Boston duo Dead Husband are responsible for the new and captivating release “Luxe Kondo”. Six varied and punchy tracks made up the long-awaited debut 12″ which as usual go hand in hand with a well prepared design and a white colored vinyl. Doubtless, this uplifting work is abounding with old and up-to-date influences and make clear that these tasteful guys share their love for Minimal wave, Electropop and Techno.
No stranger to the darkness, Kris Baha takes us by the heart this time for the 8th She Lost Lontrol’s release. The sound of this 12 extended EP is sad as it is romantic filling the void of most things that are present in our lives albeit momentarily. ‘In Your Arms’ is not the defeat but the endless struggle, the serendipitous celebration of loss. Within the lyrical confines as dark as the period that brought them to light, he screams about fighting and resisting in a cruel present through a selfless in-look for a outsiders perspective into what it means to him and us to have lost to love , lost to lust and lost to death. Every end has a beginning.
Originally issued in 1984 by Electrecord, the only record label in communist-era Romania. Sub Rosa brings these two fantastic avant-garde electronic compositions back on vinyl in their Early Electronic Series. Octavian Nemescu was born in Pascani (Romania) in 1940. He studied composition with Mihail Jora at University of Music in Bucharest. As he was still a student, he imposed himself as part of avant-garde movement in Romanian compositional music. After 1965 he achieves works of the “open creation” type, of conceptual and environmental music. He involves himself after 1967 into the Romanian spectral trend. Starting with the work Concentric (1969), his creation has got archetypal vocation by cultivating an aesthetic of the essentializing. Gradeatia was composed in 1982. This piece was commissioned by the Electroacoustic Music Studio in Gent (Belgium) where it was elaborated. It was conceived as ambient music for Voronet Monastery (Moldavia), as an electronic-audio fresco paralleling the existing one, of mural-visual consistency. It happened in a historic moment when the communist regime in Romania demolished many churches. And this piece was conceived as a protest to these actions. Natural was composed in 1973 but finalzied in 1983. This music has a spectral aesthetic orientation and at the same time, processual and archetypal orientations.
The yearly compilation by R.a.n.d. Muzik Recordings, this time with the lizard wizard Reptant, his close friend Lou Karsh, Leipzig newcomer, Tim Schlockermann and a very special re-release of CRC’s ‘Influence Device 001’, originally released on the amazing Leipzig label, Zyntax Motorcity in 2009.
Slovenian imprint Svemir is the new offshoot on imprint Kanja and they are back with their third various artists compilation. This time round they come with three emotional electro tracks from Leipzig’s Eoism, the enigmatic Hawaiian Surfer, Bassik Grooove and Zagrebacki Elektric.
The first release of a new Axis sub-label by Jeff Mills entitled ‘Star Marked’ with 4 tracks of Jeff Mills trademark techno tracks.
The SECT3000 is Remco, little-known mid-nineties Swiss proto-techno producer, the younger brother of the synth player from Swiss new wave band Les Rêveurs Artificiels/Die Künstlichen Träumer. Once in a while, he would make a sporadic tune on his brother’s gear, recording it on 8-track tape, without ever mixing it down, then just archiving it in a closet at his parent’s house. Basic Moves got these tapes, made the mixing and mastering and not these two tracks are out for put listening pleasure.
First Release of this new imprint by the owner himself, Kluentah, half of Fallbeil. He delievers four diverse tracks that hailing on Side-A from electro (“The Return”) to some kind of New Beatish Territory (“Higher Level”) while the B-Side takes us on a tour of his own version of the EBM-Electroish Track “Enter Mars” and “Circle of Power”.
UK duo at the forefront of the 4core scene, pushing to recreate the sound of acid summer ’89. Particularly influenced by European pool parties, ATX combines house music with classic acid and floated euphorics, intended to submerge listeners in hot waves of summer daze. Featuring the “Breaky Baby MixX’ by Dj Normal 4 on the flip-side.
