For its third release, ‘Nights in Itaewon’, PATH invites the Romanian artist Cosmjn, producer and DJ who also runs the label Radial. Across four tracks, he explores a wide spectrum of sounds, from techno and breaks to deep and atmospheric cuts. Each piece stands out with its own character while keeping a strong coherence throughout the EP. A record finely crafted for the dancefloor.
Amsterdam’s Boomstraat 1818 record label presents ‘Trelissick’, a compilation of 7 techno tracks by the like of Bertran, DJ Surgeles, Mike Storm, Stroef and others.
After a six-year hiatus, Efdemin returns with ‘Poly’ – his fifth studio album, released on the recently revived Berghain-affiliated label, Ostgut Ton. As the title suggests, ‘Poly’ explores multiplicity: of rhythm, texture, style, and emotion. Across eleven meticulously sculpted textures, the album weaves a multidimensional web of sonic references, nodding to the origins of techno while pushing resolutely into uncharted terrain. The overall tone of ‘Poly’ is mild and playful, introvert and at times dreamy. The music is rich in sonic expression and breathes the spirit of musical concepts that have been refined over the course of decades.
One of the founding figures of Amsterdam’s underground Techno culture Dimi Angelis has been shaping the scene in the late 90s, throwing warehouse raves living up to the underground standards. Until today his approach remains unchanged: uncompromising, opinionated, and never aimed at easy pleasing. Drawing from decades of crate-digging and an encyclopedic knowledge of Techno’s evolution, Dimi crafts sets that feel familiar a reveal unexpected depths on closer listening. These tracks follow that same philosophy as they are straightforward and honest on the surface, but wrapped in something appropriately unexpected.
Beau Wanzer is back with his 7th release on his recently reactivated self-titled imprint. A conveyor belt of gurgles and spurts for the doomed dancer, another meaty morsel of undercooked music for the starving beat eaters. This slobbery slab serves up a mix of gothy goobers and techno toddlers….scavenging the dance floor for another hit to make it through the night. Who will win?
The 20th official record release Dawn Of The Underworld – Bleep Chronicles: Otherworlds presents a spooky sci-fi Bleep SAGA. A haunted otherworldly journey, resurrecting sounds & scenes from an era long gone. Emerging from an ongoing process of revisiting old DAT tapes from the early 90s, rediscovering forgotten grooves, constructing new fragments / sequences and building sonic bridges between the past-present, time & space.
Tom Carruthers’ talent lands on the beloved Orange Wedge Imprint. Drawing inspiration from the golden era of the early ’90s, Jealousy EP delivers five raw, floor-focused tracks that perfectly capture the spirit of classic house and techno – stripped-down, gritty, and irresistibly timeless.
Samo Records brings the Italian trio F.U.R.O. into the fold. Their three original cuts twist together post-punk tension, cold-wave atmospheres, and leftfield electronics – raw, shadowy, and each with its own momentum. On remix duties, Italo Brutalo reimagines the title track into a peak-time rave weapon, injecting touches of acid and elevating the already powerful vocals.
‘Eyes On You’ is a five-track EP built from lost projects spanning 2010 – 2025. It blends raw industrial textures, heavy percussion, and soundtrack-like layers. The EP moves between tension and release, turning old studio experiments into a story that explores the unsettling feeling of always being watched, both in personal and social life.
Since the early 90s the name Aubrey has stood for authentic UK Techno with deep roots in Chicago, Detroit and New York. His “Super Analog EP” for Mojuba sublabel a.r.t.less isn’t a look back, but a statement on the timeless power of analog sound. The four tracks are a journey through a spectrum of moods: from the cosmic expanse of “Big Six” and the playful acid touches of “Time Flying” to the raw, hypnotic energy of “Robber Nose” and the wistful depth of “Mysterious Rhythm.” This is music that can connect generations, an inspiration for seasoned listeners and new explorers alike. A stunning label debut that needs no grand explanation because it tells its own powerful story.
Detour 006 comes courtesy of SEER, a new Brooklyn-based project from Maroje T and M Parent. Together as SEER, they’ve threaded a needle in between their respective styles and sounds, coming up with something altogether different. Their debut record throws a little bit of everything into the mix: chopped-up breakbeats, post-industrial moods, syrupy mid-tempo electro, and spectral, futuristic synths all feature across its four tracks. Each charts a different path; same-ol’ cookie-cutter techno this record is most certainly not.
C.L.A.W.S. comes to Dark Entries with a new ripping LP, Splat City II. C.L.A.W.S. is the solo project of musical luminary Brian Hock, who has been a key figure in the Bay Area underground for over two decades via his involvement in projects like Bronze and The Vanishing, as well as helming the record labels Squirrels on Film and Immortal Sin. With C.L.A.W.S., Hock takes on the dancefloor, picking up cues from the Hague’s Giallo-dipped electro, the skewed minimalism of Chicago acid, and the mind-rending forays of San Francisco post-punk icons like Chrome and Tuxedomoon. Following 2019’s inaugural Splat City EP, Splat City II continues to map the psychogeography of a metropolis both alien and immediately recognizable, one where life is cheap, but so are the thrills. Previously released on Squirrels on Film in digital-only format, this expanded vinyl edition of Splat City II features two new cuts.
The second volume of Elementa Obscura moves with even greater force toward the dancefloor: six tracks straddling the lines between industrial, electro, and wave. From FIUMEs cold, pounding opener to Memorexs spacious analog explorations, Nyxloids metallic EBM visions, and Ole Mic Odds razor-edged electro workout, the compilation spans the full spectrum of the underground. Spanish newcomer Thai Lady Boy brings chaos with a fractured industrial techno cut, while RNXRX closes with a ritualistic music excursion.
Umwelt returns on his own imprint, New Flesh Records, with a new explosive solo EP. ‘Echoes Of The Broken Future’ delivers an ecstatic fusion of sonic landscapes and innovative melodies, further erasing the boundaries between electro and techno. From the metallic synthesis of the title track, to the cinematic and almost nightmarish tension of Black out Algorithm, through the hypnotic depth of Synthetic Nightfall or the relentless energy of Zero Point Machine, Umwelt once again showcases his unmatched savoir-faire in crafting haunting atmospheres over punishing beats.
Paranoid London collaborate with Glaswegian band Water Machine for an acidic two tracker. The London-based duo of Quinn Whalley and Gerardo Delgado are known for their stripped back acid house sound and ‘Decimated Driver’ fits the agenda once again. The track utilizes catchy distorted synth lines to drive the groove, carefully placed on top of a pounding and infectious 303 bassline. Throw in some chants of “AN – TI – CI – PA – TION” by Water Machine and they have managed to craft a perfect dancefloor filler. The second side of the record is a dub version of the track, making it all the more broody and moody.
The Hipodrome Of Music 