
Marsman @ Intergalactic FM Festival 2023




“For the 2nd chapter from The Definitive Articles of House Music, Traxx plays from the early 80s, 90s and today from vintage and out of print bootlegs and record labels housetime, precision, nbasement and street sounds to productions from Carlos Berrios the Latin rascals, Bobby Konders, Edward “Get Down” Crosby, the Williesden brothers and a secret alias known as Genius At Work with new material from Modern Analysis, Deep Concentration and musical blueprints of Chicago and New York’s timeless heroes we admire, honor and inspired by their education with this 2 hour and 48 minute selection.
We hope this will give people the chance to listen to music many may have never heard on this side of sound that provides a provocative and thoughtful musical workout in your mind..
This musical timeline is literally all over the rhythm 🎵 scales ⚖️ with vinyl turntables, a vintage mix console…effects box and cd players.”

Partout is following his UK series with 4 tracks EP by Manchester based DJ and producer Marcus Paulson (aka Kid Machine).

Intrinsic Rhythm presents a new EP by John Heckle entitled “Return To Titan” and the first on the the label from a different artist other than label owner Tr One. This is John’s first release under his own name for a number of years and also includes a remix by Michigan techno visionary John Beltran.

Originally released early last decade, Simoncino’s four-part The Warrior Dance series boasted a mix of inspired original productions and superb remixes. This 12″ contains four of the best remixes, all of which first appeared between 2010 and 2012. Ron Trent’s EP-opening revision of ‘The Warrior Dance’ is little less than analogue deep house perfection – all sparse drum machine beats, bittersweet chords, sci-fi synth sounds and the producer’s usual emotive piano motifs – while Gene Hunt’s take on ‘Do It Again’ is hypnotic, bass-heavy and reminiscent of Larry Heard’s most bittersweet early works. Merwyn of Virgo Four drops two takes on ‘Mystery Girl’: a raw, analogue-rich deep house main mix, and a sparse, jacking and groove-based Dub.

The story behind Hudd Traxx label head Eddie Leader’s new single is one that begins with a rescue mission. Driving from his base in Manchester to London, to collect a stranded Chez Damier, due to a cancelled flight, and deliver him to his gig in Manchester that same night. Post gig, deep in merriment, and having given way to the lure of the machines, both Eddie, Chez & Tomson spent time jamming in the studio and recording vocals. Late last year Leader dusted off these ideas and and set to work on crafting a new single…. Pressure.

Nicola Loporchio and Michele Lamacchia return to the Cosmic Rhythm imprint and introduce you to a new project, State Of Soul. They will guide you through deep, Italo, Balearic and Mediterranean sonorities, Afro, jazz and soul.

The second outing from Transmigration’s anything goes sub-label Sacred Stones. Four DJ edits covering repurposed free techno, extended proto trance and a cosmic jam with Cocktail D’Amore resident Trent.

Luca Trentini aka Trent is back on BLESSYOU with another EP. Three new tracks further deepening his explorations in masterful sample collages borrowing heavy percussive elements from his refined library of sounds juxtaposed with patterns of wild vocals, trippy sound effects and offset sax solos. Taking you to unforeseeable places with this rhythmic whirlwind of force much in tune with the artwork featuring a 17th century wind chart for aiding sailors in nautical explorations.

The original Berlin dance floor trouble makers from the early 90s, Saba Komossa and Gabi Delgado’s joint project Anti-Time was a powerful soundtrack to Berlin’s nightlife after the wall came down. Merging their naive curiosity with access to latest studio equipment guided by an unmatchable instinct for what works on a dancefloor, Gabi and Saba created a sound so classic and unmistakably their own that still today it refreshes the ears. For many an established masterpiece, for others a time capsule love message from over 3 decades ago, but for everyone it’s an essential piece of European club scene history. This album combines both of the known Anti-Time releases from 1990 and 1991 into one release.

Gigi Testa, a bona fide Neapolitan hero whose work not only draws inspiration from local music of the last four decades – think Pino Daniele, Tullio de Piscopo, Tony Esposito, James Senese & Napoli Centrale, Nu Guinea, Mystic Jungle Tribe and rising stars such Fabio Fattore, Daniel Monaco and Raffaele Attansio – but also high-quality deep house and African music in all its forms.