Low Tape debuts on X-Kalay with a massive 5 tracker of emotive electro and acid. The Russian producer showcases a real talent in creating a versatile and diverse EP; expertly balancing functional club weight and subtle melodic sensibility. Title track Road Valley is a case in point; carried by a wistful melody line, the track is underpinned by flickering percussion, deep pads and a warm rumbling bass. Red Lights in ma Eyes utilizes a punchy, swung electro groove whilst celestial pads play out under a dripping acid line. Acid Television switches things up with a hammering sawtooth bass, whilst the sharp percussion and cold synths lend a distinctively mysterious, almost noir-esque feel… On Technovia the 303 makes a return – driving acid, urgent percussion and tense pads combine for another slick club cut. Finally, the drifting pads and soaring melodies of ‘Why is Life so Strange’ conclude things perfectly with shimmering melancholy and introspection.
Estonian electro, perfect for the club or walks home on snowy cobblestones on dark winter nights. Kadajane balances hard hitting dance floor tracks with 6am existentialism in his latest EP ‘Rostok’ for local imprint Päästevest.
Exhausted Modern part of the Endless Illusion crew from Prague joins Rotterdam Electronix with a 5 tracker ranging from Electro to wave-ish Techno. The EP kicks off with an extended acid injected electro track called ”All Things Are Possible”. Second track ”Transgas” continues this threatment for the A side. The flip has a more darker perspective with flanged hi hats and eerie atmosphere. ”Defenestrace” contains a strange vox going over the track from the beginning, it then quickly gains power by its dubbed out framework. The days of EBM and newbeat comes to mind when we hear ”Straight Folded” which sounds like its recorded straight on a tape in the mid 80’s. Last not least ”Very Fake News” closes things of, with a driving kick-bassline and shattering snares causing pleasure on the dancefloor.
Filippo Bena with an EP on Amazing Stories. Intriguing and engaging moods, accompanied by spatial rhythms.
Kavalanic Languges number four comes from the discredited psychologist H. Russell-Ashe. A suite of hypnotic acid love songs, with the twisting 303 lines and hypnotic ~20 minute runtime of “Vanderbilt” causing serious dance floor psychosis, while the more even-keeled “Kivaaluun” coasts on a bubbling sea of snare drums and bass hits.
Almost three years after opening its doors, De School will launch their new label De Nieuw at the end of this year. For their first release, De Nieuw presents the first ever recording to surface from between the walls of the venue. On this LP is one of the first live concerts by Oceanic, recorded at the auditorium of De School on October 21st 2017. This was in the middle of a 64-hour event that lasted from Friday evening until Monday lunch. This LP contains a 40-minute recording of Oceanic’s concert, performed on his custom-made string instrument connected to a modular synth. The concert was performed for 200 people laying on pillows, surrounding Oceanic and Warping Halos, a light installation by Children of the Light.
It’s Swedish New Beat, and Industrial craze. TowLie and Dj Sling are making music together as Empfänger. Releasing first time on Lux Rec. The EP is wild, raw, body heating, uncompromising. Four tracks which explore the deepest, slowest physical feelings.
The fifth issue of Blacksilk sees the return of label head Marc Ash. He comes forth with a work that reveals a deeper side of his obscure and multifaceted vision of electronic music. Rejecting any fixed musical categorization, the listener is left free to decide how to deal with these compositions, each one exploring different areas of Marc’s approach to existence through seductively articulated synth lines. A work of self-reflection and a stark celebration of controversial times of uncertainty and doubt.
Convextion man Gerard Hanson may have been releasing spacey and atmospheric electro E.Ps as E.R.P. since 1996, but “Afterimage” is still the project’s first full-length outing. It is, of course, superb. Few can make this kind of deep, emotive and melodious electro quite as well as Hanson, and “Afterimage” arguably includes some of his finest material in this style. Highlights include the bustling rhythms, lilting chords and bubbly electronics of “Overcast”, the deep, slow and poignant bliss of “Wishing Still”, the deep space dancefloor shuffle of “Remembrance”, the crystalline melodies and hard-hitting drums of “Noetic” and the ultra-dreamy rhythmic ambient closing cut “Forlorn”. It is, though, all utterly beguiling.
The Hipodrome Of Music 