East Wall – Eyes Of Glas [DE144]

To accompany their re-release of East Wall’s superb 1991 debut album, Silence, Dark Entries has decided to put out the Italian band’s forgotten debut release, 1985 single “Eye of Glass”. Tending towards the darker end of the Italo-disco spectrum, but blessed with typically cheery synthesizer melodies and skewed female vocals, it’s a record that seems far more inspired by the earlier British new wave synth-pop movement than pleasing the clubs of Rome or Rimini. The vocal version is accompanied by a subtly different instrumental, which includes waves of warm synths and offers more prominence to the band’s bubbly electronics, throbbing arpeggio bassline, and delay-laden drum machine hits.

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East Wall – Eyes Of Glas [DE144]

Le Cliché – Consumer Manoeuvres LP [CBR011]

“Consumer Manoeuvres” by Le Cliché is the latest release on Cold Beats Records. Le Cliché is the electronic music project of Gerard Ryan, professor of marketing at the Universitat Rovira i Virgili. The music takes a critical view of the malaise of marketing and its effect on our postmodern consumer society. It deals with serious issues as diverse as consumer privacy, identity, fad diets, fast fashion and the hyper-reality of contemporary advertising. Yet it does so always with an optimistic sarcasm and playfulness. This new collection of songs on Cold Beats Records, entitled Consumer Manoeuvres, started out as a remix project but very quickly turned into an all-together different record, a series of collaboration, covers and reimagining’s of the original music. Cold Beats Records presents some of the most influential electronic artists from the underground, minimal synth and coldwave scene from the last 35 years in an all-together darker record Le Cliché’s other records. Collaborators include Mark Lane, Mick Milk, Kline Coma Xero and Spatial Relation (USA), ADN’ Ckrystall (France), Red Fetish, John Costello, This is the Bridge and Jonteknik (UK), KuBO (Ireland) Moss Garten (Sweden) JJ Ibañex of Kremlyn, and Wladyslaw Triejo (Spain) Delayscape (Denmark), Gay Cat Park and Effetto Joule (Italy).These artists have appeared on many of the most influential darkwave, coldwave, italo and minimal synth music on a host of leading labels including Minimal Wave, Mannequin, Medical Records, Peripheral Minimal, Anna Logue, Domestica, Obscure Identities 1980, Vinyl on Demand, La Forme Lente and Kernkrach.

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Le Cliché – Consumer Manoeuvres LP [CBR011]

VA – Salamanca Issue #5 [SAL005]

Salamanca returns with their fifth release, proud to present two pioneers from the infamous Dutch Westland italo scene: Peet Need and Savino. The duo came up with an excellent remix of Marcia di Kioto, next to their original song called Hypnotized. On the flipside you’ll find haunting synths by SEER on Voltaic break-beats delivered by Afrobot. Last but not least we have included an new wave edit from the mysterious Simulanten.

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VA – Salamanca Issue #5 [SAL005]

Sneaker – The Midas Touch EP [FRV022]

SNEAKER/CLICK CLICK/RALPH LUNDSTEN/GENEVIEVE PASQUIER - The Midas Touch EP

Editor extraordinaire, Sneaker welcomes you to marvel at his Midas Touch. Happy disco or chirpy funk edits these ain’t. Instead the Rat Life man unearths three dark obscurities and further blackens their already sinister sounds.’Playground’ by Click Click first came out in 1988. Sneaker maintains the tension, the steady and strained notes as vocals tell a tale of shrouded menace. Ralph Lundsten opens the flip, his 1970 track ‘Through A Landscape of Mirrors’ is bolstered with snapping rhythms, synths are smeared and wrenched as the twisted hand of Dunkeltier takes control. The last instalment, first released on Ant-Zen in 2006, is Geneviève Pasquier’s ‘Fairy Tale.’ A gritty track of reduced industrial essences, the original has been extended and further muddied for ready-made dancefloor corruption.

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Sneaker – The Midas Touch EP [FRV022]

Black Pond – Deepest Chasms [EE013RTM]

Killer electro/wave tracks by Black Pond. Black Pond is a collaboration of underground star Beta Evers and Jeff Galea from the legendary Eleven Pond. Known for her solo work as well as various collaborative projects, Beta Evers can be considered the godmother of German electro wave. Her beats are strict while her voice is cool and deep. Jeff Galea, who founded Eleven Pond in the mid-80s, is the master of energizing bass lines and emotional synth melodies. Deepest Chasms reflects their shared darkness in four melodic and atmospheric synthwave tracks that won’t let go of you.

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Black Pond – Deepest Chasms [EE013RTM]

Le Chocolat Noir – Models Unrepresentative [CHAR010]

LE CHOCOLAT NOIR - Models Unrepresentative

Croatia’s Le Chocolat Noir debuts on Charlois with four cuts of embittered, EBM inspired, electronics. An EP of contrasts. Wrenching vocals are scored by brash synthlines. slicing snares, countered by a cold and bright hope. Frigid warmth from the heart of Zagreb.

