Skudge and Nihad Tule are back as Taken with their second release on their own imprint. Highly effective techno explorations.
Three different takes from two different periods of time meet up in this acid focused 12”. The record features two Skudge originals from 2009, optimized into today’s standards. And also a classically trained Splice track, where a fierce drum patterngoes in parallel with the acidic bass line. A current take on a very classic machine.
Skudge levitates into 2017 with tracks from a well-known place… Infectious groove and stabs reflects our most fond warehouse memories. For starters, ‘Circles’ reminds us of the first three releases, but in a updated shape – the beats are as tight as ever, with the accompanying melodies fitting right into their place. The A-side track has that special Skudge vibe that managed to establish them as a force to reckon with. As proven with the LP from last year, things are sounding and looking as exciting as ever! In stark contrast to the straight to the floor A-side, ‘Tundra’ on the flip resembles the calmer and on the edge of careful sound that Skudge has been running in parallel of their club oriented material. Sure, this one works well in that environment too, but it’s more minded approach might require some extra attention on the floor – however, this first EP of the new year facilitates what was promised with the LP: this is exciting times for Skudge.
Rebalance returns with a real banger. Unbalance remixed by Reeko and Skudge.
Amsterdam label Indigo Aera, the brainchild of Jasper Wolff & Maarten Mittendorff, celebrates five years with Lost Archives Special compilation. The five-vinyl box set features 18 tracks from the likes of Skudge, Makam, Don Williams, San Proper & Antal, Ø [Phase], Deniro, Louis Haiman, Antigone, Sterac, Stephen Brown, Joris Voorn and label heads Jasper Wolff and Maarten Mittendorff.
When the duo Skudge started out in late 2009 with their first release on Alphahouse, followed by a string of underground hits on their own label Skudge Records, little did they know that they would be in the forefront of the Stockholm sound of the dawning 2010’s. The complex rhythm textures combined by a echoing audial lightness that still runs unparalleled, paired with sub intense quick basslines and swirling percussion has been the trademark. This updated take on the techno and house crossover of today got appreciated and caught the attention of a full spectrum of artists. With a tight release schedule, 2010 alone saw 6 releases from the Skudge hub. Culminating in 2011 with the release of ‘Phantom’, the full length album release on the home imprint, followed by the sub labels that releases other artists as well. Five years from that era, Skudge has reshaped into the solo work from one of the original artists. This change of production and artistry launches into the crates with the release of the limited full length ‘Balancing Point’ LP. During this time, the sound has shifted into new territory, where the entire A-side acts as the beginning of this grooving whirlpool of a record: quick and immense. The UK influences that was formed in the 90’s, gets picked up and infused through the B-side, ending off in a almost orchestral piece. The delicate subtleness of the second 12′ showcases a familiar coming-of-light type of style that we so much appreciate, firmly ending the long player and leave us sure of the future.
Solid mainstay Skudge has been pushing their unique mixture of house and techno for over half a decade now. In a new direction of becoming a sole producer for now, Skudge 009 is the first mark of this new direction.
The intertwined beat structures of ’Waveless’ on the A-side takes us to charted Skudge territory. The small modulations and the pushing groove has become a trademark. Flipping over to ’Motion’, a colder and haunting atmosphere binds this two tracker together, with a lot of focus and ambition for the future.
Skudge return with their first solo EP since two years.
Two early Skudge cuts remixed by the mysterious Seldom Felt.
Number one in a series of three remix ep’s featuring tracks from the Trus’me album ‘Treat Me Right’.
Two free tracks from Skudge.
Acid house curmudgeons Killekill have unveiled Hyperfocus, Alex Cortex’s fifth EP for the Berlin label-conglomerate since he launched it in 2011 as one half of Bad Cop Bad Cop. Hyperfocus’ two originals blend acid house and gritty techno with Killekill’s ironic rave aesthetic, while a sleek-yet-beat-down Skudge remix muscles up the B-side for some extra eye candy.
Collaboration vinyl only release between Skudge Records and Kontra-Musik. It came to us some time ago that what Kontra-Musik and Skudge stood for had a lot in common, which is the reason for this SKUM entry. Uniting to showcase the Swedish techno underground is an act of faith in these times of extreme self focus. We want to tell the world that we believe not only in ourselves but also in this new wave of local artists, a pledge for the future. In the immemorial words of ABBA, when all is said and done, you still get epic throbbing stabby techno from Skudge, deep hectic madness from MRSK, classy lush slow mo acid from TM404 and cavernous acid house from the Frak camp, a testimony to the scene we so believe in!
Skudge surface once again with a double tracker containing some of their deepest joints yet. With Irie finally available on wax after the Nonplus 5th year celebration, the band plays with contrast, crafting a warm and yet sinister mental floor killer, while Faux ventures into more abstract melodies with one of their hardest drive ever.
First of a four-part series focusing on unreleased material from those close to the Indigo Aera label. Skudge with a special re-version of the intro they use often in their live setup. From the start this track keeps on building. Real tension for the dancefloor. On the B-side, Claude Young & Takasi Nakajima under their Different World alias with a real emotive hi tech soul techno track.
Nonplus imprint looks to Sweden for its next release, with one of Skudge’s rare appearances outside of their own imprint. Lead track “Fingers” is as simple as techno gets, as peak time chords filter through a strong 909 kick in a fashion reminiscent of Shed’s most effective Equalized moments. “Vessel” meanwhile is a more slow burning affair, building up its mechanistic arpeggio over swelling analogue pads and stray claps, combining classic Detroit sci-fi moods with a Berghain scale.