
Reissue of this italo rarity from 1982 with Flemming Dalum remixes.

Slow Motion presents their new free rework/edit/cover series called: ‘’A Ufo’’. Curses kicks off with a version of “Let It Show’’, a track by Nico Band from 1984.

The cult Members Only returns with Chicago don Jamal Moss on Worst Edits Vol.1. Culled from 20 year old VHS tapes restored using a baking method, these edits are real deal Chi-town badness with artistic psychedelic filtering of proto house & disco.

Fierce interdimensional acid tracks on the latest outing from the I.T. HQ in Detroit. Andy Toth casts a long shadow in the Detroit scene, from being co-founder of the Detroit Grand Pubahs to working as an engineer and mixer, he’s worked on so many records that you know but in his egoless way, didn’t know he was part of. Being the co-author of ”Sandwiches” took him around the world, but more importantly, it was the hold music for Mudgie’s, a legendary Detroit Deli run by another long-standing denizen of the Detroit underground, Greg Mudge. Greg Mudge was a true pillar of our techno community in Detroit, from showing us the venue for the first leaky roof No Way Back, to throwing his own events and supporting great people. One of those people was Andy Toth, who he was constantly pressuring to release his music, and this became a major theme of Greg Mudge’s memorial. When Greg suddenly passed last September, some friends came in to DJ his memorial like Derek Plaslaiko. When it was Andy Toth’s turn he played only his own productions and we were all just so blown away. Mudgie was always asking Andy ”what’s up with those tracks?” And this record is the answer, a testament to that thought, and to the deeply layered and detailed work of Andy Toth. Andy has created a uniquely dense Detroit Sci-Fi trip through sound, with elements of acid, electro, techno that result in an advanced and mature adventure in sound, reflecting his roots in the Detroit scene, but pushing it into new hypnotic futures, to boldly go where no one has gone before.

EYA Records continue to bring up some of the most inventive and forward-thinking Techno and Electro jams, this time welcoming back Berlin-based live performer and producer Otis. “Danger At The Tendo Dojo” EP is flawless, trippy and explorative. A unique journey into the artist’s mind through the rhythms and sounds of analog machines and synthesizers.


Mysticisms’ present a 2 x 12” DJ double pack of the music of Toyko Offshore Project. Featuring the productions of Simon Lovejoy, Frankie Valentine and Kiyoshi Myaura. T.O.P released a series of EPs from 1990 to 1994, recorded in London and Toyko. This best of selection of released and unreleased tracks covers the nascent UK / Japanese house sound through to Afro, Ambient, Balearic and Street Soul, a compilation that brings this evolution of electronic music back on to vinyl for a new generation…

Mancunian DJ and Producer Hidden Spheres aka Tom Harris returns to the Rhythm Section label with a synthesis of electronic house vibrations. ‘You Are Not Your Body’ is a collection of five tracks, which touch on the sensations of euphoria and the blissed-out intersection between early prog and Detroit House. Things come to a close with a spaced out balearic house remix by RS family favourite Ruf Dug.

Kuldaboli, Alek Stark, Mokotron and -=UHU=- together on this heavy hitter with four bombs full of vocoders, analog beasts and 808 beats.

Sound Synthesis returns to Electro Transmissions with four pure electro tracks with that acid touch we love so much in combination with his classic dreaming melodies…

Noamm, the darkest entity on Planet Earth delivers an extraordinary album full of analog sequences and surgical drums. Haunting electro at its best. Warning: the content included in the track Necro Science maybe disturbing or traumatizing for some audiences. This track includes sounds and voices sampled directly from the autopsy room.

Danish electro duo from Copenhagen “Krypton 81” signs Mars Frequency Records number 28 with 5 pure electro tracks. From dark and aggressive electro to melodic electro with melodies and sounds in the purest Kraftwerk style.

