Chris Moss Acid returns to Mathematics after a 6 year hiatus with a manic furry onslaught of squelch & tweaks to rupture the mind. Hard hitting acid tracks and good old fashion four to the floor rhythms.
Free download from Chris Moss Acid on soundcloud!
Continue reading “Chris Moss Acid – Slam The Box [MATH074] (FREE DOWNLOAD)”
D’Marc Cantu has long been a standard bearer for hardware revivalism, having first released his drum machine-heavy blends of vintage jack and starlight rave revivalism on Creme Organization back in 2007. Here, he pops up on Ansatz with a superbly varied trip into warehouse-friendly territory. There are a couple of rush-inducing doses of strobelight-enhanced rave revivalism territory (the frankly nasty “Heater” and brilliantly wide-eyed “Surface Dweller”, which sounds like it’s been ripped from pirate radio sometime around 1992), a Larry Heard-ish foray into tactile analogue deep house (the brilliant “Grey”) and a thrillingly industrial-sounding fusion of jackin’ beats and clanking bleep melodies (“Box Sound Scape”).
On a rainy late September day in the mid eighties, 7 year old Phillip Lauer didn’t know what to expect from that little new born G, who was referred to as his brother Jacob. On the other hand, Baby Jacob wasn’t very sure of what to make of this – back then still sporty – youngster either, who behaved like his boss. To make a short story long… it took them almost 30 years to finally find out – behind the helm of the infamous Pyramide 2 Studio when conducting this fine piece of home made dance music: the Brudis EP.
Philippe Petit delivers three hypnotic techno tracks. In addition, he invites Terrence Dixon back on Knotweed so that Terrence can give his own minimalistic interpretation of Stars.
Truncate present the first remix EP, featuring 4 remixes by Ben Sims, Mark Broom and Truncate.
Slow Life’s first release from their label. Skittering, Jersey-edged numbers sit alongside Juno-acid bangers and a wailing sax Detroit cut
Mono Junk from Finland with a new four-tracker on Skudge White. The affair starts off in a most evil fashion with “Electric Chair”, an industrial creeper with rolling minimal acid bass-lines. Next is “Yhteys”, a deep cut with Detroit cues and a highly 80ies romantic flavor, a haven before next the stage, “Jupiter Acid”, a night driving noisy banger that’ll turn your batteries acid, peak time ecstatic action followed by the contrast-full “Härinähouse”, a moody piece filled with a somewhat eastern charm to close this tense journey.
Parisian club imprint ClekClekBoom return to the more familiar 12″ format with some new Coni produce. Presumably called the Comfort Zone EP because Coni wishes to lift you out of it, the four tracks here show a further evolution in his raw brand of hybrid dance. Lead cut “The Opposite” demonstrates a nice interplay between the delicate synth pads and dusty, tumbling toms and makes for a simple yet very effective DJ tool. “Napalm” is apparently Coni’s homage to Dance Mania which is quite self-evident when you hear the sound clip play, whilst B Side opener “Bunker’s Groove” offers a hint at the producer’s darker side, a chasm deep exercise in warehouse techno Paris style. “Exit to the Comfort Zone” offers a more introspective finale, though many will find it perfect as a mixtape opener!
Versatil EP with strong tracks by Amir Alexander / Hinode / Samuel Andr Madsen / Chris Mitchell. Special Record Store Day 2014 release.
The second instalment of Mora Music’s vinyl output finally arrives with two exquisite cuts from the emerging New Jersey talent Nicuri. The A-side’s Lucid Dreams offers refreshing take on some early progressive house vibes with deliciously warm pads that float delicately around a hypnotic and heavily dubbed bass line and thumping kick drum, chugging along as ideal warm up fodder. Moments, on the flip side is the EP’s battle weapon, exploding with a thunderous bass drum that pulsates underneath a plethora of scuttling tambourines, epic synth-pads and crisp claps; held together by a ravey hook that maintains the tension throughout. Both tracks are beautiful in their simplicity, yet wholly deserve the side each to themselves they’ve been given.
Red Rising out of the ruins dystopian producer and mastermind Rødhåd follow up with his third EP on Dystopian since 2012. In three tracks between hell and mars, the red techno man shows his amazing melancholic and deep style.
Natch Records delivers a solid and diverse four tracks ep. Two originals which best represent the latest evolution of the label to a more powerful and straightforward sound. On the other side the remixes by Jeroen Search and Zadig offer really devious and unexpected interpretations, really efficient but still demanding on the dancefloor.
Fierce minimal techno by Aiken and string loaded techno by Ben Gibson on the new release on Chronicle.
Optimist (also known as Hive) plays with the balance of warm, paralysing melodies and rolling, old school drums but not too dark and burdensome. The release comes with a heavy remix by Bleak.
Solid stripped down techno tracks with a sexy funky groove coming from the minimal-ish basslines and rattling percussion. Comes with Function and AudioInjection remixes.
