Continuing our past year briefing, after the readers top 3 and best giveaways, we present a list of our 20 favorite albums from 2020.
We have four albums more on the electro side coming from DMX Krew, Men With Secrets (Donato Dozzy and Retina.it), Nullptr and The Exaltics & Heinrich Mueller, while on the industrial/EBM side we have albums by A Civil Terror, La luna sotto il ponte and LBEEZE and impressive works from Black Meteoric Star, Ian Martin and Trenton Chase.
On the synthier side of music we have four albums coming from Das Ding, Linea Aspera, Newclear Waves and Jake Schrock, while for the Detroit lovers we have two Detroit influenced album by The Beneficiaries (Jeff Mills, Eddie Fowlkes and Jessica Care Moore) and The Nightstalker (Dan Piu and Martin Akeret).
Closing the list are the debut album of disco-don Franz Scala on Slow Motion, Obergman‘s acid album on Furthur Electronix, Anthony Collins with his album on Lobster Theremin under the Grant alias and Shifted with his first album on Avian.
The list is compiled in chronological order.
Continue reading “2020 Best Albums”
Voluminous Arts happily announces its third official release, a 12 track album entitled “Disco” by Gavilán Rayna Russom’s elusive alias Black Meteoric Star. This is not a Disco record. The title deliberately troubles the music biz’s incessant tendency to hierarchize genre classification over the experience of listening. If you must categorize these mutant sounds think of them as a proposed alternate score for those long, caffeinated sessions in Abby Sciuto’s forensics lab, the soundtrack to a heavy workout in the Westchester Danger Room or perhaps the musical accompaniment to deep body investigations of your own ancestral memories. What this record really is, and why it’s called “Disco” has to do with the layering of time and life energy present in the spaces where we have traditionally danced to music which are sometimes called Discos. From the pounding urgency of “Muscle Machine” through the unbridled night vision romp that is “Fluid Feline Forms” and the shimmering investigations of “Whispers Between Worlds” to the extended lazer pointer focus of “I’m Unmelting” this record lays out a broad slab of practice-based research into the ghosts we connect with on the dance floor. Whether it be through partying in former industrial buildings, contested spaces of labor built on lands violently appropriated from indigenous people, uncomfortably inhabiting vacuums in queerness left by the AIDS epidemic, lifting lineages through sampling, or the relentless cycle of whitening that accompanies dance music’s march into the market, our experiences in the Disco have been permeated by the spectral and the haunted. Through rhythm and frequency, organized over time, this music blurs the veil between the living and the dead inviting those who move to it to connect with experiences beyond that false binary. What you have here is another fantastic Black Meteoric Star record, as always made without multitracking or overdubbing, recorded directly from single live takes. It is is utterly consistent with all that name has come to mean, but on “Disco” Black Meteoric Star’s vision has been allowed to expand into an almost mythologically epic space. Ancestral time works differently. Settle in and absorb the frequencies. As the closing track suggests, the virtual Disco these sounds evoke is for “Freaks Only”.
New York’s Bound presents the second compilation, Auricular Discipline II. All proceeds from the album go towards the Sex Workers Project, which provides resources and legal aid to sex workers. “We believe sex work is inherently intersectional, at the core of human rights, as well as one of the most limited, overlooked and vulnerable communities,” promoter and label Bound says in a statement. The compilation features new tracks from the likes of Black Meteoric Star, Dax J, Gavilán Rayna Russom, P.E.A.R.L., Terence Fixmer, Bound resident Katie Rex and more.
Black Meteoric Star returns with the Ghost Frequency EP, and this 12-minute hardware techno jam captures the haunted synthesizer sound that the title implies.
A split release on Nation’s sublabel, Kode. Two exclusive tracks from Black Meteoric Star and D’Marc Cantu. D’Marc Cantu’s RDDS is an abstract production where Hip Hop Meets electronix. A rare, unique document of class and sickness. Black Meteoric Star closes the release with an homage to a legendary NYC neo film… recorded live at the Capriccio x Nation EE9 party on 25 March 2016.
Gavin Rayna Russom palms out a loose and wiry jag for Barcelona’s Modern Obscure Music, leaning heavily on a knackered acid bent (and seemingly many of the buttons in her keyboard at once) for the soundtrack to a self-made film about transition in a broader context of capitalism and death.
The Xecond Xoming of Black Meteoric Star at †HRILLER
Black Meteoric Star LIVE
The transcendental and occult energies emitted by Black Meteoric Star first reached our ears via transmissions on DFA with the Xecond Xoming of Black Meteoric Star on Nation in LP form. this LIVE performance was his 1-TIME EXCLUSIVE in Europe to showcase heretofore unheard material from the album….respect the unexpected.