
Heap at the controls on his own deadly NeuBau imprint. Die Wilde Jagd supply a heavy sweat enducing remix on the flip.

Heap at the controls on his own deadly NeuBau imprint. Die Wilde Jagd supply a heavy sweat enducing remix on the flip.

Juju & Jordash presents the second release on their new label Slack Trax, an outlet that focuses solely on material focusing firmly on the dance floor. Slack Trax Vol. 2 includes no messing club missiles from the dextrous duo.


The 5th entry on the Discos del Quebranto series continues to rake the kerbside muck of ‘club music’, presenting 2 disparate visions from 2 label heads. KUMP’s mastermind Gil.barte opens proceedings with the stuttering bodysludge of Guédé and Egareur. Two kleine nightmusiks to drag you out of meatspace, with the Kyuss-ala-PCP throb of Guédé especially sure to find favour on fog-bothering 8 AM+ floors worldwide. Tempos pick up and lights turn down on the B-side, with Lostsoundbytes (Vastechoses label head), driving disintegrating delays and snares into 3 Belgiqué-nouveau tools, keeping the rhythm & textures bumping throughout.

Arma continues to explore the dark and wild corners of contemporary machine music via a new split 12′ featuring Lvrin and Maoupa Mazzocchetti. Lvrin occupies a sound world where blown out boxes spit out gnarled beats and slimy basslines through an overdriven sesk, with the ghosts of post punk and industrial looming over his nocturnal incantations. Maoupa Mazzocchetti has been weaving defiantly unconventional strains of electronic music. He delivers hhree rugged, body-poppin’ grooves to the B side.

Travelling from star to star, from galaxy to galaxy, visiting any planet, moon, or asteroid with the ability to explore the alien landscapes. Legowelt’s ‘Star Simulator’ alters the perception of space time and give you the ability to observe a nearby exoplanet or a faraway celestial phenomenon.

A unique voice within the new UK jazz generation, ‘Infection in the Sentence’ is shaped by London’s thriving and diverse live music scene. On ‘Infection in the Sentence’, Sarah Tandy’s technical virtuosity showcases a fearless approach to her own individual brand of piano-led jazz. ”The music developed gradually through many years playing on London’s underground music scene… In the album I’m seeking to find a continuum between the jazz music which I grew up listening to, and the multi-faceted, genre-melting sounds of present day London”, she says.

Upcoming Amsterdam DJ /producer debuts on Rush Hour with a loud 12-inch two-tracker, New Dance. This is Masalo’s first solo material, featuring two Italo infused dance floor igniters.

The official remastered reissue of one of the rarest and sought after italo-disco record from early 80’s. This is an epic out there electronic production that’s one of a kind. In the same period of other italo-disco classics like REM, STOPP, Klein & MBO, GANG previously reissued by Best Italy, they representing the roots of chicago sound played by the pioneers like Ron Hardy.

Sao Paulo’s “Vermelho Wonder” (AKA DJ Vermelho and vocalist Ivana Wonder) debut on Mister Mistery, loaded with Italo-disco, New-wave, Synth-pop and House influences, the duo already made a name for themselves locally with a huge and very present fanbase. The EP comes with two dance-floor remixes by Italian Massimiliano Pagliara and Mister Mistery’s ROTCIV.

Steve Murphy returns to Lobster Theremin for his debut solo album, curdling a molten mixture of metallic tones and stomping rhythms all culled from the electro, new wave, EBM and italo worlds. Cold wave spoken word vocals shimmer, holla and wail from the depths of an 80’s basement studio (Connessione Europa, Digital Fix Today); stomping italo rhythms take off with a flourish and wash, as they’re bound onto the surface of poly synth dreams (Space Train, Mira Electronics); bastardised modular squelches and blips reveal a hidden underground lab (Ray Gun); modem-bleeping electro machine-worx and on-the-run basslines from 2125 (Disappointed, The Truth, Again); the end, when it comes, is a slow play-em-off jam. An italo electro elevator them tune gently carrying us up to a formerly erased dystopian level of this monolithic brutalist cuboid.

Space Invaders… They never quit smoking grass. And why living in a grey reality when the grass is greener on the other side This release features an extra long and remastered harvest. As an extra added bonus you’ll get an instrumental version and the previously only on CD released Pong’s Run’ by I-F and Intergalactic Gary. Mothers keep your children away from these deadbeats; they’re up to no good smoking and gaming their lives away.

2019 marks the return of Austrian electro duo Microthol with the project’s first EP in 8 years. ‘Transmissions’ is the culmination of years of sonic research. From techno-esque opener ‘Hostile Invasion’ to ‘Transmission 0604’s soundtrack of a burning space ship spiralling out of control – ‘Transmissions’ is much the sonic equivalent of a wormhole linking the aural orbits of Ultradyne and Autechre.

Massive 22 track compilation spanning three vinyl lps and one 45 showcasing a wide scope of subterranean American electronics. This is just a small look into the the massive contemporary underbelly of odd-ball sonic bottom dwellers making noise across the 50 states. These tranmissions come from remote government outposts, booming overcrowded metropolis’, outskirts of America’s South and even the long forgotten muck and sleaze of Northeastern suburbia. This America in its glory, a nasty place rife with tension and division, ready to boil over into complete chaos at any given moment and these are artists that walk amongst it. Absorbing it all and spitting it out, moments of clarity and tranqilty go head to head with dramatic clashes, attempting to make sense of it all or simply to isolate oneself and escape this morbid world. A definitive sonic document of modern life in a nation on the decline.

Veyl is introducing the second edition of ceremonial covenant, ‘Previously Undisclosed Rituals II’. The all-star cast which includes December (Blackest Ever Black/Pinkman), Vaal (Pale Blue Dot), TV.OUT (L.I.E.S.), Instruments of Discipline overlords Operant, Lost Highway, human bulldozer Ayarcana and the Greek tragedy DJ Loser.

‘Pale Desert’ is the first release of the Australian born, Berlin based producer Ryen March. The name resonates not only the dry outback of his hometown, but it also mirrors the soundscape of the tracks – being completely raw and sweaty at the same time. The five track strong EP has it’s core in the techno swamp but with the aesthetics of punk and EBM.

RX-101 is Dutch producer Erik Jong, who recorded hundreds of top-tier AFX/Rephlex-style tracks to cassette tape from 1997-1999, but never sent out any demos. Suction Records discovered RX-101’s output via Erik’s Soundcloud page and they began work on an ongoing campaign to release his music. Now Suction presents ‘Dopamine’, RX-101’s first full-length vinyl LP, a special batch of melodic, chilled out techno and electronica.

A long player of new music from DMX Krew on Hypercolour. ‘Glad To Be Sad’ presents the usual collection of first class electronic funk and modular melodies that DMX is known for, but covers a wide and colourful palette of rhythm and sound, abundant on the bass and with a heavy dose of futurism in its waves of glorious synth-work and deadly drum machine rhythms.

The various EP opens with V9843 from Heath Brunner aka Silicon, previously released on the “There Was a Day” white label on V-max records and is a driving melodic techno classic. Next up there’s Manic (Maana Mix) by Erotek, doing what he does best with a ghetto electro beat. On the flipside there’s “Paradox”, an old archival track by Orland Voorn reminiscent of his earlier techno works from the 90s. Eoism close the EP with “Floaters”, a mellow electro track in the vein of the artists previous output on our label.