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Le Chocolat Noir – Models Unrepresentative [CHAR010]

TWINS – Rather Not [ENFANT027]

TWINS is Matt Weiner who is also known for his Featureless Ghost project and of course as the head of the DKA Records label. His project TWINS is not limited to one specific style but the dominant characteristic is the synth driven sound… other influences in the mix are various styles of dance music and a healthy dose of arty post-punk. This new mini album “Rather Not” is the perfect blending of all of this, due to this it is on the one hand a classic minimal elektro record but at the same time a rather modern piece of electronic music, catchy tunes and surprising twists go hand in hand and make up for an authentic and original record.

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TWINS – Rather Not [ENFANT027]

Aviador Dro – Cromosomas Salvajes [MEC019]

EL AVIADOR DRO Y SUS OBREROS ESPECIALIZADOS - Cromosomas Salvajes (reissue)

One of the most influential Spanish techno-pop bands from the 80s is finally taking back to life one of their most successful albums. Originally released in 1985, ‘Cromosomas Salvajes’ marked a big step forward on the career of El Aviador Dro y sus Obreros Especializados. While keeping their message in support of the working class, nuclear energy and futuristic vision, this work had a top production, more dynamic compositions and included some of the fans favorites: ‘Himno Aéreo’, ‘La Ciudad en Movimiento’ and ‘El Color de tus Ojos al Bailar’.This new pressing has been restored and remastered from the original tapes. LP edition comes in yellow vinyl with gatefold jacket with an exclusive postcard, one sticker and includes all tracks from the original issue plus the b-side ‘Tejidos’ and the unreleased track Europa Arde en mi Interior’ that was originally composed for the famous Eurovision Song Contest.

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Aviador Dro – Cromosomas Salvajes [MEC019]

Marie Davidson – Adieux Au Dancefloor [CITI021]

DAVIDSON, Marie - Adieux Au Dancefloor

Cititrax presents a full length LP entitled Adieux Au Dancefloor by Montreal based recording artist, Marie Davidson. Marie Davidson has emerged as one of the foremost electronic artists working in contemporary pop today. As a long-time member of Essaie Pas (DFA Records), Davidson has had the opportunity to hone her many talents. She has been participating in the city’s vibrant experimental community for much of her adult life. However, in 2012 she began to unveil compositions under her own name, revealing a solo artist who possessed the combined confidence and vulnerability required to write, produce and perform unaccompanied. Davidson’s intimate solo work is embodied through a host of synthesizers, sequencers and drum machines which coalesce in synchronized harmony, punctuated by vocals, half sung, half spoken in both French and English. She masterfully shapes the overall mood, themes, emotion, expression and intensity of her work, which gives the final result a distinctive, cinematic quality. With Adieux Au Dancefloor, Marie makes a slight departure from her last two releases, via Holodeck (2015) and Weyrd Son (2014), by creating her first fully dancefloor oriented piece of work. Through the 45 minutes of music that comprises the album, she experiments with pop structures, defines her voice, and layers rhythms to make complex and beautiful techno tracks. She closes the album with the title track in classic Chanson style.

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Marie Davidson – Adieux Au Dancefloor [CITI021]

Blind Delon – Edouard [OR172016]

BLIND DELON - Edouard

The acclaimed debut of one of the most surprising new projects of the very active french scene. The one man project of Mathis Kolkoz from Toulouse will delight any modern era synth wave post-punk connoisseur with rude analog synths, simple drums and effected guitars over Mathis mesmerizing voice. Drvg Cvltvre joined the party with a crazy old school acid version of “Alcoolemie”.

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Blind Delon – Edouard [OR172016]

Bocal 5 – Musique Electronique LP [DE137]

Bocal 5 were a No Wave art group composed of Doc Pilot (synths, vocals), Zouka Dzaza (bass), Florian Guillou (synths), Mickey Lepron (electronic drums, bass) and Evy Tinguette (lead vocals). The project was born in November 1980 in Tours, France as the brain child of Doc Pilot. Between 1981 to 1986 Bocal 5 recorded one 7” single and a cassette-only album before taking a year off in 1984 to launch X-Ray Pop. Influenced by Erik Satie, Brigitte Bardot, Suicide and Young Marble Giants, they call their music ”minimum naive new wave.” “Musique Électronique” is a 19-track compilation of songs recorded across 1983, most of which have never been released on vinyl before. 16 tracks appeared on the “From Bocal 5 To X-Ray Pop” album originally released on cassette by Sound of Pig in 1984. Both tracks from their debut 7” originally released in MB5 1984 are included and show a progression in sound as a result of newer recoding equipment and techniques. Also present is a song from the tape compilation “Andreas N°3 L’Animal” released by Fraction Studio in 1984. Armed with a Korg 770, MS-10, Prophet Pro-One, Roland TR-707 and TB-808 they crafted their own brand of quirky synthesized electronic pop. Songs are short, concise and well structured; richly textured, moving at a quick speed with hardly a pause. Evy’s pouting, tongue-in-cheek vocals (sung in French) come together for a catchy, sensuous, danceable, eccentric psychedelic ride. This collection shows the group’s sense of humor, vitality and carefree playfulness.

