
To ‘repeat’ is to do something again. That’s exactly what happened on this record. A well known, yet anonymous artist from Rotterdam delivers yet again four raw and repetitive techno cuts.

To ‘repeat’ is to do something again. That’s exactly what happened on this record. A well known, yet anonymous artist from Rotterdam delivers yet again four raw and repetitive techno cuts.

Ukrainian producer Yan Cook steps up for his second EP in a row on Delsin Records’ Inertia series, the dancefloor focussed offshoot that is running since 2011. He now brings his trademark spangled techno back to the label where he appeared for the first time in 2012. Once again it’s sub shaking and room filling techno madness, shuffling percussion and rippling grooves made for the big floors and smokey warehouses.

Outer Zone is the label from Glasgow’s La Cheetah Club and this is their second release, coming from Glasgow’s very own Modus, who himself is a resident at Edinburgh’s legendary techno night Substance. Refracted through the sound of Detroit’s second wave, Modus, steers ‘Triple M’ across a spectrum of discordant pulsations and contorting energies towards enthralment.

Tresor Records presents Shao’s new long player, Doppler Shift. Meticulously built compositions, feverish synth journeys and suspenseful ascensions make up the signature sound of Shao’s work, at times contemplative and expressive at others.

For Subapical03 we present you the label debut of The 15 Dead Minutes. The 15 Dead Minutes is a collaboration between David Froud (Heuristic Audio) and David Campbell (Delinquent Dialect). Here they blur the lines between electro, techno and industrial with 4 screaming cuts, cutting between hostility, brutalism and mournfulness.

On his new album “R.U.R.” the Berlin producer Djedjotronic lets the cold machines have warm heartbeats, and vice versa. Recorded in a basement in southern France Owns “r.u.r.” A collection of techno-futuristic themes on modern isolation, robotics, simulation and cyborgs. The most aggressive dancefloor moment is undoubtedly “Take Me Down” featuring Douglas Mccarthy (Nitzer Ebb) on vocals, an industrial arpeggio monster track.

Classic of 1991 produced by John Beltran and Mark Wilson. Unmistakable Detroit House sound of that period, all completed with a great Carl Craig remix.

The elusive producer ‘Nortasun’ hasn’t released a record since his debut ‘One’ through SAFT back in 2016. After two years, it’s time for a follow up which is fittingly named ‘Two’. The track titles also resume in a fashionable manner with the opening track being titled: ‘Untitled 3’. On this track, Nortasun introduces a firm rhythm that is supported by the impossibly beautiful strings that serve as the tracks key element and appear throughout. Next up is the ‘AntonZap’ remix. AntonZap doesn’t do the stereotypical remix take on the original. His version is dub laden, otherworldly, and only implements miniscule pieces from the original take. With just under 7 minutes, the remix version is a true sonic voyage.

The legendary Heinrich Dressel and former Simonetti’s Goblin bass player Federico Amorosi, team up for the collaboration of the year. Crawling from freshly cracked tombs, dripping with ooze and bloodlust, these 8 tracks are the perfect soundtrack to some long lost Italian Zombie epic or Supernatural Giallo. Nods to the greats, from that perfect Italian prog-rock bass sound, to the atmospheres of Frizzi and the disco groove of Carpenter. Unashamed hardware worship with the X firmly burned into the flesh at the alter of Elka. Giallo Disco is proud to present this masterwork from two Italian greats.

For more than half a decade Alexander Dorn has shaken electronic sounds, stirring shapes and forms as Credit 00 that adhere to few genre tags. His Bordello A Parigi debut is no exception. The alumnus of Uncanny Valley and Ratlife arrives with four tracks under the banner of The Cosmic Funk collection. Drawing on a spectrum of influences, the Leipzig based musician melts reimagined house with broken beats, blends Eastern acid aromatics with jazz abstractions and achieves a sound that is stunningly unique. Within this sonic cocktail you’ll also encounter dashes of samples, a peppery head of 90s anthems and a liberal glug of freestyle funk. A one of a kind record from a one of a kind artist.

