TV.OUT – TV.OUT [LIES131]

Hard hitting duo TV.OUT return to L.I.E.S. with their 2nd EP for the label. Clocking in with four tracks, these guys move with ease from classic Frankfurt style New Beat to teeth grindin, lower bpm EBM and Hague style electro, all tracks suited for the club. Head right to the opener XTC for an immediate 8 minute expansive modern day lesson in dancefloor drama- strings and claps perfectly placed as the bassline drives you insane. Fast forward to ”Black Out” for a slower paced harder hitting beating, air raid sirens scream as the metalworks clang on. TV.OUT at the top of their game with this one.

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TV.OUT – TV.OUT [LIES131]

Larionov & St Theodore – Bleak Warfare [RET006]

Cold and sinister combat electro by Russian pourvoyeurs Larionov & St Theodore. Infectious analogue rhythms emerged deep down the hearts of these young souls. The Bleak Warfare EP presents five cuts with each their own desire for the dancefloors.

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Larionov & St Theodore – Bleak Warfare [RET006]

VA – TRB01 [TRB01]

Tribe is a record label created by like-minded artists from Barcelona, with a bold purpose of generating and sharing their idea of timeless electronic music. The debut EP Tribe01 comprises four different yet catchy and charismatic tunes that meet at the same point – the dance floor.

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VA – TRB01 [TRB01]

Hieroglyphic Being – A Synthetic Love Life Vol. 1 [MATHPLUS015]

Hieroglyphic Being has materialized with the limited & stamped “A Synthetic Love Life Vol. 1” created a decade ago to cassette & sonically presented to higher plane listeners. Volume 1 of 9 for Mathematics Plus.

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Hieroglyphic Being – A Synthetic Love Life Vol. 1 [MATHPLUS015]

Drvg Cvltvre – The World Is On Fire But We Still Dance Like Twats – Part 2 [CLTD-011]

The New York Haunted label owner Drvg Cvltvre drops 3 new tracks on Concrete Records. Strong synths, acid bass lines and aggressive sounds are the elements that always characterized Drvg Cvltvre’s music, in this EP he shows another more sophisticated and personal side: pads and ambient suggestions coexist with the strong basslines and rhythms. A different approach that gives a more deep and mental oriented tone to the tracks. A lot of percussion add raw sound characterized this three tracks, a just balance between the raw house genre and the violent techno sound.

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Drvg Cvltvre – The World Is On Fire But We Still Dance Like Twats – Part 2 [CLTD-011]

De Bons en Pierre – EP No. 1 / 2 [DE236/DE237]

Dark Entries presents two new EPs from De Bons en Pierre, the duo of Beau Wanzer & Maoupa Mazzocchetti. Beau Wanzer spends the majority of his days sifting through paraffin embedded animal tissues and reading old issues of Fangoria, occasionally breaking his monotonous routine to record in various fits and bursts. As well as solo material, he is also in numerous projects including Streetwalker, Mutant Beat Dance, Civil Duty, and Corporate Park. Maoupa Mazzocchetti is the pseudonym of Florent Mazzocchetti, a French producer based in Brussels. His sonic vision is one which constantly straddles the line between wild experimentation and rhythmic compatibility, drawing influence from early concrète, 80’s tape scene and Birmingham school techno. After working together on the ‘Crepes’ EP that we released in 2017, De Bons en Pierre reunited for a two day recording session in Brussels. The duo recorded 13 tracks that we’ve split across 2 EPs with 6 tracks on ‘EP No. 1’ and 7 tracks on ‘EP No. 2’. Beau says, “We hooked everything up and just pushed play. We didn’t really discuss much about the process….it was very ‘spur of the moment’.” The equipment set up included a Roland TR-808, TR-606, SH-101, CR-78, CR-8000, two Syncussions and effects. Each EP contains 25 minutes of dance floor perversions that tackle an array of rhythmic forms. Sludgy synths, serrated percussion and viscous distortion goops over leviathan rhythms.

part 1 / part 2

De Bons en Pierre – EP No. 1 / 2 [DE236/DE237]

Dircsen – Soundtravels [ST008]

Dircsen is back on Soundtravels with four heavyweight dancefloor bombs, well worked out, 303 basslines, accompanied by moody synths. Dircsens tracks are always built to perfection, distinguished and raw at the same time. Timeless tracks which will last a lifetime.

