
The last part of the Analogue Soultions trilogy, by Eduardo De Le Calle.

The first of three Analogue Soultions 12″s to arrive from the studio of Eduardo De Le Calle. The untitled track that sprawls across the A-Side is quietly charged with the resonating echoes of ghostly, tracky beats and a hanging synth loop that positively drips with tension. Better still, “Track 2” exudes a downtempo, smoky vibe thanks to its sub aqueous rhythms and sporadic piano stabs, while “Track 3” worms deeper still into the electronic unknown.

The third artist-EP by Uncanny Valley comes from Cuthead and is nothing less than a proper power package. With ‘Vibratin’ things start off as deep as the bottom of the sea. Underneath Cuthead’s dense drums there is an intense and meditating synth line which is eventually complimented by an acid figure as if it was an evil twin. ‘Brother’ rolls in with a mighty kick drum, before a catchy sample and not less catchy piano motives prepare for a propitiating end. With ‘Transgressions’ and its bass line for the bigger floors things get down to House business once again. The remaining two tracks then give an impression of what happens, if Cuthead takes to the MPC for his liveset. In ‘Seram Lembah’ and ‘Heartless’ Cuthead combines his drumming with South East Asian disco-mantras und bittersweet Blues chants to heavy Hip-Hop-grooves.

Naturally for a producer who prefers to remain anonymous and call themselves A Drummer From Detroit and name their debut EP Drums, both tracks here veer into dextrously percussive house territory. Amidst the dizzying, jazz influenced rattle of Shake Shakir style rhythms that characterise the A Side workout our erstwhile protagonist weaves in desperate vocal strains and overtly dramatic piano and horn stabs which only serve to increase the panic inducing pace. The flipside treatment is slightly slower in its execution, yet increases the jazz funk melodic elements which make it the less a hectic and more involving production.

Frank Timm aka Soundstream/Soundhack/half of Smith N Hack is one of Berlin’s most coveted producers of discohouse in the Chicago tradition. A substantial collection of four tracks. A-side there’s the swirling, filtered strings of ‘Just Around’ as Soundstream, beside the ruff-cut jack of ‘Vintage’ in his Soundhack guise. B-side he introduces a new moniker, T.S.O.S. with the smashing ‘Over And Over’ and ‘Over Beats’, plus four loops which will definitely get used and abused.

Lisbon-based producer Arttu Sellman release the second two-tracker for Philpot. Both the title track and flipside “Upwards” bear the aural hallmarks and raw drum machine sounds of early house and techno. While the latter is a driving fusion of drifting vocal samples, fuzzy beats and brain-melting acid bass, it still retains the analogue swing and evocative feel of the immaculate title track. While neither track could be described as revolutionary, both offer an attractive package of spellbinding grooves and intoxicating analogue riffs.

As the Deepblak Ten year Anniversary continues, it’s time to revisit Prof. Delacroix’s deep classic “Build Her”. Beautiful classic deep house tracks with a rawer edge wich takes away the over kill on artificial sweetnes. Comes with Afrikan Science, Fred P and Aybee remixes.

The second single from his forthcoming flux album, Still Playing House, is a beast. “Free To Be” is a house-submerged affair, as low-slung as they come and in a classic Murk vibe. Berliner Hunee delivers a spot on remix on the title track and brings it into deeper territory. He is transforming the original mix into something fuller, warmer and almost epic. “Down To Nothing” is another slow pumping house nugget. With its soothing and soaring synths, ebb-and-flow arrangement, inviting melody and vocals, this is another bomb fitting every house set. Things get even slower with “Why Don’t You”. A great house tune with a sensuous vibe.

Crackboy sticks two fingers up to the chin-stroking shoe-gazing deep house heads and drags us to the middle of the peak-time dancefloor with this Prince / Sueno Latino-sampling bootie! “Back To The Future”, aka “The Future” by Prince, gets a rocking house revamp on side A, one that will be sure to have everyone in a sweat. “Ebeneezer Knight” might have you worrying that the Shaman would be involved somewhere along the line, but actually this is a fattened up version of late 80s Manuel Gottsching-sampling Italo house classic “Sueno Latino” by Sueno Latino. Simple, effective music – nothing fussy, nothing over-worked, just tailor-made for dancing.

Simon Weiss’ debut solo release on the Hometaping imprint called “Yesterday Is Around”. There is an undeniable warmth to the expertly looped strings and delicate vocal sample that will turn many an ear, whilst the rhythms and textures are delightfully fuzzy. Alongside it Weiss flexes his percussive muscle on the expertly poised beatdown of “Bird Movement” which is notable for some excellent pitch shifted melodics, whilst “Body Signature” is delightfully sloppy.

New Tsuba Limited release from Rio Padice with ‘The Return Of The Luchador’. The Luchador story continues with 4 more tracks of timeless, raw and melodic house music all made with machines.

Marvin Dash aka Ronald Reuter lays down three authentically deep and heavy grooves for Workshop. A-side is suave, mid-tempo nod to Detroit Beatdown inspirations with that effortless sense of German finesse and soul control. Flipside there’s a disco-looping killer, before finishing on a weirder, left-field boogie-House number.

The second edition of Efdemin’s Chicago series, featuring four remixes by Deadbeat, Fred P, Rndm and Efdemin himself.

State of the art work on the dusty binding between house, techno, dubstep and analogue processing. On side A we find a dancefloor smasher with solid 808 beats and absorbing new yorican piano hooks, followed by an acidic voyage of epic proportions. On the flip, we get a proper piece of functional minimalism and a soulful uptempo excursion into the garage territories. The heat of magnetic recording, the funkyness of the machines, the driving force of the human feeling.

Synapsis Records is back with a excursion into deep house with a new record from Hakim Murphy called Moonbeam Express EP. In this presentation there are three tracks that explore the deeper side of Murphy’s subconscious in which he describes this vinyl sound as an express trip to the moon through cosmic textures, deep grooves, and subliminal funk