
The new DYFR containing one mighty electro / acid bomb by Xaf, member of the Ghetto Gem project. Baz Reznik takes it upon him to deliver a very dance floor effective acid remix. As usual DYFR is very limited experimental series.

The new DYFR containing one mighty electro / acid bomb by Xaf, member of the Ghetto Gem project. Baz Reznik takes it upon him to deliver a very dance floor effective acid remix. As usual DYFR is very limited experimental series.

Originally recorded by Marc Moulin, Vincent Kenis and Marc Hollander in 1977 Brussels. Leapfrogging over style and genre boundaries, the LP shuffles between improvised jazz, minimalism, imaginary ethnic music, classical and even proto-techno (‘Saure Gurke’ foreshadows characteristic Detroit techno riffs by a good ten years). It became a cult album in its own right and a few decades later Parisian dj / producer Krikor spontaneously decided to rework two tracks for his dj-sets. Ensemble brings his remixes with the kind permission of Crammed, Marc Hollander / Aksak Maboul and Krikor.

Twin Paradox is a special series in Fundamental Records where two different artists with a strong connection release a double album, one from each artists/band. So what we have here Two different albums, from two different artists, with a connection in style or maybe conceptual… in this TPS003 Luke Eargoggle for example is part of the Faceless Mind project.

Cultivated Electronics’ colab series continues with an EP from MMT-8 a new alias from Sync 24 and Ed DMX/DMX Krew. 4 raw analogue electro jams for the dancefloor and mind.

Banlieue return with their second release. This various artists EP is an eclectic mixture, drawing on different strands of the electronic spectrum. Booming, funky and dark, these four tracks are sure to spark a fire.

Special limited cassette of I.B.M. aka Hieroglyphic Being’s ”Eat My Fuck” which was originally released on vinyl in 2014 & is out of print. Limited to 100 numbered copies worldwide. Includes 2 stickers. A demented sonic painting of rhythmic cubism & synth expressions.

For its sixth release, Points Records invited Jamal Moss who drops an awesome B-side here. Great underground acid track featuring a twisted Hieroglyphic Being rework.

The Lost Trax project has allegedly been a platform for any number of artists to produce under the cloak of anonymity, all identity shorn so the focus remains on the music. After a clutch of 12″s for Tabernacle at the turn of the decade, Lost Trax was reactivated last year with a contribution to a Shipwrec 12″ and now migrates to Rotterdam’s finest, Frustrated Funk. On the opening title track, “Life Out Of Balance,” Lost Trax display a nervous fidgety energy and a looseness in execution that will sound quite thrilling on the dancefloor, whilst “It’s You” is a muddy yet heavenly cut. Closer “Out From Under” finds crystalline electro rhythms caked in thick tape hiss too.

Berghain young gun Max Kobosil gives us his debut album. We Grow They Decline is surprisingly more restrained than you’d expect from Kobosil given his reputation as a DJ and of course those pretty fierce EPs he released previously on MDR and Unterton. Most tracks on here are slower, deeper and reflective takes on the techno sound and show a sense of maturity in this emerging talent’s studio prowess. Kobosil delves even deeper into Ambient and Industrial soundscapes. Drawing influences from Musique Concrète via Electronic Body Music towards present-day Techno, the tracks combine gritty textures with melodic hints and contrasting bleak off-beat rhythms with Drone passages.

Mannequin Records announce ‘Laugh Tool’, the debut full-lenght of Maoupa Mazzocchetti, pseudonym of Florent Mazzocchetti, young and talented French producer based in Brussels. Maoupa Mazzocchetti is finally bringing back to life the earlier days of electro-industrial, in a mixture that is very close to the late 70’s/early 80s period of Fad Gadget, Throbbing Gristle, Portion Control, Cabaret Voltaire and Front 242, crossed with the more fresh and innovative deep electronic experiments of Beau Wanzer and Charles Manier. Strongly addicted to a DIY ethic, and so to a punk ideology and anticonsumerism, most of Florent’s releases are recorded in his bedroom without any professional equipment, using analog synth and sequencers, modified drum machines, tape loops and a load of pedal effects. Florent started to experiment with the rhythm since his early age. Developing a passion for the drums at the age of 10 years, soon after he was moving to rock records and guitar, which became his instrument and one of the keystones of his perception of music. Florent approach with rhythm and drums was never traditional, making him feeling more a researcher than a musician. To an audience of contemporary electronic music consumers, who had only closely followed techno, electro and disco, the sounds of ‘Laugh Tool’ will appear unearthly, entirely unexpected, withering comets of strangeness. A 10 tracks album ready to change their minds…

