After the success of the first Orez the second round is bound with some eerie house bangers. Comes with a Jus-Ed remix.
25 Places – Take Out [OREZ2]
001.Features
Mark Du Mosch – Presence EP [SBOX015]
Mark Du Mosch is a master of electronics. Gracing a glut of labels in a career spanning more than a decade, he arrives at Schrödinger’s Box with a very special release. Presence is a fiver tracker of enviable quality. Set in the canon of warm techno, Du Mosch focuses on melody and texture. “Studio M Uno” is bright and unassuming, “Koriander” both assured and fragile. The tracks on offer feel like the musical accompaniment to a Summer’s day, a time where cares are in the present and future worries do not exist. The unseen complexities of the everyday are an audio focus, the intertwined interplay of drum patterns in “Mrk I Utilities” and the mechanical dawn of the title piece throb with a human pulse. Always present, but never imposed, is the techno composition that brought this dutchman to the attention of so many. This is plain to hear in the diverse threads that are collected to produce the rich and varied closer, “Too Much.”
AVIVX – Dark Temple [EE037RTM]
AVIVX is a young and talented queer DJ & producer from Kazakhstan, now living in Tbilisi where he has several DJ residencies. Dark Temple is his first vinyl release. On the 4 tracks, the melancholic Eastern vibes and melodies are woven into a thick energetic house blanket.
Boo Yog – Erbil EP [PARTOUT5.02]
Second US West Coast release for Partout with Erbil EP from Boo Yog. Edited live performance to 2-track stereo at The Gateroom, PDX.
Böhm – Leaving Earth Part 2 [LONEWOLF010]
Next up on Lonewolf is Böhm. This fresh collab will see the Dutch producer bringing two EPs “Leaving Earth Part.1 and 2” on EYA Records sister label this year. Intricate rhythms, bleeps and bass, emotive melodies and acid lines. The artist opens a portal to new dimensions, it’s a powerful journey into timeless music and deep space.
XXXV Edits – XXXV Edits 08 [XXXV08]
Marco Erroi – from Common Series camp – returns on his own XXXV Edits project with the number 8. Acid and TB-303 on the A side, 90s reminiscences on the B side. Included collaborations with Italians Robert Crash and The Mechanical Man.
Gigi Testa – Esoteric Paradise [RHSTOREJAMS018]
Napoli has long been one of Italy’s most musically vibrant cities – a metropolis famed for colourful, atmospheric and vivid dance music, with a rich and diverse sonic history stretching back to the disco era. For the last 36 years, it has been home to Gigi Testa, a bona fide local hero whose work not only draws inspiration from Neapolitan music of the last four decades but also high-quality deep house and African music in all its forms. Testa has become the latest artist to contribute to the Rush Hour Store Jams series, delivering a four-track EP that takes his self-proclaimed world music-meets-club music approach in kaleidoscopic new directions. Inspired by a mixture of 1980s, post-boogie African music, the sounds of the Caribbean, Testa’s love for dance music from New York and his own Neapolitan musical roots, the Esoteric Paradise EP is an entertaining, each-catching collection of cuts the effortlessly blurs existing musical boundaries. Rich in synthesizer and drum machine sounds, it should delight all those who love melodic, tropical-tinged electronic music.
Patrick Cowley – Get A Little EP [SPEC-1874]
First released in 1981 in the wake of the muscular, robo-disco epics ‘Megatron Man’ and ‘Menergy’, ‘Get a Little’ has long been one of Patrick Cowley’s most underrated singles – or at least far-less celebrated. As this reissue proves, the track has lost none of its lustre over the years. A full-vocal number featuring a super-catchy chorus, the original mix (B1) and contemporaneous remix (B2) sit somewhere between electrofunk, Cowley’s own brand of electronic disco and what we’d now call Italo-disco. It’s a far-sighted sound that still sounds fresh all these years on. The A-side of this edition also boasts two contemporary updates from Alan Dixon, who adds subtly beefed-up house beats and a tidy nu-disco feel on both the ‘Love Attack’ and ‘DJ Friendly Mix’ variations.
Patrick Cowley – Lift Off EP [SPEC-1873]
Having previously produced two tidy remixes of overlooked Patrick Cowley gem ‘Get a Little’, Alan Dixon has returned to the late, great producer’s catalogue in order to rework another lesser-celebrated cut. This time round, he’s turned his hand to Megatron Man album track, ‘Lift Off’, a typically throbbing, muscular vocal number that sits somewhere between thrusting robo-disco, sparkling electrofunk and synth-pop. Dixon first adds a little low-end grunt on the re-edit style ‘Love Attack Mix’, before delivering a sturdier and easier-to-mix ‘DJ Friendly version’. On the flip you’ll find Cowley’s original and a rare, club-ready remix from the early ’80s.
Transpac – Radiocom [ER028-ET015]
Transpac with another album full of dreaming sequences and analog machinery that keeps the essential spirit of electro music intact.
Mokotron – Embrace The Bass [ER027-ET014]
Second release of Mokotron on Electro Records after Tatau O Te Po for the Ezzential Electro project. Pure electro music from New Zealand!.
