Acid Jesus, the first of many collabs between Roman Flügel and Jörn Elling Wuttke. Situated in Germany’s then blistering techno scene and especially a mirror of Frankfurt at the time (and it´s holy label trinity of Playhouse, Klang and Ongaku), Flashbacks are also a feedback loop to what was happening in the UK and the USA. Flügel and Wuttke succeeded with their own and unique take on it, that owned as much to Underground Resistance and the Belleville Three as it did to Sven Väth and Andrew Weatherall. Including 3 (+1 more on MP3) unreleased tracks.
vinyl / CD
Benedikt Frey’s Out Of Here gets a fresh new treatment in the hands of two mainstays of European techno: Roman Flugel and Simon Haydo. Flugel’s Cosmic Disco Drama Rework lives up to its name, maintaining the noir disco spirit of the original track but infusing it with tension-building sequences and strings that give it an extra mischievous twist. He also straightens the rhythmic skeleton and adds shuffling shakers to make it a relentless dancefloor weapon. Haydo’s remix delves into a more dismal terrain, transforming the vocals into haunted echoes, adding esoteric synths and topping it all with razor-sharp percussion in what sounds like a storm of ice asteroids falling into a lake of steel.
Two sureshots for the acid-proof dancefloor by Naif. On side A, Gunnar Haslam who delivers a blinding acid-journey of a rare kind with the track Overcomplete. Roman Flugel serves a re-release of one of Acid Jesus finest jams: Radium (with Jorn Elling Wuttke).
It’s the onset of a brave new era for Ostgut Ton as Panorama Bar 06 signals the label’s decision to halt the manufacturing of CDs for their much loved series of mixes. Due for free download via the Ostgut site on August 11, the Berlin operation have not forgone the vinyl format with all the exclusives gathered by mix curator Ryan Elliott pressed up across a pair of 12″ samplers. And boy did Elliott call in the favours with this first sampler featuring new and unreleased music from Newworldaquarium, Roman Flugel, Terrence Dixon, Tuff City Kids and Borrowed Identity. It is an overall exquisite selection, running from the ambience of NWAQ’s contribution to Flugel’s big room stomper and the sweeter, more playful sounds of Tuff City Kids and Borrowed Identity.
After a string of twenty plus 12-inches, various high-flying mix-compact-discs, other audio-visual eccentricities and even books, she is finally ready to make a collection public that embodies the very character of Live At Robert Johnson and its affiliated club in Offenbach am Main. During this collection of 11 tracks, you will meet old and new companions; hear withdrawn songs and extrovert composi- tions, experience Frankfurt skyline techno-soul, hobo house and divergent disco. Starting off with new kid on the block Chinaski and an extended mix of the fragile “Lunch”, Live At Robert Johnson old hands Massimiliano Pagliara and Lauer are on top of their respective games, Roman Flügel sends warped and gifted droid funk, The Citizen’s Band precedes him, while newcomers Benedikt Frey and Orson Wells set good examples of their own. Not too shabby either: San Laurentino in his state of overjoy, Portable and Lcio bring their flutes of mellow madness, while the Tuff City Kids close of with “People Is A Crackhead” and some blue-eyed steppers business. Modern, old-fashioned, post-nostalgic, history-addicted and future-ridden all at the same time, “The Lifesaver Compilation” is exactly that: a life saving apparatus.