
Two killer dub versions of ‘Mass X’ from Fudge Fingas. Vakula turns the original tropical cut into a brain-melting, dark warehouse soundtrack. Meanwhile, Juju & Jordash slow things down and get lost in a shimmering bass odyssey.

Two killer dub versions of ‘Mass X’ from Fudge Fingas. Vakula turns the original tropical cut into a brain-melting, dark warehouse soundtrack. Meanwhile, Juju & Jordash slow things down and get lost in a shimmering bass odyssey.

Volta Cab present a new release on Finale Sessions, including 4 tracks. “Empire Times” is a throwback to the early nineties classic New York signature four on the floor sound with fuel injected synths and a great dance floor peak time get down groove. The other tracks differ from an 80’s disco sound to massive deep techno.

Skylax Records present the 2nd release on Wax Classic, featuring 5 fantastic trax done by Nicholas’ new incarnation as Soul System. Deep and analogue synth heavy grooves.

DJ Kaos’ debut on Discofil imprint, with some cool selection of tracks, ranging from slo-mo disco house to more jacking tracks with classic house grooves.

Minimal Wave announce a limited edition hand-silkscreened 10” release of Schedelvreter aka Danny Bosten, originally recorded and released in 1985 on Tear Apart Tapes (NL). Danny tells the story of how he recorded these tracks: “I had been making these repetitive, pattern-based Das Ding songs and felt the need to do something a little different. Something more organic, with a narrative structure to it. Reading Shelley’s Frankenstein at the time, and looking at old accounts of Spanish explorers in the Americas, inspired me to make what I imagined as the soundtrack to an imaginary movie: bleak and desolate. I had a Crumar synth that was falling apart, and if you held down a chord and switched it off and then back on, the voltage would drop so the tones became individual blips that sounded like human voices. I made some massive drum sounds by layering noise, used leftover four-track additions in reverse, and included some drums I found on a tape my brother had given me. I just layered it all on the four-track and played along. It made a nice little package of about seven pieces, so I made up a name for it, “Schedelvreter,” which translates as something like “Skull Gobbler.” The tape was released in 1985, but only a few were made at the time.”

Erupting from the seamy neon-lit wasteland of Los Angeles, California – Frank Alpine’s self-titled debut offers a darker, sleazier view of the current cold-wave resurgence. In fact this disc might have more in common with the shuddersome compositions of Chris & Cosey than it does with the contemporary Brooklyn indie set. There’s a no-wave grit to Alpine’s pained squeals, and over double-time electrical beats he eulogizes a city in decline. It’s hardly even ‘cold’ at all – the sound of Frank Alpine is soaked in sweat, booze and the remnants of a night out you’d rather forget.

A collection of 4 synth-pop, minimal wave, darkwave tracks released in 2010 on Le Forme Lente, now available for free download on their soundcloud and bandcamp pages.

”On a quest for his ancestral roots our hero suffers a CPU arrest. Unable to recover, certain death is only a matter of time.” On the fifth release of the Astro Chicken Records from Germany, it’s no more ”Mr-Cosmic-nice-guy”, but psychedelic electro all the way! 7 track, mini-LP with custom made fold-out funeral card.

20 years after its original vinyl release, the self-titled EP by Lego Feet – aka Autechre’s Sean Booth and Rob Brown – finally lands on CD, with substantial extras, clocking in at a total of 70 minutes. The first ever release on Skam Records, for many this really is the holy grail of British electronica: pre-dating even the first official Autechre 12”, ‘Cavity Job’. Issued in limited quantities in ’91, the vinyl has never been re-pressed and remains incredibly rare – there’s currently an original copy listed on Discogs for £300. Save for a couple of short segments appearing on Skam compilations, none of the music has been available on any other format – until now.

Second release on the New York imprint Sequencias. Expect three dark and introspective offerings, deeper-than-deep, dirty, and gritty house that jacks with the best the movement has to offer. We have to say that Orpheus firmly delivers here.

Alternative mixes taking Virgo Four into darker / more experimental territory. Capracara and his studio pal, Scott Fraser, turn in a 100% replayed version of the much sort after ‘Lites Go Out ’. On the flip, Jamal Moss steps into his Hieroglyphic Being guise and kicks out a brilliant reworking of ‘Boing’.

The third installment of Andy Blake’s Cave Paintings series. All the Cave Paintings releases are one-take analogue excursions constructed by machines and recorded live. 3x is a simple but dramatically effective warmly buzzing bassline is clambered all over by layers of interlocking pure analogue percussion. 3y heads into thus far uncharted territory. An evil, growling LFO driven bass underpins militaristic percussion that’s slammed hard into ancient spring reverbs and accompanied by the sound of synthesisers being choked to death.

The 2nd release of Arthur James Denton on Endless Flight. Title track “An Odyssey” is dark chicago house track, a2 “Loon” is funky rave house track. Legowelt remix on b side is more tech house style.

Matt Whitehead returns with the 3rd installment on Rebel Intelligence. This time 4 tracks of finely crafted acid house in keeping with his acclaimed live sets of the past 2 years. From the Inner City inspired ‘Good Fun’ to the deep atmosphere of the title track ‘Obsession’, this EP captures a sound and feeling guaranteed to move both hearts and feet on the dancefloor.

Paul Mac & mark Broom revisit those aciiied days to show us how it’s done with the four-tracker, ‘Essex Acid EP’ on Mark Broom’s own imprint, BeardMan. Joining their production forces for the first two tracks, Paul Mac then goes it alone for the second half of the EP. Originally recorded back in the day, ‘I Don’t Know’, ‘A Certain Era’ and ‘Knocker’ were first released on Mark Broom and Dave Hill’s seminal Pure Plastic label (PP066), while ‘Remember When’ was never previously released.

Four slices of raw Chicago House. Zurich based Florin Büchel aka CCO (Contra Communem Opinionem), has filled his flat with old school synthesizers and drum machines a few years ago, because these are the ultimate tools to make the music he likes in a way that is fun. It is liquid sensual music that sounds like machines, always looking for the feeling beyond the beat

New release on the Styrax Records Special series, with four tracks from 154, Damon Lamar, Claro Intelecto and Lowtec.

Fauxpas Musik presents the 8th release with the catalogue number 007. It’s a three track EP produced by Phidias. He created three brilliant tracks as a tribute to Convextion aka Gerard Hanson.