
Epic deep house production originally released in 1990 produced by Bobby Konders and Boyd Jarvis, and also featuring Peter Daou on keyboards.

Epic deep house production originally released in 1990 produced by Bobby Konders and Boyd Jarvis, and also featuring Peter Daou on keyboards.

Basic and straight forward approach on old school House spread out between four tracks, all with a familiar pallett of traditional Rolandesque sounds. When the acid lurks the tracks presents themselfs at its best. Produced by NBI aka Nasty Boy Italy aka Nicola Penna.

Best known for their participation in the 1983 Eurovision Song Contest, Belgian synth pop band Pas De Deux present their complete collection. These songs were made in 1982 and 1983, including the cult hits ‘Cardiocleptomanie’, ‘Mani Meme’ and various versions of ‘Rendez-Vous’. These songs were never together on one album. Some of them were only released as a single or on some special compilations made in Spain and Germany after their much discussed participation to the Eurovision Song Contest (ESC) in 1983.

Swiss label Proxima presents the reissue of italo-disco classic ”Love Me Too / The Dream” by Italian circus performer, singer and tv presenter Ambra Orfei. Originally released in 1986 on a 7inch, those two tracks are brought back to life for the first time on a 12inch record.

This is Lost Soul Enterprises’ 15th release on wax, a tidy compilation of off-kilter dance floor cuts and misfit synthpunk anthems. Side A commences with the gothic, neon-soaked Miami bass of Alonzo’s “Cruising with Pap,” featuring sinister verses delivered by a shadowy syrup-sipping secret guest vocalist. Up next is bucking bronco Nick Klein’s slow-mo industrial headbanger “Posture Test.” Lastly, wild synth lines and ethereal dubbed-out samples dart in and out over a tough, punchy rhythmic foundation in Naeem’s “TLX,” an android’s sci-fi electro vision gone haywire. On the B side, Heidi Sabertooth’s “Was It You” launches us deep into chugging acidic territory, combining enigmatic spoken vocals and a psychedelic, slowly evolving SH-101 line over a persuasive groove. Next comes raucous synth-punk powerhouse SSPS with “Paradise Lozt,” raw as fuck, chanting a litany of dystopian tales atop pumping drums and a wash of demented organ-like synth stabs. Finally the release closes with the short but powerful “New Vape City” by the nomadic Douce Angoisse – an absolute earworm, a doleful coldwave ballad whose lush production plays perfect counterpoint to the icy, deadpan sentiments within.

Libertine Industries 06 features the first long-player from the UK rising artist Phase O’Matic. Expect EBM, Acid, and Ravey dance floor bombs, plus some more experimental and complex beats.

Boris Barksdale’s first full length on Natural Sciences is the final joyride of the human mind. Over two sides of screwed proto-beat, street electronics and twisted metal ambiance, “Mind Over Matter” picks apart the medias domination of the world we live in, drawing on internet advertising campaigns and social commentary to show you how messed up things have really become. The record builds on from Boris’ inclusion in Natural Sciences’ Future Works & Age in Decline compilation series.

The Exit Planet Earth series continues with the first ever collaboration between two undisputed electro-funk heavyweights Egyptian Lover & Soul Clap. The resulting track ‘Hai Karate’ is a slice of superbly produced classic electro designed to rattle bass bins from Miami to Mars. Following form in classic electro directions, Futurenauts present their debut track ‘We are the Futurenauts’ that brings a slower based groove reminiscent of ‘A Love from Outer Space’ into the cosmos and delivers a powerful message to humanity. The flip sees a welcome return to 20/20 Vision from the Maltese magician Sound Synthesis who continues the vocoded vocals but adds a state-of-the-art assault on the senses with a slamming track aimed firmly at the discerning dancefloor. EPE 08 is finished off in fine style by Mick Wilson & August Artier with ‘Akira’s Cry’, which fuses a deep house bassline and chords with tight break beat programming and powerful lead strings.

Rotterdam Electronix returns with the long awaited follow up on Larionov and St Theodore debut release ”Bleak Warfare” from 2019. Acid Ride 101 is another great collaboration of the Electro purveyors. They continue where they left after their Thunderstrike Ep on Cragie Knowes causing havoc amongst dancefloors worldwide. They proof to have the ability to make a strong remix of their own original cuts.

