
The Zenker Brothers are back together on the Ilian Tape imprint with 4 twisted muscle joints.

The Zenker Brothers are back together on the Ilian Tape imprint with 4 twisted muscle joints.

Adam-X should need no introduction as he and his brother, Frankie Bones, pioneered techno in a post-disco, pre-Guiliani, New York City through the late-eighties and onwards past the nineties with countless productions under their belts and throwing renegade parties throughout the 5 boroughs. Their record store Sonic Groove served as a hub for purchasing cutting edge electronic music from across the globe and was a meeting point for likeminded freaks throughout the city. Fast foward to 2014, New York City is a shell of what it once was, people have come and gone with the corporate infastructure having eaten its way through any and all subculture. No stranger to change Adam-X has adapted and explored numerous shapes and forms in his electronic music career from X-Crash, to Traversable Wormhole, to his ADMX-71 moniker, on this record, which he uses for more experimental and industrial productions. Througout the three tracks on this record, we get a subdubed yet extremely tense vibe as the carefully composed sounds push and pull against each other slowly trudging to the next destination. Subtle changes throughout, these tracks present a unique take on the traditional EBM sound which upon every listen one will discover something new. Highly recommended for those into the darker territories.

Femminielli Noir continue their tour-de-force with some hard hitting rhythms on Malas Influencias. Acid drenched basslines squiggle within your soul like a demented and unhinged drug binge. Heavy warehouse style reverberation adds to the madness, echoing deep and large, like metallic structures being destroyed. Seeking pain in pleasure, this is your only choice. 12” varnished 350g premium quality paper sleeve, with obi strip printed on vellum paper.

French producer Voiski returns to L.I.E.S. with another 12 inch of his diverse and refreshing style of techno. Spanning across the board we get epic dramatic builds, post shuffle headnodders and floor crushing sub-bass grooves over these three tracks. Guaranteed to cause major damage wherever and whenever this record is played.

Nick Lapien has been sharpening his music sound a number of monikers; Metropolis, Nepal and his own name. On labels like Other Heights and Sequencias the Dutch man has moulded smoke stained Chicago, textured Techno and drifting Ambient. For Photic Fields this homegrown talent brings together two of his nom de plums under the banner of Marchland. Basslines bulge, pressing against dampened claps for “Ballad of a Man.” Banks of harmony drift off an analogue ocean, arcs of string dawning into a rich radiance. Submerged notes bend and blur with “Bobby Konders”, streams of synth flowing past columns of carved percussion. Rolling chords see Lapien don his Metropolis mask for “Black Motor Boogie.” Acid vultures circle with beady eyed intent, claws writhe and flex amidst a flurry of beat and pad. The shimmering keys of “The Gatekeeper” takes the listener throw a winding pass. Curving 303 contortions fold and reform under pressurised bursts of tom, cymbal and snare to end this journey into Marchland.

A diverse and elaborate EP from the seasoned producer Wata Igarashi to launch new imprint Midgar Records. Composed of four tracks exploring the depths of deep techno and house, Junctions is a restless concoction of halfway beats, which lays on background of pulsating noises and sound experimentations. Fluctuating between machine stuttering techno and dusty acid-laced house.

Three new solid, hook heavy, DJ and dancefloor friendly tracks from Dax J as well as 2 centralized locked grooves and additional, extremely slick remix work from ARTS label boss Emmanuel.

Jorge Velez’s take on the modern stock exchange through the eyes of a Bhopal seamstres ca. 1986 makes -as you can imagine- for a mix of elation and defeatism. Or as some might say, a Tango of Paradoxes.

Crystal Maze’s return on Bio Rhythm. Three cosmic techno jams of the absolute highest order, crafted & molded after dark at the Crystal’s analog alchemist lab.

The 2nd reference for the Parisian based label. No Name Dropping here, just another side project of the man D.K. The house groove is served with rough percussion and and odd beats programming. Strictly for the freakz.

Marc Pinol and Hugo Capablanca join forces to channel their shared love for Psychic TV, industrial music and New Beat through 2 murky club tunes.

Leftroom announce their Vinyl Only White series. The first release see’s the return of Geeeman and Mosca with their instrumental takes on Matt Tolfrey’s ‘The Truth’ and Sweatshop Boys’s ‘Wide World”.

This fourth album from British techno veteran Inigo Kennedy – his first since 2010’s decidedly ambient September Pieces – has something of a “catch-all” feel. You see, Vaudeville refuses to stick to one sound, style or groove, instead referencing the many styles of techno and experimental electronic music that have inspired the popular producer over the course of his 18-year career. So, there are murky, IDM-inspired techno floorfillers (the melodious but faintly foreboding “Requiem”), early British psychedelic techno (“Plaintive”), dense, darkroom grooves (“Vallecula”), classic Yorkshire bleep and bass (“Petrichor”), Kompakt-ish organic techno (“Winter”), and spooky, droning ambience (“Narrative”).