
John Shima makes his debut for Rawax with “Parallels EP”, featuring four deep Detroit techno tracks.

John Shima makes his debut for Rawax with “Parallels EP”, featuring four deep Detroit techno tracks.

‘Motion Pictures Regime’ is based on the influence of media consumption in relationships culture, where the image’s dictatorship and plastic personalities prevail over real feelings and worthy values. A soundtrack for the lovers and the broken hearted of nowadays.
Continue reading “Filmmaker – Motion Pictures Regime [TAR205]”
The Jak has returned witH Dirty Blends 4, a Tribalistic Madness * ULtra BaDness*, introducing nU cOhorts to the label, Zodiak (a lowdown henchman). The Jak kicks the A-Side off with Gravity D-Lyte as the simplistic rhythm of jakbeat moves over a dark expansive tone taking the dancer to the twilight zone. Zodiak beAts “The Final Voice” expanding on a forward/backwards blueprint.

Minimal Wave presents West View, a double LP of rare demos and newly remastered classics by UK duo Vicious Pink. Vicious Pink was an electrifying synth-pop duo formed by Josephine Warden and Brian Moss, who met in a smokey Leeds nightclub in 1981. The pair formed their band Vicious Pink Phenomena and soon after went on to provide gloriously off-kilter backing vocals for their friends, Soft Cell, completely unrehearsed. Later, they dropped Phenomena to simplify their name. Between 1982 and 1986, they released seven singles that all reached the UK dance charts, despite the fact that their ambitions never lay in commercial success. To this day, their music remains artful, catchy, and provocative. West View compiles material from their early days together, featuring previously unreleased demos as well as newly remastered classics like Cccan’t You See and My Private Tokyo. The double LP is housed in a glossy heavyweight sleeve, accompanied by a 12-page LP-sized booklet featuring the duo’s entire ‘how it happened’ story, unpublished lyrics, and unpublished photos from those early years.

Carl Finlow remains a prolific producer more than a quarter of a century on from his emergence. Still averaging several records a year across a variety of aliases, recent times have seen Finlow forge particularly strong links with the Central Processing Unit label. Now, after a run of EPs for the Sheffield imprint which began with 2018’s ‘Projections’, Finlow’s Silicon Scally project offers up CPU’s first drop of 2022 in the form of the ‘Field Lines’ LP. Silicon Scally productions have long been marked out by how they combine piston-precise beat programming with more textured synth play. ‘Field Lines’ runs with this formula to deliver some of Finlow’s most atmospheric material to date. At once shadowy and expansive, listening to ‘Field Lines’ is the aural equivalent of taking a night-time drive around some futuristic metropolis.

Australian Biz is back with another EP of serious grooves. He creates a vibe that seduces the soul yet also has the tough elements that work so effectively on the dancefloor. This is the fourteenth release on Biz’s own label cliq, founded in 2002.


Fraktion Schwarz-Weiss is a synthimental Wave Duo from Berlin, founded in 2019. This is their debut released on the Kernkrach sublabel Hertz-Schrittmacher.

Detriti Records presents a next cassette release from Swiss artist Karl Kave.

Madrid based producer Corp debut on Hivern Discs after releases on Libertine and his own imprint, Unusual Systems. “Paranoid Visions” is a collection of four hardware-based jams that navigate through electro, techno and trance.

Luca Lozano and Phran’s ‘Dos Ritmos’ project released its first record back in 2018, the Antropophony EP was a result of the duo’s shared appreciation for heavy percussion and worldly drums, sampled and mashed together to create a pan-national representation of polyrhythms and atmospherics. The second release from the duo sees Phran direct the project and expand the collaborative nature of the working process, contributors Ribes, Ivy Barkakati, Jonathan Sirit, and Hidden Memory all bring their own influences and flavors to the table. The ‘Materia’ EP steers the ship in a simliar direction to the first EP but the resulting tracks are more stripped down, driving and focus directly on whats makes a groove a groove.

Powerful Ep from Gesloten Cirkel. Comes with banging The Exaltics remix. Cult techno maverick Gesloten Circle sure knows how to rewire brains with his fizzing, caustic concoctions. This new one on Solar One Music is another case in point. Right from the off on ‘Halfman’ he is laying down jacked up drums, coruscated baselines and flashes of metallic synth that bristle with energy. ‘185’ is a twitchy, acid laced electro workout with robot vocals bring the cyborg funk and The Exaltics remix then hits harder and deeper on stiffer bass. There is still time for two more jams on the flip – the dystopian acid-electro of ‘Quiker’ and stark industrial electro of ‘Sequence Slip.’

Another day at Clear Memory’s ElectroFunk office: Robyrt Hecht is typesetting manuals for dancefloor-ready redesigns of historic Detroitian artifacts.

New Danny Wolfers AKA Legowelt album under the Smackos alias on his Nightwind Records. Most of this album was recorded around 2017 at the North Sea Institute for the Overmind. As usual heavy tripped out raw melodic Smackos synth compositions for all your deep listening hobbies. Instruments used: Novation Supernova, Akai S900, Waldorf Blofeld, Waldorf Pulse 2, Roland JP08 & JV2080 and probably lots more.

Initially slated for release in 2019, in the innocent days before the pandemic, the debut release from new label Crudo Ricordi is finally ready for the streets. Three formidable edits from Beard In Dust (AKA Lipelis), all aimed at peaktime dancefloor action. The title track “Señor Paraíso” might sound familiar to some hardcore Italo fans, but this pumped up and extended version hits much harder in the club. The two b-side tracks “Kirkorovmoroder” and “Coconut Paradise” could be recognised by only the most seasoned of USSR synth-pop connoisseurs, both tracks featuring totally addictive and ecstatic melodies.

Science Cult’s Occupants series is now on Vinyl for the first time and with version 1, assembling a global array of artists, presented as a double 12” Orange Color Vinyl LP. Astute observers may notice that there is more to the artwork than meets the eye. We find ourselves in a distant future where the remaining population of Earth is ruled by a mysterious A.I. that calls itself EVA. EVA has sent human-piloted research vessels to the farthest reaches of the galaxy to scout for potentially habitable planets and report any findings. These are the Occupants and they’re slowly awakening as EVA’s grip on their minds erodes.

Vincent Koreman a.k.a. Drvg Cvltvre has been cultivating its perfect mix of Techno, Electro and Acid for a few decades, varying speed as his gusto, but without removing an iota of intensity or darkness. In this new release through NNY Records, he again stands out from the rest of the producers thanks to four great tracks that move between slow, dense and epic Techno with acid touches and hazy environments (A Lion Sinester, Dead and Gone); the dirtiest and leatheriest Electro (Serbian Ballerinas) and the most abrasive and serious Acid you can find on the dance floor (You Smell Like Cheetos And Sadness).

Jamal Moss, Takeshi Kouzuki, FLML and Mituo Shiomi take part in “Tracks From The Alley Vol. II”, a Various Artists four-tracker E.P. which follows the imprint of the previous release of the Bologna based underground music label Alley Version. Here the jackin’ and acid house/techno sonic palette is diverted in a raw, immersive and screwy signature. Rough vibes for freaky minds.