
In-your-face raw techno attack from Philippe Petit on his own imprint, Decision Making Theory.

In-your-face raw techno attack from Philippe Petit on his own imprint, Decision Making Theory.

Lobster Theremin launch their first sublabel proper, heralding a darker, murkier and deeper sound on their newly minted Mork imprint. Retaining it’s mother label’s passion for championing newcomers, Mork launches with a debut release from young Netherlandic producer nthng. Cultivating a sound that sits somewhere between Prince of Denmark and early Claro Intelecto with splashes of Clone influence, nthng’s stripped-back techno walks fuzzy, shrouded paths through nolstagic moments in time.

Truncate is at it once again on his home turf, demonstrating something of a pinnacle for the US approach to stripped and raw techno. “Track 1” slaps out the handclaps with gusto, but the synths that bubble in the background keep a certain dubwise calm to proceedings even with all the energy fed into the drums. “Track 2” takes a more dense approach, working in more intense flurries of percussion and keeping the synth elements finely chiselled and nervous, before “Track 3” brings a more playful side to the fore thanks to a hooky melody.


The third release in the Black Opal series see’s Mexico City 2 Brooklyn expat Jeronimo Jimenez at his finest. The ghostly syncopations of his Opal Tapes debut are revisited again but this time the beats come charged with a new weight. 6 tracks of haunting techno, flickering metals and doomed synth set to probe into your skull.

AN-I continues his love affair with electronics offering us three distinct slabs of throbbing machine funk. The opening track ‘Gutz’ is a dense mutant high energy number, modern yet timeless. ‘Rut’, the first track An-i recorded whilst still living in New York and the first one to catch our attention, opens the B side with a massive dose of syncopated teutonic mayhem, spacier and sparser than the rest. ‘Save Us’ completes the release with an anthem of dirty warehouse techno.

Shatter Cone is a rare imprint that is only known to form in the bedrock beneath meteorites impacts or underground nuclear explosion. It is the eventual evidence that huge pressure has been applied and life as we know it has disappeared. So shaped and recorded, such pressure, has been pressed on vinyl and delivered to you.

Midlight’s releases may be relatively sparse, but they’re rarely less than excellent. Here, they wander off in a more robust direction, delivering a pair of twisted, acid-flecked rubs that should please all those who like their house music rough and dystopian. Rarely spotted Swede Peel MD kicks things off with “Calavera”, a pulsating fusion of rolling analogue percussion, warped electronics and heavyweight 303 abuse. Frak surprisingly calm things down a touch on “Rebate”, dipping the tempo for a hypnotic trip through deep-but-sparse acid house territory.

Innershades is Belgium producer Thomas Blanckaert and now he is back with a new EP on Crème Organization, his third for 2014. Opener ‘CVS’ is a ravey mid tempo house cut with raw old school stabs, lots of percussive tension and drums that really make you wanna move. Then comes ‘Momentum’, a dramatic bit of thumping house with thick synth patterns, hooky melodies and emotive pads. The no nonsense vibes continue on ‘Dark Society’, with its ticking hits, thudding kicks and mysterious, snaking pads. Finally, ‘Oase’ marries more hefty kicks with classic claps, plenty of reverb and more ravey stabs that will really bring dancefloors out in a sweaty, 90s style. Modern house with a retro bent, this EP is sure-fire club dynamite.

The Zenker Brothers and their Ilian Tape venture get stronger by the minute, and here Marco flies solo with this latest EP, sounding in utterly rude health with it. “Geezin” is a distinctive opener, ditching standard 4/4 propulsion in favour of an airy drum machine arrangement infected with the slightest flurries of hardcore breaks and offset by wistful synth patterns. It’s a curious combination that works magnificently, but for those wanting something a little more direct “Splifer” is on hand to deliver a more classically Zenker techno mantra. “Darai” brings the swing back in fine style, throwing down a chunky stomp to match the sizzling hats, and then “Lubiana” wrecks the surroundings with its magnificent pummel of low end percussion and gritty production values.

This is the live recording of Intergalactic Gary playing at the Hipodrome 5 Years Anniversary party, in the main room at Club Control, Bucharest, last month. It was a crazy night in one of Bucharest’s most effervescent clubs. You can hear this also on the recording, 2-3 glitches when people were literally jumping and pushing the DJ table and skipping the record or touching the recorder 🙂
Continue reading “Hipodrome Podcast 017 – Intergalactic Gary”

Three analogue synthesizer tracks by Mark du Mosch. On remix duties, we find French producer Voiski, who brings the title track ‘Amulet’ into overtly darker, techno territories. Comes with silkscreened sleeve by Ruben Verkuylen.

Still no one knows who Gerstaffelen is, but with this release the producer becomes a regular on the MOS Deep label and is now back with four more of the rawest cuts you could imagine. Wasting no time in getting gritty, ‘Bombara’ is a frazzled and gauzy deep techno cut with muffled voices, beams of melodic light and lots of percussive hustle. ‘Invisible Ghosts’ is a less urgent but equally monstrous track with dark groaning bass, prickly hi hat patterns and frenzied synth lines. ‘Night Flowing North’ actually offers a slightly lighter sound, with celestial and heartfelt melodies darting about between ping ponging drums and percussive hits before ‘Night Flowing South’ comes over like a classic jack track from Chicago, with a quick baseline riding up and down the scale and propping the whole track up

Debut release showcases 3 of Tel-Aviv’s emerging electronic music producers. A-side is defined by Tv.Out’s hard-driven machines and Pharaoh’s hard jackin’ house miniatures. Stamp-side features two deeper House cuts by Jerusalem’s Yogg followed by a killer Fred P remix.

Sunil Sharpe and DefeKt unwrap more electrified madness with a second release as Tinfoil. More Sunil Sharpe techno than DefeKt electro comes through on this EP with “Foil 9” battering down the hatchet for a synth heavy, hi intensity hit of colourful industrial beats. Snares are added to the mix in “Foil 8” create a syncopated concoction of R&S rave mechanics mixed with detuned Drexciyan similarities. “Foil 10” sounds like something you’d image Oscar Mulero playing in Tresor while “Foil 5” is stripped back and sinister.