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Bocal 5 – Musique Electronique LP [DE137]

EYE – Sabine LP [KH005]

EYE is a project from Laurène Exposito from Rennes (France), where she runs the intimate label Waving Hands. EYE’s debut album ‘Sabine’ takes us into Laurène’s silk-covered dreamworld, at once mad and serene, sounding like a breeze and a blast at the same time. Bedtime stories or lucid nightmares? You decide…

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EYE – Sabine LP [KH005]

Death In Vegas – Consequences of Love [DRONE009]

United over a love of Throbbing Gristle and Chris & Cosey, Richard Fearless partners with artist and writer Sasha Grey on ‘Consequences of Love’, the second single from Death in Vegas’ critically lauded sixth studio album, Transmission. In the spirit of this collaboration, we are thrilled to announce the release of ‘Consequences of Love’ with a remix by iconic electronica pioneers Chris & Cosey. “After listening to the stems we could sense a kind of “October Love Song’ vibe in there so – so that’s kind of what we aimed for. We really enjoyed doing it, there was lots of dancing around the studio while we worked on it.” Chris Carter.

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Death In Vegas – Consequences of Love [DRONE009]

Zwischenfall – Sandy Eyes [DE134]

Zwischenfall formed in Belgium in 1982 with Michael Sass (synths), Martin Urban (bass/vocals) and Stephan Kraemer (guitar/drums). They were united by their interest in combining electronic and traditional instruments, which developed the basis for 1982 demo recordings. By chance Patrick Codenys of the Belgian electro pioneers Front 242, heard two songs and decided to record a 4-song EP. The “Heute” EP was released in 1983 after a week of recording in Front 242’s private studio under the direction of sound-whiz Daniel B. In 1984 Martin Urban left the band and was replaced by vocalist Iben Larssen and bassist Thomas Kürsten. They recorded their second 12” single, “Sandy Eyes”, which contained a remake of their song “Fluct”, sung in the English this time. Some fairly revolutionary techniques were used, including the introduction of sampling (with an Emulator I and Ensoniq Mirage), and ‘gated reverb’, in which the sound of a large reverb room was processed through a Yamaha CS15’s envelope follower. This record was originally released in 1984 on both Les Disques du Crépuscule and Fuzz Dance, packaged in three different covers. The reissue EP features two bonus tracks from the 1984 recording sessions previously unreleased on vinyl: the saxophone drenched instrumental “Polar Magazine” and street beat dance track “Sacred Time”.

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Zwischenfall – Sandy Eyes [DE134]

The Pool – Dance It Down/Jamaica Running [DE130]

Patrick Keel is a multi-instrumentalist, composer, producer, and performer. The Pool was his solo project, the sum of fifteen years of experience in live bands, studios, and home recording. Patrick was heavily influenced by the radio of the early and mid 1960’s in Dallas. The British bands and Black soul of the era gave him a distinct style, and shaped his musical attitude. The New Wave/Punk/D.I.Y. attitudes of the late 1970s inspired him to express himself in a new way. 1980 saw the release of “Pool One,” a sixty minute home-produced cassette. “Pool Two” followed in 1981, which received much praise and little distribution. In 1982 he released a 5-song self-titled vinyl EP of tight, skeletal, synthetic dance music. In 1983, “Dance It Down/Jamaica Running” 12” EP was released on Moment Productions. Based on response from D.J.’s in New York and the Bronx, Patrick went back in the studio and remixed two songs from the self-titled EP for rapping, scratching and break dancing. “Jamaica Resting” was sped-up, extended, and reconfigured as “Jamaica Running”. The whirlpool synth-strut of “Dance It Down” came out of the studio as “Dance In Dub”, with a heavier kick and extended dub outro. These spacious versions were optimal for DJ play, slotting regularly in sets at hip clubs like Danceteria. For this reissue we’ve added two bonus European remixes from the 1984 12” of “Dance It Down/Jamaica Running”, released on Nunk records from Belgium. Both songs employ the use of a Boss DR-55, Korg MS-20, Korg PolySix, and a Prophet 5, and were mixed on a 16- track Ampex recorder. The Pool’s spartan, self-assured songs are experiments you can dance to

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The Pool – Dance It Down/Jamaica Running [DE130]

VA – Computered Love [369.036]

VARIOUS - Computered Love

A bag filled with ‘computerized love’. This 2xLP compilation including scarce, valuable and sought after European computer inspired underground dance music productions from about 1979 to 1982. Timeless sound from a decade when nobody expected that in the future men and woman would be online all day and night, texting, dating and playing computer games nonstop Eurovison song contest participant „Carol Rich“ throwing in the name for this record set with her song „Computered Love“ . Including the first time official re-release of the song „Transvolta – Disco Computer (long 12“ version)“ by Dan Lacksman aka Telex (Eurovision song contest, 1980) and 12 more songs. Very 80’s minimalistic lineprinter / computer inspired design.

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VA – Computered Love [369.036]