
Four functional techno tools designed to do some serious dancefloor damage by Marcel Dettmann.

Four functional techno tools designed to do some serious dancefloor damage by Marcel Dettmann.

Mike Ash with a 4 tracker on No Survivors! Recordings. The title track is body melting Sub Bass meets synapse smashing 303 ACID riffs that roll over and over you in waves as Mike tweaks the frequencies to perfection. This is real Electronic Music performed not programmed. Cascading acid lines, washes of stomping crashing 808 drums and a classic synth break with filtered twisted vocal echoing around your head. Aggressive drums pound you from the outset, heavy distorted 909 type drum sounds, Detroit influences are apparent in the choice of lush pads and dynamic filter sweeps wound together by a gurgling acid line pushing and twisting the sound your head. Definitely not a static affair with all the frequencies in flux. Tense British Techno with the sickest, heaviest square wave bass possible. A stomper with just a touch of the theme to 80’s TV series Knightrider about the nagging synth line underpinning the 303’s, The Hoff would be proud.

Head Front Panel signs on for the second ‘Repetitive Rhythm Research’ with his ‘Phonetic’ EP. Relentless, heady, analogue techno. Rooted firmly in 90’s dark basements, updated for the 2020’s.

First blood on Body Musick is propitiated by Filmmaker with his longest release to the date. Vlad Tapes is a four-sided impaling sound collage full of new and old explorations, all mixed on a trippy yet muddy way. This raw jams will guide the vibe’s idea for the next sonic manifestos on the Body Musick discography.
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RNXRX returns to VEYL for his debut album, ‘Impreciso’. No stranger to the label, the artist first made an appearance on ‘Previously Undisclosed Rituals’ and then again with ‘Sigil’, a collection of B-sides which act as the perfect prelude to this offering. Derived from an alchemy of inspiration, the album is the result of endless nights unearthing samples, vinyl oddities, effects databases from a bygone era and the artist’s own post-processed vocals – imprecise components which all combine perfectly to form this LP. Unconstrained by genre, ‘Impreciso’ journeys through strains of body music, psychedelic rock, soundtrack and more, delivering electronic experimentations which expose the artist’s darkest tendencies while revealing a long admiration of post-punk, hip hop and science fiction’s finest. Twelve tracks falling somewhere between homage and reinvention, ‘Impreciso’ operates with 80’s circuitry, throws back to 90’s beat nostalgia and drills into a cyber-verse for a familiar yet unexpected trip perfect for this moment.

Raw Culture turns 5 and for its fifth anniversary it is its handyman Asymmetrical to blow out the candles, with the album, Blind Faith. Inspired by Ben Elton dark, savagely comic novel where he imagine a post-apocalyptic society where religious intolerance combines with a confessional sex obsessed, self-centric culture to create a world where nakedness is modesty, ignorance is wisdom and privacy is a dangerous perversion, Blind Faith aims to be a critique of post capitalist society and to redesign the idea and the relationship in the contemporary club. Two densely engraved sides for a total of 8 tracks ranging from EBM to techno, from electro to New Wave, all connected by raw rhythms, noise and distant voices.

New EP from ADJ on Another Perspective imprint. This release is a mixture of various styles of Electro ranging from future B boy music with a nod to the past and Futuristic IDM tinged sounds. ADJ never tries to stay in one groove or sound, but more to make the electro sound evolve organically.

Steve Rachmad, aka Sterac returns to Luke Slater’s Mote-Evolver imprintto release the ‘Numbers’ EP, with four tunneling techno tracks. Kicking off the release is ‘Ghost 37’, which employs vacillating grooves, ominous synths and intricate mechanics before ‘Lost Track 22’ fuses sizzling 303s, dynamic drums and mammoth, alien-sounding modulations. On the flip, ‘Rey Fur 2.1’ keeps the energy flowing with a high-impact clapper featuring bustling fx and expansive tones until ‘Tr-15’ masterfully rounds off the EP with twisting synth flutters, rattling highs and hypnotic bass grooves intricately unfolding underneath.

2021 sees EPM hit a new milestone as the digital distribution, rights management, PR company and record label celebrates 20 years of electronic music. The first part of the EPM20 celebrations sees a series of three multi-artist EPs released across the summer, each focusing on a different genre – techno, electro and house – the three main pillars of EPM’s musical heritage. EP1 focuses on techno and presents new tracks from four of the world’s leading techno artists, Robert Hood, Ben Sims, James Ruskin and Mark Broom.


Paranoid London’s 303 broke in lockdown & they couldn’t find anybody that would repair it, so they got on & made the new EP without any trademark Acid tracks. The 4 EP tracks range from Liaisons Dangereuses inspired white noise percussion to banging sine wave techno. Euphoric festival destroyers to deep, warped k-hole vocal house. Perfectly timed to drop as dance floors & festivals start to reopen get used to these tracks.

Split #1 marks the debut of a new vinyl series, to be hosted on the Various Artists catalogue of Pi Electronics. The split series will be bringing two artists on the same vinyl, with this very first release presenting music by Greek producers Fragedis and Nemmett. Coming from different backgrounds of electronic music, prolific figure of the Cretan islands’ dance scene, Fragedis and one of the Athenian founding members of the π crew, Nemmett, contribute their sharpest weapons to this release.

Schrödinger’s Box have collected three juggernauts of wave tainted electronics for the latest. Dmitry Distant teams up with Norwell for a partnership of serious intent. The pair deliver a trio of blackened tracks, opening with the ghoulish caverns of “Transient State” before the long shadows, acid stains and painful echoes of “Visionary.” The duo venture into brighter territory with the computer funk of “On A Verge of Veil”, crisp beats and bubbling melodies changing the tone. Following Beyond the War, Cute Heels returns to occupy the flip. The Colombian is immediately on it with the swirling mirrors of “Kuriyaki Horizons,” a kick drum offering solid footing in this entrancing piece. An aloof, yet alluring, disco hook takes hold for “Litua”, a low thump keeping time. The finale arrives with the clipped industrial gait of “Determinated In Order.” Marching to a military beat, this work is industrial inspired with Cute Heels keeping a close ear to the pressure release gauge.

A spectacular debut by this mystery production team by way of London and Berlin. Deep EBM influenced Electro from beyond the rim with a dash of acidic retro futurism.

Umwelt is back on Midnight Shift, with another scorching 5-track EP designed to be listened in continuity. Ascending chorals, acidic swirls and horrific echoes rise above a mash of abrasive, caustic electro/breakbeat chaos with shapeshifting moods. Ambient track ‘Gate of Nothingness’ echoes and feeds back into ‘Fear On The Dark Planet’ with its arpeggiated refrain.

The second release from the Italian label 616 Lab, comes with 4 purely analog tracks written and produced in 2020 by the Sicilian artist 616.