Astonishingly, almost 14 years have passed since “hard, grooving” techno and house fusionist Olivier Ducreux released his debut album as Shonky, Time Zero. Now he is releasing his second album “On The Run” on Third Ear Recordings. Shonky has a signature hypnotic, hard grooving sound, characterised by punishing beats laced with detailed polyrhythms and elusive motifs.

Space Dimension Controller kicks off his new label Tiraquon Recordings with non-conceptual dance floor focused music that have a higher energy and BPM than the usual Space Dimension Controller sound.

Basic Mind returns to Good Company Records with an EP of 100% fully-organic, bio-dynamic, and naturally psychedelic dance music.

The Jak has returned witH Dirty bLends 5 in extremely limited quantity introducing nU cOhorts to the label. These new artist aliases to the label have contributed to the further effort of maintaining the sound from the early inception of dance tracks like the days of old that still lives and breathes in us today that honors and treasures enriched essential dance music history. William Kincaid (a rugged accomplice) smacks it fiLthY iLL on the A-Side wit a MUDDY whiPLash idea of tHe Music Box made 2 Jak 4 Crazies for ‘Can’t Be’. Lex Lathan (a villainous apprentice) Slays off the B-Side wit Jakbeat/Detroit damage on Mayhem Manipulation.

Since 2014, Public Release has been enlisting the raw, trademark groove of Richard Sen on a variety of remixes, so it was inevitable that a solo EP would eventually materialize. Now the UK legend drops his solo EP “My Definition of Funk” on Public Release. These three raw, gritty, hard-hitting, peak-time tracks are quintessential Richard Sen, combining the energy and influences of post-punk, breaks, and house in one sturdy sonic package.

Four cuts of retroactive house music. Deep bleep acid house, dystopian machine groove, street-lit dance tracks and live techno jams.

Moustache Records’ occasional series of multi-artist EPs, You Can Trust a Man With a Moustache, finally reaches its fourth instalment, some 13 years after volume one landed in stories. The formula remains the same: think muscular, throbbing and wildly camp fusions of High-NRG, Italo-disco and turn-of-the-80s European electro-disco. This is arguably best exemplified via the throbbing, Bobby Orlando-meets-Giorgio Moroder thrust of John Noseda’s ‘Climax’, which fittingly builds to a breathless conclusion as the track progresses. Elsewhere, Perdu brilliantly doffs a cap to Pet Shop Boys’ chart-topper ‘Heart’ on ‘Mind Phrases’ (we think Chris Lowe would approve), while there’s a similar mid-80s PSB feel about the shiny chords, throbbing sequenced bass and memorable lead lines of Kendal’s ‘Mort Sur La Dancefloor’.

Telephone Man bring the joy of the Paradise Garage to Mafalda’s Tropic of Love with expansive 17-piece live disco EP, Angel. A coming together of close friends Nostalgia 77 aka Benedic Lamdin and DrumTalk aka Nathaniel Pearn, Telephone Man fuse the stirring arrangements and technical prowess of library music with a dance floor sensibility drawn straight from the heart of Larry Levan’s NYC.

Introducing Jogada, the group behind PÚCA001, a Berlin based trio made up by João Comazzi, Dave Murrin & Gavin Kenny. ‘Cavalo’ is their debut release and is the result of a string of weekly sessions held throughout the stagnant year of 2020. After years of friendship and sharing music together, they started exploring what happens when different musical backgrounds join forces. The group is heavily inspired by traditional Brazilian rhythms, instruments and sounds from nature, infused with some dusty synthesisers and a quest for exploring the unknown.

The triad of Mutant Beat Dance brings an entirely different approach with numerous vocal appearances and raw funkiness. The kind of sound that brings images of dark and dirty city streets to mind that would not feel out of place as the soundtrack for an cult 80s film about about street gangs i.e. the Duke from Escape From New York…or Style Wars. The Wave and House sounds are present but then there’s distorted walking bass guitars and snapping drums give it this more swampy sound, and also the more punk rock sound of The Stooges or The Cramps. This release is the feeling of listening to a band and not just some guys who are making electronic music. This is an excellent juxtaposition of styles that is effective in both manners.
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