
Fred P’s fresh ‘Perpetual Sound’ imprint continues its journey with ‘Lush Culture’, a split EP that finds the label head alongside like-minded soul, Deetron.

Fred P’s fresh ‘Perpetual Sound’ imprint continues its journey with ‘Lush Culture’, a split EP that finds the label head alongside like-minded soul, Deetron.

Digging deeper into rescued attic-material, Telephones offers even more genre-wobbly, and inspired sounds, featuring bipolar detroit techno/bongo-disco, stuttering warehouse-atmospheres and a failed attempt at making Speed Garage (without ever really knowing what that was) – instead ending up somewhere, which can best be described as balearic techno with a dutch twist, hyperactive steroid-disco and degenerate house. Originally conceived and programmed by a juvenile Mr Telephones on ancient PC-software at the turn of the 90s/Y2K – 20 years later, salvaged, exported and meticulously overdubbed, re-recorded and edited to current high standards of Telephonic Communication.

London’s Warriors Dance label was a unique operation and a pioneering London label during the late 80’s acid house phenomena. Home to an assortment of DJs, MCs and soundmen, they went on to make their own original and indelible mark on the rave scene from the infamous ‘Addis Ababa’ studio on Harrow Road on the North-West side of the city. This is an updated and expanded 2019 version of the Warriors Dance compilation 89′ that boasts some unreleased DAT tape outtakes and cuts that have never seen the light of day – until now. This compilation is crammed full of the breakbeats, deep as the centre of the earth basslines, left-field influenced acid cuts and dubwise new-wave esque dance sounds..

Hieroglyphic Being has materialized with the limited & stamped “A Synthetic Love Life Vol. 1” created a decade ago to cassette & sonically presented to higher plane listeners. Volume 1 of 9 for Mathematics Plus.

The New York Haunted label owner Drvg Cvltvre drops 3 new tracks on Concrete Records. Strong synths, acid bass lines and aggressive sounds are the elements that always characterized Drvg Cvltvre’s music, in this EP he shows another more sophisticated and personal side: pads and ambient suggestions coexist with the strong basslines and rhythms. A different approach that gives a more deep and mental oriented tone to the tracks. A lot of percussion add raw sound characterized this three tracks, a just balance between the raw house genre and the violent techno sound.

Dark Entries presents two new EPs from De Bons en Pierre, the duo of Beau Wanzer & Maoupa Mazzocchetti. Beau Wanzer spends the majority of his days sifting through paraffin embedded animal tissues and reading old issues of Fangoria, occasionally breaking his monotonous routine to record in various fits and bursts. As well as solo material, he is also in numerous projects including Streetwalker, Mutant Beat Dance, Civil Duty, and Corporate Park. Maoupa Mazzocchetti is the pseudonym of Florent Mazzocchetti, a French producer based in Brussels. His sonic vision is one which constantly straddles the line between wild experimentation and rhythmic compatibility, drawing influence from early concrète, 80’s tape scene and Birmingham school techno. After working together on the ‘Crepes’ EP that we released in 2017, De Bons en Pierre reunited for a two day recording session in Brussels. The duo recorded 13 tracks that we’ve split across 2 EPs with 6 tracks on ‘EP No. 1’ and 7 tracks on ‘EP No. 2’. Beau says, “We hooked everything up and just pushed play. We didn’t really discuss much about the process….it was very ‘spur of the moment’.” The equipment set up included a Roland TR-808, TR-606, SH-101, CR-78, CR-8000, two Syncussions and effects. Each EP contains 25 minutes of dance floor perversions that tackle an array of rhythmic forms. Sludgy synths, serrated percussion and viscous distortion goops over leviathan rhythms.

Beta Evers returns to Sonic Groove Experiments with another re-issue of one of her classics from the late aught decade. Three cuts of seductive vocal-charged post-punk, wave / body music.

A passionate tribute to a time before techno… or was techno already there? This beautiful and highly limited package includes two The Human League edits.

Slagmann is the new collaboration between producer Talismann and music ensemble Slagwerk Den Haag. Their first album ‘Krysalis’ is an adventurous synthesis of hypnotizing rhythm patterns, organic soundscapes and captivating scenography – or, as the artists themselves like to call it, a “ritualistic experience.” Sometimes dreamy and dark, euphoric and explosive at other times. This mesmerizing cross-pollination between ritualistic percussion and drum machines will lure you into the murkiest depths of electronica and classical minimal music. For the visual identity of ‘Krysalis’ Slagmann works together with visual artist Heleen Blanken. Who is responsible for the scenography of the live show and capturing the cover image.

Advanced soundscapes from Avina Vishnu which is a project by Heinrich Mueller aka Gerald Donald and Aina. Their release Transforma is a conceptual project that is focusing on a unification between the natural world and the artificial space of electronic music. It attempts to immerse the listener within a three dimensional sound environment that is exploring the natural physics of music and yet create a contrast between these two worlds.

Every night, the young men’s dreams are invaded by space shuttles and alien creatures. Every morning, the two guys try to keep the sounds of those hallucinations alive. For the second EP, Supercinema Records welcome Detroit veteran techno producer Luke Hess.

Colophon returns to Lowercase Life with a 90’s vibe melancholic analog machine soul electro and techno. In true spirit, Melbournes’ talent Hymns (Salt Mines) delivered an elegant electro remix.

Dircsen is back on Soundtravels with four heavyweight dancefloor bombs, well worked out, 303 basslines, accompanied by moody synths. Dircsens tracks are always built to perfection, distinguished and raw at the same time. Timeless tracks which will last a lifetime.

Dona is back with another EP of emo-jakkin Mediterranean style dark-side. He walks the fine line between hope and hate on this one, mood-swinging his way through various shades of azure and off white.

OCP presents their debut release, coming from Koga, Frankfurt underground DJ and connoisseur of the M1 organ bass. The ‘Hive Mind’ EP contains four well executed tracks that are likely to disintegrate dance floors around the globe. Title track ‘Hive Mind’, featuring Simon Moncler, is a Brooklyn-style techno jam packed with hard hitting RZ-1 hats, while ‘Survivor (M&M’s techno will survive mix)’, featuring Maurice, freshly connects trancey elements with breaks and bleeps. The B side kicks off with ‘Fox Undercover’, a jam displaying developed knowledge of clunky baselines and pounding grooves, the 12″ rounds of with a bass-heavy remix of ‘Fox Undercover’ by DJ Slyngshot.

Black Meteoric Star returns with the Ghost Frequency EP, and this 12-minute hardware techno jam captures the haunted synthesizer sound that the title implies.

In this record you can find cosmic electro with more experimental and melodic electronica. Intelligent electronic music in its purest form.

Jensen Interceptor, doing what he is very reknown for, delivers a fierce electro jam and Tim Fairplay conjurs up a tremendously intense remix to seal this release pressed on limited edition, hand stamped & numbered one-sided black vinyl housed in a white disco bag with a printed insert info sheet.

After their collaboration in Panzerkreuz Records with Black Sites (F#x & Helena Hauff), the guys from Ghetto GEM did a series of small live performances in the The Hague squat scene. Places like Dystopia, Maakhaven and Syndicaat. Performances that took place during the Schilderswijk riots which delivered some slow and menacing tracks. Some of the recordings where found and six of these tracks can be found on this mini tape album.