Science Cult’s Occupants series continues with a surprise version 2. This follow-up features a darker and more experimental sound from artists such as Dez Williams, Fleck ESC, Ben Pest, Rise Black and more. Presented as a double 12” Blue Color Vinyl LP. Astute observers may notice that there is more to the artwork than meets the eye.
DJ Different dons his Terra Form alias as he begins his journey in ‘Entering The Void’ on Cyberdome; exploring phat electro bass-lines and party-starting ghettotech energy with its crosshairs fixated firmly on the club environment.
Following the warm reception afforded to their 2020 compilation album ‘Crossed Wires’, which exhumed unreleased music from the depths of an archive belonging to an unnamed producer, Light Sounds Dark presents ‘Crossed Wires II’. Responsible for clueing us up to more oddities than you can name, LSD are on their classic game here, cueing up 15 top shelf obscurities from the intersection of industrial, electro and no wave mutant disco. Another rewarding grab-bag of strange, experimental productions.
For his debut album on Dekmantel, Interstellar Funk has crafted a raw, yet simultaneously hauntingly beautiful and endlessly intricate record. Layers of blended harmonies and melodies form the basis for jettisons into leftfield experimentation, heavily processed drums and oscillating frequencies. The result is as infectious as it is pensive; a transcendental journey into a synth-laden landscape. “Into the Echo” is daringly eclectic, combining sung-spoken iterations with hypnotic samples and machinic industrial.
Operating System is a time capsule straight through Robotron’s hard-disc archives. Mission Millennium was planned to be his very first outcome as Interfunk containing productions recorded between 1999 and 2000 with a major focus on Detroit electro & technobass.
“These tracks were recorded in my Queens studio in 2019 after several live performances. Most notably the Microtones party in Ithaca, NY where I had the honor of playing the Forest City Lounge, which is the historic home of the Black Elks, a Black non-profit, fraternal order. I wanted to challenge myself with these performances by limiting the amount of effects I used as well as the amount of equipment, thus these tracks have a lot of space to breathe. These are also my most intricate tracks to date. Instead of tripping tracks out with fancy effects and modules, I instead focused on song structure, with each track telling a story with a beginning, middle, and end.”
The live set also tells an overarching story as well. The main storyline is about a fictitious satanic death cult that worships through sound (“The Frequency”). As they are preparing for their final ascent (/descent?), one of the members starts questioning everything (“Heaven and Hell”). It is seen by the group as a “Regression” and the cult is not happy about it (“I’ll Beat Your Ass / Til The Day That We Die”). The member is confronted and asked “Who Is your God?”
Umwelt and Serge Geyzel are teaming up to chase the moon, taking you out for a dance till way past noon. Fasten your seatbelts and get ready to get Electro- and Acidified.
Boris Bunnik/Versalife here with a new album from his Hexagon alias. Information Paradox is a fine dark and timeless IDM/Electro sounding album into Science Fiction territory.
Sci-Fi leaning library music on this new album from Modula on Tartelet. Tapping into the seductive unease of the unexplained, Modula lands on Tartelet Archives with “Paranormal Phenomena – The Icelandic Expedition”, a nine-track album that evokes alien synth- electro and New Age soundscapes. During a trip to Iceland in February 2020, Naples native Filippo Colonna Romano (Modula) experienced the raw power of the island’s otherworldly natural forces. Inspired by his field recordings and a rekindled interest in sci-fi, Paranormal Phenomena – The Icelandic Expedition was born. Steeped in haunting LA synthesis and cinematic tension, the album is an imagined soundtrack to a supernatural thriller, cast in the icy tones of the Roland JD-800.
Collaborations is a new series curated by Artefakt on their own imprint De Stijl. Inviting friends and likeminded artists for extended studio improvisations crafting an EP based on live sessions. First guest is Claudio PRC, a close friend and familiar face in the deep techno scene. Both artists reside in Berlin and share a dedicated passion for atmospheric and immersive ambient and techno. Collaborations I features four jams combining the unmistakable strengths of both artists, resulting in a well varied pack of emotive techno with room for experiment.
Dasha Rush resurfaces on Sonic Groove with her fourth EP for the label. The Russian born, Berlin based producer drops four fierce tracks decidedly for dancefloor use and abuse. Starting with some enticing meticulous and exciting EBM flavored hard beats “El Kinky” seems poised to be a summer Berlin classic, with Dasha’s haunting vox riding the groove. “Psycho Runner” simply said, is an olympic, punishing piece of acid TB303 techno that will be one of the darkest things recorded this year. Her B-sides take it a little deeper, with the hypnotic, industrial and marching in-your-face flavored sounds on “Gallic Message” and finally ‘Darkness Digital” which presents an , EBM- esque groove, with wild broken hard beats patterned underneath another ear- worm sequence.
It’s not every day we see a new release from John Beltran’s alias Indio. With releases previously only on Transmat and Rhytmic Tech some 10 and 20 years ago, Detroit Dancer presents his new EP called Phoenix. Phoenix is a full on Detroit dance floor belter with warm strings and comes with strong remixes from E.R.P. and Stryke.
Through darkness diamonds spread their richest light. Part four of Diamonds In The Night is here with Zakmina from Lithuania, Elfenberg from Sweden and Some Chemistry and Pete Beluga & Du Chatinier from Amsterdam, The Netherlands!
The North of England is known for its musical prowess. Middlesbrough born Rees taps into that musical history while diving deep into lost disco, obscure wave and even the Middle East for his debut for Bordello. Three Eyes is a melting pot. Setting sail on bold beats and rumbling synthlines, Rees steers the listener through cascading chords, shimmering key shifts and serenading sirens to produce a truly unique dancefloor experience.
A Leftfield journey of rockin’ sleezy disco edits. It feels like something weird and sinister is going to happen from the moment you drop the needle and keeps that energy throughout.