Dopplereffekt – Neurotelepathy LP [LSR026]
After three years of experimentation in isolation, Dopplereffekt have emerged with Neurotelepathy, an oracular narrative of cerebral entanglement and advancement. The sleek mathematical models of 2017’s Cellular Automata have evolved into these synaptic interpretations, transferences and modifications, rejecting binary expectations to meditate on the possibilities and pitfalls of what’s to come. With their second LP and fifth release in total on Leisure System, the duo of Rudolf Klorzeiger and To-Nhan have themselves achieved a near-telepathic capacity for collaborative thought and mechanical construction. They continue to use live appearances to present experimental trials of theoretical models, and that effort is heard in the sizzle and swing of the percussive highlights here, programmed with a serious depth and wriggle that reflect both an extension of and return to form. The album’s core, a three-act movement of symphonic uncertainty and revelation, marks one of the pair’s most evocative compositions in a career full of them.
Lucita Octans – Roseoryx LP [GTDLP4]
Lucita Octans is a pseudonym for Melissa Speirs, half of the electro duo Biochip (CPU, WeMe). “Roseoryx” is the debut album from Lucita Octans and is influenced by the full spectrum of electronica, with a unique palette of genre-busting sounds bursting forth from a singular mind. It’s raw but melodic, intense but deep, and tough yet fun. As Melissa describes it “Lucita Octans is floating adrift somewhere. She is looking for the perfect world. Melodies kind of come to her by a somekind of phenomenon. She begs you not to take her too seriously. She was never here and neither are we.”
E&S Brothers – Taduma [AFS053]
E&S Brothers’ 1985 album Taduma holds a unique yet overlooked place in the history of South African dance music. When Shadrack Ndlovu and Ernest Segeel teamed up with Dane Stevenson, owner of Blue Tree Studio in downtown Johannesburg, and journeyman producer Taso Stephanou, South Africa’s bubblegum era had just begun, spurred on by the success of Shangaan disco. The relative success of their debut 12” ‘Don’t Bang The Taxi Door’, marketed aggressively at taxi ranks throughout the country, helped put the Blue Tree label on the map and E&S were invited back to record a full album: Taduma, featuring on keyboards Dr Buke, an in-demand session player from Soweto. Rooted in Africa, yet purely electronic, Taduma was a moderate hit, spurred by tracks like ‘Taxi Door’ and ‘Mhane’, its hypnotic refrain ‘Mhane, famba na wena’ meaning ‘Mother, I am going to you’. Other tracks like ‘Mapantsula’ and ‘Be Careful’ place Taduma within the street-savvy ‘pantsula’ style and dance synonymous with consecutive waves of music from disco to kwaito, house and beyond, while ‘Sikele Masike’ repurposes a traditional Shangaan work song. Vocally E & S are closer to rapping than singing, in a combination of English and vernacular – predating other credited pioneers of kwaito in SA like Senyaka and Spokes H. Driving the music instead of vocals are waves of searing synths over rudimentary but explosive drum machine sounds – the word ‘Taduma’ meaning the sound of the drum.
The Hasbeens – Make The World Go Away [CWCS019]
Long-awaited Re-issue of The Hasbeens’ ”Make The World Go Away” Clone release. 3 timeless energetic mechanical Disco tracks with a dark new-wave/synth atmosphere merged with some artifical hyper Italo happiness for some bipolar dancefloor energy. Remastered versions of the already heavy 2006 release by Alden Tyrell and DJ Overdose, now on the Clone West Coast Series.
Sylvi Foster – Hookey [MAXI107412]
Nico Band – Let It Snow (Curses Edit) [FREE DOWNLOAD]
Slow Motion presents their new free rework/edit/cover series called: ‘’A Ufo’’. Curses kicks off with a version of “Let It Show’’, a track by Nico Band from 1984.
Members Only – The Worst Edits Vol. 1 [MO17]
The cult Members Only returns with Chicago don Jamal Moss on Worst Edits Vol.1. Culled from 20 year old VHS tapes restored using a baking method, these edits are real deal Chi-town badness with artistic psychedelic filtering of proto house & disco.
Andy Toth – Subspace EP [IT048]
Fierce interdimensional acid tracks on the latest outing from the I.T. HQ in Detroit. Andy Toth casts a long shadow in the Detroit scene, from being co-founder of the Detroit Grand Pubahs to working as an engineer and mixer, he’s worked on so many records that you know but in his egoless way, didn’t know he was part of. Being the co-author of ”Sandwiches” took him around the world, but more importantly, it was the hold music for Mudgie’s, a legendary Detroit Deli run by another long-standing denizen of the Detroit underground, Greg Mudge. Greg Mudge was a true pillar of our techno community in Detroit, from showing us the venue for the first leaky roof No Way Back, to throwing his own events and supporting great people. One of those people was Andy Toth, who he was constantly pressuring to release his music, and this became a major theme of Greg Mudge’s memorial. When Greg suddenly passed last September, some friends came in to DJ his memorial like Derek Plaslaiko. When it was Andy Toth’s turn he played only his own productions and we were all just so blown away. Mudgie was always asking Andy ”what’s up with those tracks?” And this record is the answer, a testament to that thought, and to the deeply layered and detailed work of Andy Toth. Andy has created a uniquely dense Detroit Sci-Fi trip through sound, with elements of acid, electro, techno that result in an advanced and mature adventure in sound, reflecting his roots in the Detroit scene, but pushing it into new hypnotic futures, to boldly go where no one has gone before.
Otis – Danger At The Tendo Dojo EP [EYA019]
EYA Records continue to bring up some of the most inventive and forward-thinking Techno and Electro jams, this time welcoming back Berlin-based live performer and producer Otis. “Danger At The Tendo Dojo” EP is flawless, trippy and explorative. A unique journey into the artist’s mind through the rhythms and sounds of analog machines and synthesizers.