Following six years spent tickling the fancy of quality electro lovers the world over, Mikey Melas AKA Jensen Interceptor has finally got round to recording a debut album. This will come out on the Lone Romantic imprint and it’s a pretty hot collection of cuts, with the Sydney producer joining the dots between ranging, angular peak-time slammers (“Ultramax”, “Drip Freq”), bustling and bass-heavy workouts (“Haze”), bleeping space symphonies (the Sinewave-esque “Dimensional Thought”), Drexciya-style missives (“Ufology”, “Shadow Network”) and more crystalline, melodious affairs (“Mother”). Some of his scene pals swing by to lend a hand, too, with The Hacker and Assembler Code collaborations standing out.

Sync 24’s Cultivated Electronics rounds off 2018 in style with the “From The Dark” Series. 3 x V/A LP’s showcasing some of the leading lights of modern electro alongside some solid newcomers. Focussing on the spookier side of the genre FTD brings in the various shades of darker electro tones from across the Globe. Volume 1 kicks off the series with with some super dark selections from Sync 24 & Alienata, Australia’s hottest electro exports of the moment Jensen Interceptor and Assembler Code, Seattle Electro Veteran 214, CE newcomer Rico Casazza, Radio Matrix Boss & Tresor resident Delta Funktionen, Caught London Sleeping Head Honcho Stratowerx, Delsin & Clone affiliate Versalife and Berlin based CE newcomer Exterminador.

Detroit electro legends Dopplereffekt return to Leisure System for their fourth release on the Berlin based imprint. Athanatos is named after the angel of the planet Mercury in ancient Greek mythology, but that isn’t so much the theme. Here the duo again explore subjects related to genetic conditions and chromosomal influences that define mortality across the EP’s five tracks. After the brooding sonic landscapes of the title track , it’s classic Mitchell & Nhan all the way on the majestic electronic funk of “Hayflick Limit” while devilishly enchanting slow burners like “Telomere” or “Mitosisin” lock you in with their hypnotic grasp. Raster-Noton founders Carsten Nicolai (who did the artwork) and Olaf Bender are said to have collaborated with the pair on this release.

Tucked away in a shed in Portland, Best Available Technology continues to cultivate an unmistakable sound grown around a seemingly untiring exploration of the machines that he works with. Across ‘Enginetics & Plasmalterations’ his densely layered sonic design agglutinates with a healthy appreciation for the unplanned or unexpected, forming a polymorphic collection of tracks for the 6th release from 12th Isle. While more traditional means of classification have become increasingly insufficient, it wouldn’t be unfair to suggest that the music on this record bears a mutated resemblance to stuttered Downtempo or the dubbier side of Techno and Bass, connected by way of tonal plasticity through drone-jams and intermittently skewed synth loops.

Los Angeles Motion Ward presents the debut of Kouhei Fukuzumi’s Ultrafog project. “How Those Fires Burned That Are No Longer” weaves through sliding metal timbres, textured air abstractions and wistful mallet sequences. This record, like all of Kouhei’s work, is a take on sound as a representation of memory. Light and translucent, each song aims for a temporal snapshot that will inevitably fade into the well of thoughts and experience.

Dreiklang welcome Italian native Hydergine on their fourth record; continuing with the label’s triangular remit of three juxtaposing interpretations. The aqueous tones of original track “Diving Alone” fluctuate hazily around one another, with dampened thumps and diluted synths uncovering a carefully crafted murky mystery. Japanese producer Iori provides the first remix, while iconic UK dub techno pioneer JS Zeiter takes the baton on the flipside.

To celebrate reaching our 20th release, we’re launching a series of 6 compilation EPs named ‘Eel Behaviour’. Starting with a bang through the haunting mechanical acid of Delta Funktionen’s ‘Alternate Reality’, it’s followed by the uplifting broken techno of ‘Flesh’ from exciting new London-based talent Imogen. Autumns enters a more tense area with the slow and dense EBM-flavoured ‘Recovery’ while a barrage of weird, vocal-infused beats from Bristol’s Giant Swan, brings the record to a chaotic end on ‘The Sun Inside Jaden Smith’.