Optimo Music continue to dazzle with their increasing experimentation, this time welcoming Finnish producer and K-X-P frontman Timo Kaukolampi to the fore. Exploring the concept of sound as a physical and spatial phenomenon, the LP explores Kaukolampi’s idea of “the sphere”: his metaphysical and/or musical analogy for being subject to an undetectable outside force, as if being manipulated by an unseen cult. Hypnotic, eerie grooves play out in a muted, time-crystalline fashion, all tracks evoking the feeling of being locked in spherical amber, unwitting.

The new digital single from Italian duo Dressel Amorosi, like many of their previous productions, is perfect as a theme for the soundtrack of an imaginary film inspired by the great Italian horror films of the 70s and 80s. Indeed, it has all the sonic ingredients of that fascinating and yet disquieting world and its inextricable mixture of suspense, dream and adventure. The theme starts at the piano, originating from a sweet but haunting melody that seems to evoke distant memories, and then developing into a brilliant arrangement that combines the warmth of the prog bass played by Federico Amorosi (former bassist of Claudio Simonetti’s Goblin and a recurring collaborator of composer Fabio Frizzi) and the coldness of the razor-sharp synths played by Heinrich Dressel (aka electronic music composer Valerio Lombardozzi).

Som Imaginário are the stuff of MPB mythos. Integral to Brazil’s Clube Da Esquina movement in the early 1970s, a heady blend of progressive rock, folk, psychedelia, jazz and traditional Brazilian rhythm flows through the three studio albums the band recorded between ‘70 and ‘73. Flying the countercultural freak-flag amid the context of military dictatorship, the Brazilian prog lords shared much of the sense of experimentation and bountiful fuzz bequeathed by their tropicalismo forbearers. But armed with genius composers, arrangers and stupendously high-level musicianship, Som Imaginário introduced a potent harmonic complexity to Brazilian popular music, which would inspire generations of artists to come. On 4th October 1976, having finished a spell of recording and touring with Milton Nascimento, Som Imaginário performed a concert in celebration of Nature Day in Brasília. The recordings of the show would become “Banda Da Capital”, which, for the past half century, has laid dormant, waiting for its mystical power to be untapped.

The album Malaka is Ali’s desire to incorporate Middle Eastern culture (specifically music) with the elements of 70s Indonesian rock, cinematic soul, funk, disco, and afro beat to create a new groove and sound straight from the contemporary and vibrant Indonesian music scene. The title “Malaka” itself, represents the entrance where the Middle Eastern first come to Indonesia through trading in Malacca Strait / Channel many centuries ago. With all lyrics written in Arabic, this album builds on the influence of Middle Eastern art and music, which over centuries has assimilated itself deep into Indonesian culture and way of life. This album is trying to capture those long journeys, the “cultural dialogues” of our ancestors way back in the past, and bringing it back with modern touch through musical language. Malaka promises to deliver diverse and unique sounds (experience), with the mix between Middle Eastern and South East Asian cultures, in term of music. Which can’t be found in any other parts of the globe.

A warm rain in August, the cool feeling of soft ice cream on the lips, golden light and tender smiles. The sweet scent of strawberries, people laughing in the backyard and autumn is already in the air. This is how the music of Bionda e Lupo feels. Joy and melancholy, warmth and goosebumps – that is “La Deutsche Vita”. Six summers – ten songs for the double album by the Berlin couple. Lively German lyrics allowing us to immerse ourselves in the world of Gertalo, as we surf on synths in the New German Wave and refresh ourselves with a splash of cheeky Schlager pop.

UK based studio wizard Timothy J. Fairplay returns to Italo Moderni with a masterpiece EP including remixes by Dj Overdose, Intergalactic Gary and Univac. Three originals and three remixes influenced by italo disco with catchy basslines and acid harmonies. It is not a surprise that Italo Moderni & Timothy J. Fairplay are great combination together and this is a fine example of his quality studio productions.

The third KRI Records release features the infamous Italo Moderni label boss Adrian Marth joining forces with the Italian EBM master Diana Berti (Violet Poison) and it’s a belter. Warm and punchy analog beats are spiced with haunting melodies and sinister pads that will break even the toughest of ravers. Sturdy EBM-ish, dark italo and wave production is cushioned with Adrian’s mysterious vocals adding yet another layer to a diverse EP accompanied by two heavy-weight remixes by Chino & Chupacabras.