Francesco Clemente and Heinrich Dressel cross the sea of sounds where everything is permitted. The outcome is an album that’s rich in fascinations, and divided in two parts: in the first one the Canadian composer plays some suspended and gentle sounds, while in the second one Dressel brings the listener to an eternal struggle between darkness and light, comfort and despair.
Rome based producer Heinrich Dressel sucks you into a movie full of pain and misery. The most sinister euro crime and giallo mixed to a heart crushing thriller filled with synthesizer suspense. Partner in crime DJ Overdose finished the job in style.
Heinrich Dressel from Minimal Rome and Ali Renault in his Cestrian guise team up to bring us the latest release on Cyber Dance Records, a split EP featuring 2 tracks from each of them. Side A is Heinrich Dressel’s half of the record and kicks off with ‘Out Of The Blue’, a deep throbbing monster of a jam full of psychedelic synths rumbling and pulsating beneath mesmerising electronic tones. His other track. ‘Thru The Fog’ ups the tempo and pushes the rock-solid analogue weightiness into a Chicago-esque jack classic that DJs won’t be able to resist. The Cestrian half of the record counter-balances Dressel’s moody analogue jams with 2 LSD-driven electro-monsters that evoke bleak but somehow lush visions of life in the modern world of concrete and machines. ‘Strong Face’ with its distinctive audio sampling and dystopian future vibes would surely be just the kind of electro JG Ballard would approve of, while ‘Methane Filter’ is a tweaked-out electro rocker that sounds like robotic paranoia distilled into soundwaves.
New release of Heinrich Dressel aka Valerio Lombardozzi, mind of one of the best Italian techno-electro labels around, MinimalRome. Heinrich Dressel is finally celebrating the use of vintage synthesizers and driven electronic machines, holding elements of electro and ambient at the same time, but breaking from the genres too, deeply inspired by Heinrich Dressel, the pioneering German archeologist sent to study in the holy city in Monte Testaccio, who drew what is now a major tool for study of Roman amphorae, the ”Table of Dressel. Heinrich Dressel is placed in a sort of limbo where John Carpenter meets Drexciya, a sonorous journey through the darker side of the electro, taking the commands of the Elka Synthex, one of the most impressive polysynths in the history of music, planned and manifactured by Mario Maggi in the early 80s, as the commercial brother of the MCS70, synth that gave birth to a masterpice album like ”Automat”. “Sighing Melodies Thru The Graves” musically speaking can be described as a captivating hybrid of styles, mixing the chilling-menacing mood of the 70s / 80s lo-fi funkadelic horror soundtracks to outerspace synthesised soundscapes in a pure classy vein. This is cryptical-kosmische psychedelica with a nice electro retro touch and avant-minimalist vibes.
Heinrich Dressel returns with a four-track release. A compendium of crime-o-rama deliberate violence, with the Legowelt connivance.
The Hipodrome Of Music 