
June Records presents a new compilation with live electronics, featuring music from Svengalisghost, Manie Sans Délire, newcomer Bruce Roach, Trenton Chase, RR Hearse + Furnace Miskin and Zodiac Free Arts Club.

June Records presents a new compilation with live electronics, featuring music from Svengalisghost, Manie Sans Délire, newcomer Bruce Roach, Trenton Chase, RR Hearse + Furnace Miskin and Zodiac Free Arts Club.

Instant is the trio of Bernd Schöll (Bass, Vocals, Rhythm), Mike Hauer (Guitar, Synth, Percussion), and Marion Siekmann (Vocals) from Munich, Germany. They formed in 1980 after meeting through mutual friends attending the local art and graphic design school. The trio were dissatisfied with their surrounding musical environment. They set out to create their own brand of Neue Deutsche Welle fusing Dada, disco, and Krautrock. Over the course of 2 weeks in Summer 1980 the band teamed up with local producer Mario Strack to record 6 songs. These would make up their debut eponymous album that was originally self-released on 10” vinyl in 1981. They utilized a simple set up of guitar, bass, and keyboards, plus the BOSS DR-55 Dr. Rhythm drum machine. Metal scraps clanging appear on the tracks “Do Not” and “Optimate Minimum”, and a washing machine was sampled on the track “Joyboy”, which features Marion reading from the appliance’s instruction manual. The A-side features 4 tracks in 11 minute, while the B-side hosts 2 songs in the same stretch of time. “Charade” features no wave saxophone accompaniment from Kai Taschner of Munich New Wave band Luna Set. Marion’s vocals are between Nico’s Teutonic chill and Alison Statton’s (Young Marble Giants) playfulness, while Bernd takes a monotone approach. Lyrics for “My Boy” and “Everybody’s Gotta Mutate” were adapted from ‘Rotwang’, a fragmented novel written by Tim Hildebrandt, one of the brothers famous for illustrating the works of Tolkien.

The material for Ecdisis Vol.1? Lost tracks from the past, patted down, spruced up and given a couple of shots of whiskey by Juanpablo, Dunkeltier and, a new member of the family, Vinilette. From Barcelona, Vinilette is a Dj and producer who isn’t afraid to pull a musical punch or two and she is in fighting form with her two offerings. First up, the 1986 EBM stomper “God Save The King” by Son of Sam is revamped and reconstructed into a psychedelic rollercoaster of crashing cymbals, spiralling samples and bruising bars. The clock is being turned further back, this time Belgium’s new wave punk outfit Arbeid Adelt! are the source material with their 1987 track “Help (Me Ik Stik)” muscling up on a diet of raging rhythms and splintering guitar strings. The head honcho, Juanpablo, meets up with an old member of the family Dunkeltier (aka Dj Sneaker) to finish our journey. The pair travelling back to 1983 to Catalonia and the prog-jazz musings of Pegasus. “Perseguido por el Rayo” is tuned up and transformed into an electronic bomb. Addictive grooves and hooks are polished with beats getting a shot in the arm for a hauntingly sinister piece of disco deviance.

Machines redefined and shaped the way we make music and gave access to new sounds. Enabling the availability of music instruments to a wider spectrum of artists gave birth to many genres and sound aesthetics. The sound of Roland machines from the 80’s have had a huge influence on underground music and is outstandingly beautiful. Therefore this very first Talking Machines v.a. is dedicated to the synthesizer Roland SH-101.

uke Eargoggle’s Stilleben records is release the Australian producer “Jensen Interceptor” with his EP Nocturnal Fabric. The style is as always the purest electro/nix you only can fantasize about. Jensen Interceptor proves that it is really More Fun To Compute.

We are going deep below the sea level for this release on Pulse Drift. Down there, musical treasures of rare quality can be encountered and brought to you through this excellent 5-track EP! Greek artist kon001 delivers an aquatic storm of underwater Electro and Techno in best Detroit tradition. Yet he puts his very own ingredients to the essence, mixing up submerged soul and marine funk, sci-fi concepts and greek mythology.

Second Woman is the collaborative project featuring Turk Dietrich of Belong and Joshua Eustis of Telefon Tel Aviv. The concept of Second Woman began with the idea of taking tropes from footwork, dub, house, and techno, and twisting these ideas into something kaleidoscopically liberated from the grid. With Apart / Instant, Second Woman present their signature sound as well as a new, more measured dimension to their work.