Kozmik Funk has produced a loving tribute to the Seminal electronic band, Kraftwerk, with a cover of the 1981 classic, “Numbers / Computer World”. This is a fully licensed cover from scratch. No Kraftwerk recordings were sampled in the creation of this cover.

“Ambidextrous. The electro-plasticky sculptural sonic opera that invites you in & out & in again. Presented in first-person, at other times in third but always out-of-body. Like a beat up stroboscope slamming into a Walt Disney number, raggedy abstracted cartoonish characters are pumped, plumped & squashed into the adhoc scenery. A tree is now a paint tube or maybe a shoe horn but only because it has to be until it isn’t, or maybe it never will be for you. Very filmy, sometimes flimsy and on occasion chunky; presenting to you, actual variety. Definitely not a tidy digital affair…you can hear the tape bias deep breathing & hasty splices popping with an immediacy that does not waste time to tinker. Shattered bronze becomes the glue, the glue becomes your dinner companion as well as the plate & window seat. Not unlike a Goldilocks and the Three Bears scenario, depending on your moody attention span, you may find certain characteristics to be too something or not enough something but perhaps just right. Open for interpretation & again for re-interpretation – this monument gives what you take. Hidden naked in plain sight under the raincoat of Fashion Flesh is John Talaga. His homemade concrete-conceptual sounds & visions have been pilfered, snubbed & consciously left unmentioned by many unmentionables. FF’s breathed the same dank air & marked his territory in rooms & on records with brave battered pioneers like Momus, Ian Svenonius & Alexandra Cabral (Escape-ism), Ann Shenton, etc etc…leaving a trail of recordings on far-out labels like Unknown Precept, est. 83 (Fit Sound) and Jacktone to only name just a few. Keep listening.”

Split release from Serbian-born, Macedonia-based Alavux on side A and The Hague’s Gallus on side B, each with their own interpretation of the more harsh and heavy industrial machine-driven electro-robot alienation, perhaps of some modern hidden ‘Deus ex Machina’?

The Electro Sound of Tel Aviv lands on Italo Moderni with a new EP from E-bony, one of the great music talents based in Tel Aviv, Israel. Hot electro beats focused on dance floors with energetics percussions giving way to warmer rhythms and 100% perfect for mixing in a really good moment of the night. To close the EP we have a madness remix from PRZ, one of the best electro producers at the moment, and to finalise a really crazy remix by Adrian Marth our boss label.

“We Are Power”, Galaxian’s first album in over a decade, cuts a new path. On this Foul-Up and Shipwrec joint release, Mark Kastner presents a rumination on the confrontation and power clash between humankind, nature, the spiritual and mechanistic industrial growth societies. What is authentic power? What is granted power? What is innate natural power? How is power accessed, wielded, utilised, felt? On this album the blistering beats and razor-edged rhythms that characterise the Glaswegian’s productions have been softened, the menace melted, the angst soothed (well almost.) Across eleven tracks, distinct audio vistas are surveyed. This album is unmistakable Galaxian, it marks a high-point and brings with it a culmination of intense expression.

‘Murder is The Number’ is dynArec’s with his first full EP for Cultivated Electronics label. He brings his seminal craftsmanship to Cultivated Electronics over four new tracks from the imposing ‘Stop and Stall’ via the electronic funk of ‘First in Motion’ and deeply grooving ‘ Specialized In Anything’, to the twinkling closer, ‘ Lowest Perceived Legitimacy’.

‘Draw The Line’ is a brand new techno compilation from Semantica featuring Regis, Oscar Mulero, ASC, Stanislav Tolkachev, Anthony Linell, Jonas Kopp, Claudio PRC & Blazej Malinowski, Valentino Mora, D-Leria, Sciahri & Desroi, Simone Giudice and Svreca.

Lewis Fautzi’s new EP for Fault Section is full of trippy pads and powerful bass lines. Mesmerizeng techno as its finest and with a small cherry on top of the cake: a remix by Rodhad.