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Dircsen – Soundtravels [ST008]

Koga – Hive Mind EP [OCP001]

OCP presents their debut release, coming from Koga, Frankfurt underground DJ and connoisseur of the M1 organ bass. The ‘Hive Mind’ EP contains four well executed tracks that are likely to disintegrate dance floors around the globe. Title track ‘Hive Mind’, featuring Simon Moncler, is a Brooklyn-style techno jam packed with hard hitting RZ-1 hats, while ‘Survivor (M&M’s techno will survive mix)’, featuring Maurice, freshly connects trancey elements with breaks and bleeps. The B side kicks off with ‘Fox Undercover’, a jam displaying developed knowledge of clunky baselines and pounding grooves, the 12″ rounds of with a bass-heavy remix of ‘Fox Undercover’ by DJ Slyngshot.

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Koga – Hive Mind EP [OCP001]

Jensen Interceptor – WOD008 [WOD008]

Jensen Interceptor, doing what he is very reknown for, delivers a fierce electro jam and Tim Fairplay conjurs up a tremendously intense remix to seal this release pressed on limited edition, hand stamped & numbered one-sided black vinyl housed in a white disco bag with a printed insert info sheet.

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Jensen Interceptor – WOD008 [WOD008]

Ghetto GEM – Riots EP [DYFR009]

After their collaboration in Panzerkreuz Records with Black Sites (F#x & Helena Hauff), the guys from Ghetto GEM did a series of small live performances in the The Hague squat scene. Places like Dystopia, Maakhaven and Syndicaat. Performances that took place during the Schilderswijk riots which delivered some slow and menacing tracks. Some of the recordings where found and six of these tracks can be found on this mini tape album.

Ghetto GEM – Riots EP [DYFR009]

Amato – Mécanismes Vol.1 [PNKMN30]

The Hacker pulls out his Amato moniker to deliver an abyssal, floor-ready EP, drawing on influence from the funkier side of early electronic body music. Though dark, the illustrious Frenchman seasons the A-side tracks with a healthy dose of groove for peak-time frenzy. Meanwhile the rather dejected flip side will do the trick for the murkier of dance-floors.

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Amato – Mécanismes Vol.1 [PNKMN30]

Identified Patient & Sophie du Palais – Don’t Exclude Anything [PNKMN28]

Identified Patient and his notorious femme fatale are back with another record of deranged darkroom anthems for Pinkman. This 12″ is where crunchy drums and heavy bass are laced with aggressively seductive vocals by Sophie Du Palais. While the theme of the songs, compared with their previous record, goes in a rather kinky direction, the raw ferocity that never fails to grip a dance floor remains.

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Identified Patient & Sophie du Palais – Don’t Exclude Anything [PNKMN28]

Identified Patient – Kogeldans [PNKMN27]

Identified Patient drops another calamitous record on Pinkman. Four dungenous slowbeat cuts, brimming with energy, emotion and attitude. The EP kicks off with Geen Syndroom where jaded, murky melodies go in tandem with sexy bass lines and an obliterating broken drum beat. Thereafter, Nog Steeds High Van De Lak progressively evokes feelings of desolation and melancholia, while carrying an aggressive punch and irresistible groove. Do the flip to find two more ferocious productions in Ver Verwijderd Van Vermoeid and Haar Glans Altijd Strak. The former grips you firmly with bubbling acid and machine gun snares on the backdrop of violent kicks. The latter ends the voyage entrancingly with hypnotic synth lines, whiplash-snares and rattlesnake-hats.

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Identified Patient – Kogeldans [PNKMN27]

L/F/D/M – Dream Bleeds [CITI026]

Cititrax presents ‘Dream Bleeds’, a new vinyl release by Brighton, UK based producer L/F/D/M aka Richard Smith. ‘Dream Bleeds’ overflows with body jerking industrial, raw acid/techno, and hints of the warehouse sound of the late ‘90s and the caustic spirit of EBM. Richard Smith says about ‘Dream Bleeds’, “attaching meaning to songs is often arbitrary but when the visceral feeling of music, particularly instrumental body music, is laid bare, the interaction is immediate and physical. These tracks thread together; each starting point completely open, each new step informed by the last. I find it interesting that the process is the same but the outcome somewhat unexpected; shaped by emotion, inspiration or even constraints of time, they evolve as they do in that time. They reach a different end point due to that evolution of circumstance.”

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L/F/D/M – Dream Bleeds [CITI026]