But already my desire and my will were being turned like a wheel, all at one speed, by the Love which moves the sun and the other stars.

The mind is the subject in which ideas inhere. Inhere is a collective of like-minded artists based in Bucharest, Romania with sound inspired by analog, nature and geometry of spaces.

After the uneventful resolution of a labour dispute at Assistance HQ, the resident pencil-pushers turn their tempo dial to a leisurely 105bpm, at long last serving up lukewarm plates of BEAM-03 to the more sluggish peak-time massive. In ‘Mambala’, the now-obligatory bongo jostles with squelchy synths, whilst echoed claps and ominous bells should see even the most hesitant rabbit dragged down the hole. ‘Bebny’ experiments with low pH levels, metallic clutter, and some surprise horn cameos.

The King Sporty reissue series continues with the lesser known, but no less worthy, Rock Attack. This first time release of the song under the King Sporty name – having previously only been released as by the vocalist in The Ex Tras, Johnny Griffin – brings in to focus the breadth of music, numerous alias and versions used by Noel Williams on his Konduko label. This is backed with another specially crated Discomix done in fine style by discoid duo, Faze Action.

Pinkman records presents Five Years of Tears: A string of releases dedicated to celebrate the 5th birth year of the label. The first volume features contributions by 3 of the labels usual suspects, as well as newcomer Randstad. Ernestas Sadau’s powerful, raw and menacing cut starts sets the scene for Alessandro Parisi to delve deep into his synthesizer toolkit. What comes out is a highly emotional production, infused with sirens and melodies that may cause tearful mourning on the dancefloors. On the B side Identified Patient provides yet another one of his notoriously slow and filthy underground creepers, while Randstad delivers another burst of energy that celebrates raw percussion, gloomy pads and haunting vocal samples.

After his storming debut on Pinkman and Oliver Ho’s Death & Leisure at the beginning of the year, Maenad Veyl returns with ‘The Acceptance ov Not Knowing’, six tracks hovering above techno, EBM, noise and power electronics. VEYL is the new label by Thomas Feriero (Maenad Veyl, Avatism, CW/A) and Alex Knoblauch (Vakant, Parachute).

Since first joining forces in 2014, hardware freak Parrish Smith and former punk activist Mark van de Maat (founder of Amsterdam’s admirable Knekelhuis label) have earned a reputation for delivering the kind of incendiary live shows that were once the preserve of British multi-media mavericks such as Cabaret Voltaire and Throbbing Gristle. Mutilating and manipulating their songs on the fly, Volition Immanent takes no prisoners in pursuit of artistic expression.

Les Editions Japonais, is a new label to showcase Japanese artists new and old, the first release is by Tokyo based band Kufuki. Kufuki, was formed in 2010 by Ryuichiro Konno (electronics), Motomasa Saito (electronics), Tosimasa Matsumoto (vocals), and Yudai Nobunaga Kogawa (vocals,VJ, electronics), hailing from various musical genres, ranging from techno, rock, blues and hip-hop. Tired of formulaic club music, they set out to create their own electronic ethnic music, firstly taking influences from places they had travelled, but more recently concentrating on electrifying minyo, or traditional Japanese folk music.

Juju & Jordash have announced a new label called Slack Trax, an outlet that focuses solely on material focusing firmly on the dance floor. The first release, from the pair themselves, is entitled Slack Trax Vol. 1 and includes three no nonsense dance-floor oriented techno slayers.

Ron Allen’s label with another worthy re-issue. Strobe gave us that deep, emotive machine-funk that exemplified the early to mid 90’s sound. ‘Concepts Of Higher Dimension’ came out in 1991 remarkably, and it still sounds fresh today, produced by Ron Allen under his Transcendence pseudonym and featuring 3 stellar tracks of bass-heavy warehouse jams. ‘Frenzy’ opens proceedings and with a title like that you’d expect some sort of drum machine beatdown, instead we’re treated to a super smoothed-out deep house cut that oozes blissed out synth pads & pan-pipe like flourishes. A true early hours gem. ‘Luv ‘N’ Happiness (Chapter 1)’ is next, stepping up the energy levels a little and utilising a well known Disco vocal sample to maximum effect. This one’s a definite nod to Chicago but done in Ron Allen’s signature style. Essential. Finishing off the EP is ‘Magique Noir’ a tough, bleeps and bassline monster that sounds like it could have dropped in Sheffield at the tail end of the late 80’s, absolutely monstrous. This jam will test your speakers no end.