Voiski heads East making his debut on the CCCP sub-label. We are treated to classic Voiski material here- all the elements he excelled at on his previous efforts all present-massive drum programming, huge basslines and epic builds carry the songs along. 100 percent guaranteed club approved and essential for any Voiski fan.
The anonymous entity CHPTR derived from undefined controlled sequences progressing into endless alienated narratives, all live recorded and captured on the eponymous label, CHPTR.
It’s time for the third owner of Taapion Records to make it on the spaceship. For the fifth release but mainly his first EP, AWB presents two original tracks both remixed by young producers well known on the label PVNV and Shlomo.
Drei of Zehn comes with original tracks by Function and Substance as well as Len Faki remixing L.B.Dub Corp.
J.C. aka Jose Cabrera is launching his own new label, Cabrera. This 1st release that includes a strong remix by Jonas Kopp will be the starting point of an adventurous fresh new Techno label that is promising to reach for the dark corners of the dancefloors.
Jamal Moss AKA Hieroglyphic Being with the Gherkin inspired treats. Combining tracks from CDR releases, of the same name, that were circulating at the end of 2015.
Benedikt Frey crafts a musical aesthetic that might only be seen in its true form from a birds-eye view—a whole greater than the sum of its parts. His playful indifference to genre specifics and pre-prescribed instrumentation or production techniques makes for a loose and refreshing collection of work, and this debut for the ESP Institute, The Lobbyist, serves up an incongruous three tracks so bewildering and narcotic we’re already impatiently fiending for more.
”A dim light in the room. Dancing drapes of nylons and satin, the pungent smell of naphthalene in aunt’s old closets. She, powerful but still romantic, was sharpening the tools for the poor destitute. The distant sound of barking dogs, a lost farmhouse in Chianti. The beginning of a dance of sex and death, winged vicious presences, blood and flesh. In the passing she found her fulfilment”.
Two sides of the Chicago boy Jon Doppler. Two of the tracks is pure Deep Electric housemusic. While the other two has a more free-style feeling but in space of course.
Chris Carrier delivers a box of steaming fresh hot techno jams with the latest release from his trusty Adult Only sub-label, Sound Carrier. The sounds here are a little more entrenched in the techno sound ethic. ‘Cosmic Road’ is the first of four that take us on a journey out into space, the final frontier… As the name suggests, we’re propelled up into the stars, encouraged to let go of our Earth-bound outlook and travel far away beyond Saturn’s rings. Smooth pads form a cosmic choir with bright flecks of synth, dancing around a jaunty bassline. Amazing. ‘Space Nation’ then strips things back, coming through with that minimal vibe. The rhythm is steppy, chugging along with mysterious intent. On the other side we take ‘Refuge On Earth’ with a 303-led trip back to our home planet. Here we are comforted by the familiar sound of that Roland machine, while the percussion slaps and claps away like the firecracker sound of a machine gun. Last up, ‘Holidays On Mars’ drifts in with an bright, optimistic feeling permeating throughout.
Chupacabras and Brother Y join forces to form the debut vinyl release from Tutamen. Brooklyn resident and elusive production talent Chupacabras offers up two machine-powered cosmic cuts, expanding upon the territory explored with his contributions to the Tutamen tape series and last years EP for Go Finger. The as-yet unknown Brother Y makes a first appearance with two hypnotic numbers on the B- side.
Creme Organization look to Portugal’s fast rising Lake Haze for a new three track EP. Solar Flames opens the release with a grand sense of sadness. Vast kicks pound below as eerie pads make for an unsettling atmosphere. When a slitting acid line comes in, the 909 pings really kick into action and the track takes off. Sinister Strike is just that, a driving and dark track with elastic bass and ravey stabs that make for physical listening. Lastly, Geisterbahnhofe is a broken beat affair that is rueful and zoned out. Full of sombre, reflective open spaces and distant electro stylings, it rounds out a varied and vital EP.
The R-Zone series excels at raw, inventive, off kilter club music from a range of mysterious artists. That fine tradition continues once more here with another four cuts of inventive music that takes cues from techno, IDM, acid and house. Lumidei is all wonky drums and out of time hits and is a brilliantly weird cut full of spacious atmospherics. Mynheer is built on a bed of broken beats, knocking hits and metallic textures that all tumble and fall around loosely and invitingly.
The notorious Jordan GCZ is back on his own label. This time he switches the arpeggiators to ‘Body’ and it’s all go… for a while. Two more tool type versions on the flip..for the DJs.
Kerridge’s 3rd long player marks a more fluid, or effluent, refinement of his sound, blurring the boundaries between organic audio sources and custom-constructed synths to flooding the senses with waves of bristling, oxidising industrial tones and coruscating texturhythm seemingly intent on separating flesh from bone. It’s evil stuff, all seven tracks of it, forming a closed feedback system of guttural, choking frequencies and cardiac arrhythymatics.
Snakes are Poor Denizens of Hell
Have come surreptitioning
Through the tall grass
To face the pool of clear frogs
SNTS Records expands its reach with solo Positive Centre, who has released on Our Circula Sound and Stroboscopic Artefacts. This EP, with the intriguing title of Vorticist, shows the artist’s most visceral and raw side.
Jealous God arrive at their tenth issue and it’s yet another label debut, with Berlin-based New Yorker Hayden Payne getting his most high profile release to date under the Phase Fatale name. Once heavily involved in New York’s cold wave scene, Payne’s move to Berlin and the adoption of Phase Fatale has seen him develop an EBM flavoured style of techno that is eminently suited to the Jealous God cause. Lead cut “Steel” sounds like Silent Servant hocked up on steroids, contrasting nicely with the stealthier pump of “SOL740”. On the flip, the rhythmic construction of “Cut” is reminiscent of Jam City reworking Front 242, whilst “Castor” is pure sonic brutality.
For Those That Knoe present some of the freshest and timeless sounds the UK has to offer from Numonika, sounding as good now as they would have done when recorded ten years ago. Three tracks from the original demo CD have been selected, compiled, re-mastered and pressed by For Those That Knoe onto a special 12″ for collectors and club DJs alike.
The Hipodrome Of Music 