The birth of Mindri, a new Pinkman sublabel run by Afra & Marsman. The first release by Pluto Junkies, a collab project between Ernestas Sadau, Rapha & PRZ goes straight into the alley of mind bending and stomach swirling releases. Drenched in 90’s retro-futurist electro spirit, Flying Spaghetti Monstership is what you would call a secret weapon at a rave. Fuelled with ferocity and seasoned with nostalgia, it feels like hedonist nights and forgotten conversations in crammed basements.
After a heavy year that shocked the music scene all over the world, three fellow labels, Dalmata Daniel, EXILES and Farbwechsel joined forces to kick off 2021 with a massive 43-track compilation album. Contributed by 12z, Adam Krasz, AGA2L, A I W A, Alley Catss, Alpár, Carla Under Water – Máté Tulipán, CT Kidobó, David Harleydson, Dj Faktor X, FOR., Grabosky, ICR, Imre Kiss, J. Mono, Jeremiah Soft, Kobanya3000, Kokum, LAU, MA’AM, Maks, Marcibagoly, Max Sinclair, Mike Nylons, Microbeat, n o a h s t a s, Nemerov, Normal Tamas, Norwell, obwigszyh, OOO, Palmovka, Panoramic Barrier, Prince Matt, qvirk, ritual abuse, Roh Yugen, S Olbricht, Saint Leidal The 2nd, Sematic4, SILF, Sipowicz, SVR101, Tsering, Új Bála, Új Látásmód Fúzió, Wedding Acid Group This bold selection of contemporary Hungarian electronic music producers represents the three labels’ roster, including their core members and latest signings, alongside with other crews’ members and independent artists. The compilation ranges from experimental and ambient compositions across industrial, electro and acid bangers through the current techno sound of Budapest.
The compilation is available for download as name-your-price on bandcamp.
Audition is now back with another hard-hitting, no compromise EP. Things kicks off with Sync a prime time banger track, while Altered Vision has a more soft side to it with its squelchy synth lines while remaining very playable. On the flip side, The Dictator goes back to more relentless rhythms and heavy sequences, and the EP ends up with In Substance with its ghost-like melodies.
Mannequin Records presents a new killer release from the legendary French producer Arnaud Rebotini. Whether as one half of Black Strobe or in his own material or just busy receiving a César prize 2018 for best film music, Arnaud Rebotini devotes his career to mindblowing electronic productions. Passionate about analog synthesizers, and with a strong taste for electronic music of a dark and brutal hue, the new EP ‘Shiny Black Leather’ pushes to the limit his EBM-influenced electro-goth side, making the most doomy goth clubber happy.
For it’s inaugural release, label boss Sepehr provides the first electrified soundtrack for Shaytoon records with “Crown Jewel”. Listeners should expect visions of monoliths, obsidian mountains underneath blood-red soaked skies and freaky soundwaves while listening. “Crown Jewel” EP should be listened to while hitchhiking across the country with only a bottle of wine in a knapsack, dreaming of dancing to the drum.
NYC by way of Miami, Moist 96 is a new project of Rene Nunez, mostly known through the years for his work under the name, Horoscope. Culled together from decaying tapes, bled out and dubbed one too many times over, Nunez took pieces from these 4 track demos drawing back on the music of his youth; Miami bass, freestyle and coked out funk to create this record. The LP being a raw in your face snapshot which is the musical equivalent of a pit bull being locked in a car for hours during a heatwave with the afternoon mix show on full blast.
As the artist says, “This is not trying to be some jokey-ironic-funny-costume-campy bullshit. It is trying to be on some real illegal pre-internet bootleg rush-hour mix; 808’s on blown-out car systems; cassette tapes melted in the center console speeding by Hot Wheels and Club Madonna’s neon signs; pants-shitting bass frequencies, like a roundhouse kick to your chest type shit. If you’re tired of all this cum fast video game techno you might enjoy this project. And if you don’t, that’s cool, too. I hope everyone keeps their head up, Releasing music right now can feel stupid and unimportant, but hopefully this record can take your mind off shit for a second and have some fun. Thanks for taking the time and listening. ”
With part 4 of the Astra Spectra series, Science Cult invites BinaryFunction showcasing three intense and dark electro cuts. The iconic Carl Finlow delivers a remix of “We Will Destroy”.
Undersound is very happy to present a new EP by London-based producer Sohrab. This EP showcases his wide ranging influences, with a diverse sound palette, while demonstrating his already-established personal aesthetic. The EP opens with “The Fool”, a steady four-to-the-floor track with esoteric eastern-tinged melodies, and continues with “Vertical Alignment”, a bassline-led emotional trip with interlocking evolving harmonies. The flip offers two contrasting moods: the rougher “Resolution”, a fast-paced late-night burner, and “Digital Bliss”, whose soothing synths evoke old school Goa vibes.
Manisdron, side project of GOAT (JP) drummer, Takafumi Okada debuts on L.I.E.S. with a four track EP of frenzied live electrified drum/blast synth rip not techno beat experiments. A powerful force both live and in the studio – this is no nonsense gear that truly gets your heart pumping.
Evod Music presents ‘Galleria’, a Various Artists mini-compilation with Oscar Mulero, Mike Storm, Evod & Oisel and Divide. ‘Perlora’ by Oscar Mulero is a perfect dancefloor tool. Continuous bleepy spaced out sequences dialogue perfectly with stationary drums patterns and noisy hi-hats. ‘Cosmic Occurance’ is Mike Storm’s first appearance on Evod Music, which welcomes his inimitable style. The track is dominated by repetitive sinusoidal glissandos and a powerful bassline sequence. ‘Dune’ by Evod & Oisel is live recorded and composed by four sounds. A raw kick, a (dynamically filtered) bassline sequence, a resonant melody and and a light hi-hat. The melody of ‘Enigma’ by Divide is endless. As his usual, a single sequence dominates the entire track, melted with distorted, powerful drums and raids of pure power, during track’s climax.
James Ruskin and Mark Broom returned to their Techno bunker after some solo outings and their more experimental project, The Fear Ratio. They now deliver four new tracks of ”Basement Jams”. Expect heavyweight basslines, sharp stabs, tough grooves and a high level of funk to the metallic sonics that sets them apart from other releases.
The Hipodrome Of Music 