendez. Though Tropic Of Cancer’s sound has been called gothic, cold wave and drone pop, the band’s take on their influences is anything but nostalgic. Lobo and Mendez have managed to imbue their own elusive gaze and craft a strangely beautiful and intoxicating sound in the wake of their predecessors. The three tracks on this new 12” take us gently by the hand into a slowed-down opium dream – it’s like watching the desert from the same stark corners where Lyciastood many years ago. This EP gathers the primal thrust of their bleak Post-Punk (think about Cultural Decay shaking hands with Section 25 in their psychedelic/buddhist years) and Minimal Wave aesthetics with this entirely new dimension in the music of TOC – heartfelt and deep. Cold waves have never been so warm.
Tropic Of Cancer wrap up their time on Downwards (before their full time move to Blackest Ever Black) with a retrospective of their Downwards EPs and a collection of early demos. ‘The End Of All Things’ is Tropic Of Cancer’s tender farewell note to Downwards, collecting their two 10″s for the label together with a cover of Soft Cell’s ‘L.O.V.E. Feelings’ and new, unreleased material – seven tracks in total.
A new release by Tropic of Cancer, the LA-based duo of Camella Lobo and Juan Mendez (aka Silent Servant). They make make raw, visceral music in the loose tradition of minimal synth, post-punk, industrial and goth, produced with authority and a supremely evolved grasp of spatial arrangement. Superb experimental edged & punk drone-rock infected cuts.
Stark and beautiful.. an amazing new title from John Mendez (Silent Servant / Sandwell) alongside his partner Camella Lobbo with the one and only Richard H Kirk (Cabaret Voltaire, Sweet Exorcist etc.) on remix duties.
The Hipodrome Of Music 