Here’s a new atmospheric techno release by Conforce on his own imprint Transcendent. ‘Conical Surface’ showcases a diversity of carefully selected techno tracks, all with the profound character you can expect from a new release by Mr.Bunnik. Lush pads and interstellar bleeps send you straight into his musical universe again. Performed and recorded with accurate precision for maximum impact.
Transcendent Records presents a new immersive cinematic techno release by a French producer who goes under the name of Ersatz Olfolks. Heliopolis is the city of the sun and was the theological center of the greatest sun temple of pharaonic times. The sunrays bring brightness but we also find ourselves in the darkest ominous shades of an eclipse. We were instantly captivated by his contra dictionary sound that is filled with subtle harmonic distortions and sophisticated melodic and evolving modular patterns. Heliopolis EP is a careful selection of works recorded during live sessions.
Final part in the series “Soul of the Automaton” by Versalife closing it in style and with fine electro orientated elegance and crispy sounddesign.
A new transmission from the Pasadena Oceanlab by Versalife. The start of a new saga where he explores the boundaries between electro romantic sounds and glitchy idm percussions.
Dutch artist Conforce is back on his own Transcendent imprint with some filmic and atmospheric tripping techno action. Hypothetical Future Point sends you further into the more ominous and industrial spaces of his alias. Spiritual techno with with a wink to the past. Boris crafts music with attention to detail and blends influences from his Silent Harbour and Hexagon monikers that seems inevitable.
Originally released on Echocord on 27 August 2012. Transcendent Records finally releases this much wanted ambient techno album by Conforce aka Silent Harbour, completely remastered for vinyl. Boris Bunnik expresses “music for an imaginary deep mental abstract excursion” under the Silent Harbour moniker for Transcendent/Echocord. As his multifarious operations have shown, Boris is a dab hand in the studio, and Silent Harbour is the place to find those machine emissions which would never quite reach the ‘floor. Operating on the cusp of ambient Techno and electro-acoustic music, he shapes sheer scapes from elemental source material, rendering his sounds diffuse until we glimpse hallucinatory tones in the gloaming dissonance. 4/4 anchored rhythms are fractured, percussions sent to scout the perimeters while the vast space between becomes playground to radiant metallic timbres and strafing electronic apparitions. Music for Techno heads to fall into when the kicks are too much.
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