
Eduardo De La Calle, Takahiro Oisi and Orbe with modern (dubby) techno techno tracks.

Strong release on this new label with deep trippy techno tracks. Remixes by VSK, Kereni and Solenoid.

Here are times when the ocean is not the ocean – not blue, not even water, but some violent explosion of energy and danger: ferocity on a scale only gods can summon. It hurls itself at the island, sending spray right over the top of the lighthouse, biting pieces off the cliff. And the sound is a roaring of a beast whose anger knows no limits. Those are the nights the light is needed most.

STL aka Stephan Laubner delivers a powerful dubby house track, a floating upbuilding dubby ambient track, and a Grad_u remix.

Collision With The Past, part II… the drama continues. A set of immersive and moving experimental techno outbursts by our man Boris Bunnik aka Conforce. Conceived to reach beyond your emotion circuits, send shivers down your spine and make your neurotransmitters shake. True beauty doesn’t come from the unavoidable music industry promotion cosmetics. Real music should reach your soul, and can only be explored through direct transmitted waveforms. From our frustrated minds to yours…

Dark Entries Editions is venturing into new waters with a remix EP of Psychic TV’s classic song “Alien Be-In”. Psychic TV was formed by Genesis P-Orridge and Peter Christopherson after the breakup of Throbbing Gristle in 1981. “Alien Be-In” was written in early 1989 on an E-mu Emax Sampler and an Alesis MMT-8 sequencer. Vocal samples were taken from a tape Germs drummer Don Bolles sent to Genesis. A didgeridoo rides throughout the song, heavily modulated by a Gristleizer creating a hypnotic effect. Comes with remixes from Fred Giannelli, Silent Servant and a collaborative remix of Silent Servant and John Tejada.

On a debut release for BLIQ, Seixlack unleashes his unique fusion of intoxicating gear-crunched cuts and Miltiades provides a remix.


Finale Sessions brings another fine release from Nick Lapien. “Lost Days” has such movement to it with its rolling pads and its systemmatic keywork and deeep basslines. “Pigment” is a mid tempo dream come true with it acidy pad synthed structure and lush keys and wicked drum work. “Motif” is a peek time killer with its nice key work and its nice pads layering into a nice kick perfect for a B side jam.

Appian’s forthcoming release ‘Chatter EP’ on Fina Records is a testament to his varied and experimental production style; a distinctive sound borne out of inspirations as varied as funk, experimental electronica, disco, “80s stuff” and early house. Monty Luke showcases his freethinking and flamboyant production prowess with a bad ass reworking of ‘Operator’.

2DeepSoul’s A-side, “Home”, is effortlessly melodious – a warm, rich and enticing blend of shuffling rhythms, swirling chords and the kind of blissfully electronic melodies that make you want to dance with your eyes shut. There’s a more organic and quietly soulful feel about Owen Jay and Melchior Sultana’s flipside effort, “Deserted”. Blessed with a delicious double bass line, bespoke keys and a whisper of Motor City techno (in terms of the electronics, at least), it’s a sublime chunk of sensual deepness.

Twenty-five years after the first release, and ten years since the Paradise Original has gone out of print, Expanded Music and Manuel Goettsching have therefore decided to release this unique tune once again. Derrick May remix included.

Brilliant energetic techno tracks with 90’s aesthetics. Last one in the Head Front Panel series according the label. Head Front Panel has demonstrated the sheer diversity one can achieve within techno if you are as talented as Merseysider John Heckle.

Medical Records presents the debut full-length release of Le Cliche, entitled ‘Consumer Behaviour’. The album consists of 11 songs influenced largely by European synth pop of the late 1970’s and early 1980’s. The music might be best described as minimal synth, synth pop, postmodernist, cold assembly line with neo consumerist themes, based on the use of synth sequences and virtual voices. Le Cliche is the synth project of Gerard Ryan, native of Limerick (Ireland). All of the tracks on the album are from the 2012-2014 period except for ‘I woke up this morning (like I always do)’, which is a reimagining of a 1984 demo of the track entitled ‘I dreamt I was dead’. ‘Production Line’, is the mostly instrumental opening track to the album which clearly displays its Kraftwerkian influences. The Le Cliche sound is attained by combining a mix of old and new technologies.

Medical Records in partnership with Crispy Nuggets Blog present the unreleased recordings of England’s Mixed Feelings. Mixed Feelings grew up in Basildon which was also the home of Depeche Mode. In 1981, Sean Cooper met Martin Gore on holiday (around the time of “New Life”), and they instantly hit it off discussing synthesizers, school, teachers, etc. Martin was inspirational for Sean to follow his dream of making music. They played shows at school and various locations until 1982 when they first entered a studio and recorded “Final Demand”, “Because Of You”, and “Ice Machine”. These tracks received some local airplay, and they continued to play more gigs. A year later, they entered the studio again to record a few more tracks. This LP is a collection of known recordings by Mixed Feelings. It is a brilliant snapshot into the minds and talent of a group of young musicians on a mission. The opening track “Another Place (Like Home)” sets the mood with melodic synth lines and punchy electronic accents. Excellent songwriting and moody atmospheres prevail on this record. 11 tracks in total (including one cover and homage to their inspiration early on…). Other notable tracks include “Because Of You”, “They Told You So”, and “The Captain”.

Medical Records presents a hand-picked selection of the early recordings of Germany’s Bal Pare. Members were Kirsten Klemm (vocals), Jan T. Krahn (Synthesizer), Matthias Schuster (Synthesizer, Beatbox). and drummer Jurgen Weiss. The first Bal Pare LP “Hamburg-Paris-Catania” was released in 1982 on Konkurrenz Records. Since they had a large fanbase in Sweden, the second release (“Metamorphose”) came out in Stockholm on the Krautrock label. Around this time, a new member, Manfred Asmus , joined on keyboards and programming and Jan T. Krahn and Jergen Weiss had left the band. Much of the material from this selection of tracks were culled from unreleased sessions from the 80s with Manfred Asmus. The opening track “Rien” is a perfect display of what synth pop is modeled after. Rich lead synth textures, male/female interplayed vocals, and electronic percussion. Though the entire record flows with ease and captivates the listener from beginning to end, other standout tracks include “Palais d’Amour”, “Die Idioten”, and “Meilleur Du Monde”.