An Italo Disco rarity from 1983 now available again as a 12” maxi single: Mauro Micheloni & F.M. Band – Looking For Love. On side A there are the rare original versions and as a highlight on side B two remixes by Flemming Dalum and Vanzetti & Sacco.
Redray with his third release on Jack Playmobil Records. Killer Chicago inspired hardware jams.
After a 20 year hiatus, Polarius a.k.a Legowelt is back with 5 banging house/techno tracks on Innershades’ Altered Circuits imprint.
4 tracks of previously unreleased material by Emanuel’s close friend and Chicago house music pioneer Juju. Compiled by Emanuel Pippin and mastered from the original 4 tracks cassettes.
The Chicago Master Ron Trent re-interpreted Nick Anthony Simoncinio’s ”Jungle Dreams”, formerly out on Mathematics in 2013.
Sean Dixon, known from previous releases on Clone and Rawax, is back on his own label Final Chapter. On this colorful four track record called Generations EP, he’s joined by Sheffield´s John Shima.
Relative newcomer Recut Music wasted no time generating sample heavy Chicago influenced dance tracks.
Thirteen years after his whopping ‘Time and Space’ EP, Chicago ‘O.G.’ Mark Grusane returns to the Rush Hour imprint with his ‘Dance Intensity’ EP. Combining trademark electro, wave, synth-pop and disco elements into three modern dancefloor cuts.
Focusing exclusively on 7″s, Ferry Lane Records launches its first release with the debut of Leona Jacewska AKA Charlie. Having garnered a following with her DJ and live performances, the record sees the Polish producer merging seamlessly Italo, synthpop and wave.
Joachim Wilhelm and Ulrich Wilhelm recorded as a variety of aliases in the early 90s, from Deep Thought and Intact through to Time Modem. Their sound was typical of the Central European vibe, with a pronounced Belgian new beat slant to the music in those dark but playful synth lines and arch film samples. Originally released on BOY in 1990, The Time Of The Gathering is everything you want from a release in this era, teasing a kind of proto trance vibe without any of the fluff, just trippy synth lines and an unrelenting, throbbing pulse. It’s all about the Highlander-sampling title track, but every tune on this much-needed reissue is gold, sounding beautifully buffed up for 21st Century mixing. This is the first re-issue after 32 years!
Finnish twosome Morphology has released some incredible records over the years – mostly of the intergalactic electro time – but we’d wager few are as sonically sparkling, life-affirming or pleasingly melodious as their latest two-tracker. ‘Destroit’, the A-side cut, is simply sublime: a far-sighted, futuristic fusion of crunchy, Chicago-influenced machine drums – all snappy snares, tough kicks and fizzing cymbals arranged into a delicious post-electro rhythm – intergalactic chords and bright, breezy electronic melodies that tap into the sci-fi sounds of purist Motor City techno. The duo opts for a warmer and woozier, acid-flecked sound on flipside ‘Distance’, a classic-sounding chunk of deep ambient techno tailor-made for late nights and early mornings.
Roi’s newest EP is titled ‘Pasture’, a play on words combining both past & future. The project draws influence from old school Detroit techno but with a ‘modern’ & ‘futuristic’ approach applied to it. The project is filled with bouncing & groovy tunes that are ready to shake the dance-floor.
Strut continue their deep dive into the archives of Black Fire Records with a new reissue of Oneness Of Juju’s Bush Brothers & Space Rangers, showcasing the band at the peak of their powers in 1977. Primarily recorded at Arrest Studios in Washington DC, the album ispacked with landmark Oneness tracks including ‘Be About TheFuture’ (“possibly the first ecology-themed song that I know of”) the George Clinton-influenced ‘Plastic’, an acoustic alternative version of ‘African Rhythms’ and strong covers of Caiphus Semenya’s ‘West Wind’ and Bobby Womack’s ‘Breezin”. Plunky continues, “The album is composed of several different sessions featuring different personnel and only first came out as an album in its own right when Black Fire MD Jimmy Gray started working with P-Vine Records in Japan during the ’90s. For me, it’s one of the hottest periods for the band.”
Thanatos Of Funk is a milestone in Japan’s underground music and electro funk/early hip hop history. Entirely self-produced, designed and distributed in 1985 by Fushimi, a high-school teacher by day and music experimenter by night, Thanatos Of Funk is a love-letter to counter-culture, DIY, drum machines and synthesizers blent with some killer shamisen and guitar playing. Comes with a 4 pages insert including the original hand-written insert/comic by Minoru Fushimi, with English translations. Minoru “Hoodoo” Fushimi’s most wanted and impossible to find first album Thanatos Of Funk is finally reissued for the first time ever, in collaboration with Fushimi himself.
Martin Steinebach active producer since 1994 with their different akas (Conscientia Peccati, Monoid, StillStand, Compest) presents his new project EM1V, with the album called “Hidden Mutation” a mix between e.b.m, electro and synthpop.
Venom Vampires is a dark beat band from Texas, US. Front-man Tohm Thicken started as a Darkwave DJ in 1999. The line-up also includes Russell Dove and Adrian Ortega. “Luxury In Deceit” is their debut album on Detriti Records.
Berlin-based Post-Punk duo Her Absence Fill the World with the second release “Neon Arabesque” on Detriti Records. Her Absence Fill The World makes music that sounds simultaneously lost and chased. Inspired by their individual backgrounds in classical violin and techno, spanning Ankara to Berlin, their style blends together with a dark, melodic sound defined by a strongly reduced harmonic structure, a hovering voice, and synth leads. post-punk.com
Known for his work on Transient Force, Gigolo, and of course as a contributor for Fundamental’s Time Capsule a.k.a. 808 Box project, -=UHU=-‘s album is a selection of his best unreleased tracks. Compiled from an old folder full of tracks that have that twenty years old spirit in each of them, that futurist funk that -=UHU=- can deliver so well. ”Ezzential Electro” is the biggest project Electro Records has done so far. It consists of 36 vinyl records produced by artists they consider essential for the current underground electro movement.
Electro Records welcomes Mokotron por la puerta grande to the Ezzential Electro project, who is a great example of what the project stands for. In his own words: ”Mokotron is an exploration of what it means to be an Indigenous Maori person in urban spaces, combining elements of Electro and Bass music with my Indigenous language Te Reo Maori and traditional instruments and pre-European chants.” ”Ezzential Electro” is the biggest project Electro Records has done so far. It consists of 36 vinyl records produced by artists they consider essential for the current underground electro movement.
The Hipodrome Of Music 