
Four acid bangers of unknown source coming from the Planet Rhythm basecamp.


Paranoid London’s 303 broke in lockdown & they couldn’t find anybody that would repair it, so they got on & made the new EP without any trademark Acid tracks. The 4 EP tracks range from Liaisons Dangereuses inspired white noise percussion to banging sine wave techno. Euphoric festival destroyers to deep, warped k-hole vocal house. Perfectly timed to drop as dance floors & festivals start to reopen get used to these tracks.

Split #1 marks the debut of a new vinyl series, to be hosted on the Various Artists catalogue of Pi Electronics. The split series will be bringing two artists on the same vinyl, with this very first release presenting music by Greek producers Fragedis and Nemmett. Coming from different backgrounds of electronic music, prolific figure of the Cretan islands’ dance scene, Fragedis and one of the Athenian founding members of the π crew, Nemmett, contribute their sharpest weapons to this release.

Schrödinger’s Box have collected three juggernauts of wave tainted electronics for the latest. Dmitry Distant teams up with Norwell for a partnership of serious intent. The pair deliver a trio of blackened tracks, opening with the ghoulish caverns of “Transient State” before the long shadows, acid stains and painful echoes of “Visionary.” The duo venture into brighter territory with the computer funk of “On A Verge of Veil”, crisp beats and bubbling melodies changing the tone. Following Beyond the War, Cute Heels returns to occupy the flip. The Colombian is immediately on it with the swirling mirrors of “Kuriyaki Horizons,” a kick drum offering solid footing in this entrancing piece. An aloof, yet alluring, disco hook takes hold for “Litua”, a low thump keeping time. The finale arrives with the clipped industrial gait of “Determinated In Order.” Marching to a military beat, this work is industrial inspired with Cute Heels keeping a close ear to the pressure release gauge.

A spectacular debut by this mystery production team by way of London and Berlin. Deep EBM influenced Electro from beyond the rim with a dash of acidic retro futurism.

Umwelt is back on Midnight Shift, with another scorching 5-track EP designed to be listened in continuity. Ascending chorals, acidic swirls and horrific echoes rise above a mash of abrasive, caustic electro/breakbeat chaos with shapeshifting moods. Ambient track ‘Gate of Nothingness’ echoes and feeds back into ‘Fear On The Dark Planet’ with its arpeggiated refrain.

The second release from the Italian label 616 Lab, comes with 4 purely analog tracks written and produced in 2020 by the Sicilian artist 616.


Long term Seven Hills friend and collaborator Thee J Johanz returns to wax for the third instalment of our original release series. This release runs close to the heart for Johanz as it was produced in the wake of his mother’s passing and stands as a profoundly personal eulogy for loved ones passed. Where Goes Your Soul? has all the trademark spiralling synth lines and hypnotic rhythm making that we have come to love in Johanz’s music making.

The third release of the Zodiak Commune Electro Acid Series is ready for landing. Serge Geyzel and Johnfaustus have some fantastic stories to tell. More space adventures are coming your way. It is time for The Return of the Space Gate.

“Before This” is the third studio album by London based techno producer Ashley Burchett and the first release for his label Modwerks. The culmination of three years work, this project has been produced almost entirely by Ø Phase from the music to the artwork to the accompanying videos.

The year is 2021. Music is outlawed and creativity crushed. Amidst the rubble of a Derelict Dundee, the resistance has assembled. Exiled Records is born. An all out audible assault against the forces that be. A voice for the unheard. For those cast out by society. For those who stand on the other side of normal. A story of anguish, resentment and undying fight. The first wave of attack comes from LBEEZE. True to nature, bold and twisted vocals accompany his own brand of psycho electronics. You will listen when he’s talking. Kluentah provides the ammunition with an electro-fueled remix.

Izorgor’s sound reflects his burly bouncer name. Drums pound and hi-hats slash in the mean and murderous “HDF-N”, a soundtrack for car crashes and late late club sessions. “Nosferatu” comes from a similarly evil place, percussion is fed through a mincer before a fog of distortion descends to smother samples. If you’re after a respite, you’ll have to wait or feck off home. “HDF-S” wades in. Similar to his sibling in terms of rancorous rhythms, this beast drips with 303 sweat and venom with just a touch of salvation in those soaring notes. Boris Brenicki, of Ontal fame, ends with his own sepulchral take on “Nosferatu.”

6 tracks of dark sounds industrial EBM with touches of Electro by Rise Black with Roots of URRS where the project is inspired by the world war.

Native Mexican Leo Leal debuting an 8 LP tracker on Binh’s imprint Time Passages, exploring a dark fractal sound.

Cross-border wiring in the studio for the new RFR release. Russia and Georgia share their musical conscience and deliver a fine split EP for cat. no. 16. Generali Minerali and his army occupy the a-side. “Generation of Mars” is musical terraforming in its purest form. Minimally crafted electro, a shot of acid and well-placed melodic patterns are the main ingredients for a magnificent opener. “Dry Water” sticks with the electro leitmotiv. Compared to the A1 we find a closer reference to the dance floor, meandering scanner sounds and a snare, that keeps slapping constantly. On the b-side RNBWS carry on where Generali Minerali and his troops had left the battlefield. “Galaxy” opens the doors to an interplanetary round dance, the place where mind and body join together in the sense of classic electro. “Nothing but Hardcore” needs no further explanation. UK hardcore in its most beautiful garments, which is so characteristic for RNBWS’ tracks. Interwoven by electro elements, who get to the heart of this EP in terms of stringency.

Soil Records’ Valley of Tears is back on his third edition more powerful than even, with 4 tracks from Arnaud Rebotini, David Carretta, Kovyazin D and Terence Fixmer.

From the rampaging start of the EP, ”Eternal Remorse”, not a single note, guttural vocal, or fierce drum hit is out of place. The emerging greek artist Boris Barksdale, portraits the overall feeling of militaristic order encompasses music and vocal samples. The musical equivalent of that image, industrial society’s restless march to oblivion rendered as an infinite dance track, as aggressively vibrant as it is alienated.

For Number 5 on his Label Kluentah recrutes the Luchador Chupacabras with. 4 nasty and dirty Machine Jams straight out the gutter.