Fantasy Techno collective DUST – a trio comprised of audio engineer Michael Sherburn, DIY nightlife entrepreneur John Barclay and multi-disciplinary artist Greem Jellyfish – will release their nightmarish, alien horror narrative debut full length, Agony Planet, on Mike Simonetti’s new 2MR imprint. Immersed in Brooklyn’s DIY rave community, all three mem- bers held roles in the genesis of notable extinct venues 285 Kent and Trip House, and now Bossa Nova Civic Club. In 2012 Sherburn and Barclay joined forces to found DUST and were joined shortly thereafter by Jellyfish; the following year they released their first 12′, ‘Onset of Decimation,’ on Man- nequin. Between 2013 and 2015, they released several more 12’s, two on Mannequin, as well as one for Sci-Fi & Fantasy and one for 2MR. Over these years, with Sherburn at the helm, the framework and themes for Agony Planet began to be conceptualized. Twelve tracks, spanning in genre from digital hardcore, dun- geon techno, and celestial ambience, are all held together by a theme of extravagant extraterrestrial warfare. Club-savvy techno engineering accompanied by frontwoman Greem Jellyfish’s bizarre monologues and warped screams beckon listeners on a journey through the occult mysticism of the nightmarish and torturous deep ocean of an alien hell. Agony Planet is an unrelenting and bold debut from a trio not afraid to explore the dark caverns of the underground.

“It’s very direct, danceable club music, anchored stylistically between Electro, Techno and Industrial/NewWave, strongly influenced by ’80s acts Liaisons Dangereuses, CH BB, sporadically, DAF and the Consumed /Concept period of Richie Hawtin.” is how Hanno Leichtmann describes his new project Gesetz Der Oktaven. “The name ‘Gesetz Der Oktaven’ was chosen because I wanted something very German sounding, as we say ‘sperrig’, something technical, scientific. All the track titles are very old skool or obsolete studio/audio terms. “I wanted a completely new set-up, so I got a large Soundtracs desk from the 80s with 16 channels and, crucially 6 Aux Sends for effects.” He continues, “The large number of aux sends was essential for the project. I used a drum machine, a MiniMoog sequenced by a TB 303, a vintage Drum Synth and six 6 effect combinations for the delay / reverb tracks. All very old-skool and in real time with no plugins. It took months of trial and error but the result is a very beautiful high-quality vintage studio sound.”

Energetic and raw lo-fi organ electronics. A simple and mean builder, then revealing the beauty of a beast. Harsh kicks and high notes on a crisp distortion flatline – all performed and recorded straight to cassette tape in on take.

The 030303 crew come with a brand new various artist package in a beautifully designed sleeve to celebrate their 10th anniversary. While not all featured artist are new to 030303, the label mainly sticks to what it does best: digging up exciting new names from the raving underground. The smooth electronic tracks on the comp hold the middle ground between acid, IDM, braindance, early 1990s 808 State-esque UK acid house and Detroit techno. Among the highlights are Echo 106’s eerie after hour acid jam ‘Phosphor’, ‘Damp Patch’ by Marco Bernardi which reminds us of classic Surgeon-style UK techno, Forma’s ‘Sailor” (reminiscent of Charanjit Singh’s ‘Ten Ragas to a Disco Beat’). Look no further if a versatile, subtle and beautiful acid compilation is what you’re after.

Keita Sano with four machine driven workouts for Turbocapitalism.

Killer ep by these Stockholm audio warriors who smash out their 3rd release on the heavy hitting Tanstaafl. Raw analogue beats for sweating basements around the world.

Swirling synths cloud thundering drums on the A side whilst the title track flirts with classic Millsian techno and fast paced hypnotic energy.