
New Cosmin TRG making his debut on Running Back. White label techno feel on this release with three stong slowly building cuts that slowly move further away from the old TRG titles.

New Cosmin TRG making his debut on Running Back. White label techno feel on this release with three stong slowly building cuts that slowly move further away from the old TRG titles.

New label by DVS1 delivering some dubby spaced out house tracks by German-Romanian Borrowed Identity.

Growing up in the deep south of Germany with multi ethnic friends and big interest in many different music genres of the world, Borrowed Identity built his wide knowledge in music. This variety in his musical taste is also the reason why he is working under different aliases producing a big variety of sound from ambient to house to experimental music and everything inbetween. Borrowed Identity debut EP on Quintessentials is another great example for his multistyle approach to music. You’ll find elements of house, disco, techno, ambient and more – always with an imminent love for music.

The Romanian hotshot Cosmin TRG gets his work reshaped by two of the best contemporary remixers. Marcel Dettmann is best known for his industrial-tinged techno, but his remix of the title track casts a different light on him. Shards of delicate, metallic percussion provide the basis for Dettmann to deliver fragile melodies and a mysterious electronic groove. It’s an impressive about turn for the German producer, but not quite as jaw-droppingly unusual as Lee Gamble’s version of “Noise Code”. There, razor sharp hats soar in over a pacey, tracky rhythm that stops, starts and collapses to reveal a wobbly, cartoonish bassline. Just before the end, Gamble lets the track descend into abstract mushiness, a fitting end to an idiosyncratic remix package.

Strut, in conjunction with Ambassadors Reception and Future Nuggets, presents the first ever retrospective of fabled band Rodion G.A., one of Romania’s best kept musical secrets of the last 30 years. As a band, Rodion G.A. were a unique phenomenon in their homeland at the time, operating in their own universe during a prolific period of recording from 1978 to 1984 at a time of significant political repression under the Ceausescu regime. Bandleader, Rodion Ladislau Rosca, was an enigma. As half-Hungarian, half-Romanian, he lived near the border in Cluj, a city with a healthy music culture which had spawned important prog rock bands incuding Cromatic, Experimental Quintet and Semnal M. Despite the political conditions, a music scene existed in Romania, mainly within a network of festivals around the country and in seaside towns at restaurants and clubs.
From the start, Rodion was concerned with his own style of composition and set himself apart from the predominant rock sounds that dominated Romanian music during the late 60s. Technically and in his compositions, he was obsessed with every detail. His first sessions were recorded during 1969-1972 – simple, sparse and haunting pieces using reel to reel recorders, based around vocals, guitars and improvised drums. In 1975-6, Rosca formed Rodion G.A., the G.A. comprising band members Gicu Frca. and Adrian Cpraru. Rosca had amassed equipment and became a DIY tech wizard, improvising his own techniques of composing using reel to reels. Surrounded by three or four Tesla tape machines, he would record beats and guitar on one channel of the tape, then stop and add other instruments on the other a raw means of multi-tracking. He would use the other machines to add effects and delays on both instruments and vocals. Other tools in his armoury included an East German Vermona drum machine, a toy Casio VL Tone and a small Russian organ to which he added phaser, flanger and delay pedals. From the start, the band’s sound was incomparable to other contemporaries – dense electronic sounds, raw programmed rhythms, intricate arrangements, prog and classical touches.
Fast forward to 2012 when the myth of Rodion G.A. came to the attention of excellent Romanian production and DJ crew, Future Nuggets, a collective as dedicated to unearthing Romania’s musical past as they are forging new sounds steeped in the country’s traditions.

Brand new sub-label of the long-standing and highly respected Adult Only imprint from Chris Carrier. This release features the talentated young Romanian MarcMan.

After the success with the debut release, the Romanian dj/producer Romansoff comes with the second EP on his own label Raw Tools. Four tracks with pure raw & jacking analogue sounds.

Here we have a very special installment of The Hipodrome Of Music podcast series, featuring a guy that I was hunting for a long time to get it on Hipodrome. Iulian Cazan aka Jay Bliss is one of the persons and djs that had a great influence on my evolution in the electronic music, opening my mind to new musical horizons when moving to Sibiu 8 years ago.
Since then, Iuli has moved from being one of Romania’s youngest dj talents to one of the most respected Romanian producers and djs, with releases on labels like Diynamic, Hudd Traxx, Fear of Flying, All Inn and 20:20 Vision and collaborations with fellow Romania starlets Mihai Popoviciu, Petre Inspirescu and international artist like Och, Markus Homm and Skudge. Also he had shows all around Europe, from UK and Spain to Germany, Holland and Russia.

Local Records preset “Silence As Beauty” a radical disc for personal rituals composed by Fierbinteanu in May 2013. It’s mainly a diary of noise recorded in the last 13 years, but contains some songs. Many audio sequences were printed on cassette tape.
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