VA – Sangron: Volume 1 [EE019RTM]

Electronic Emergencies is thrilled to work together with brand new New York label Sangron Records on the 10-track compilation album ‘Sangron Volume 1’. Compiled by Skeleton Head’s Leo Torres, the compilation draws from the U.S. underground with songs from minimal synth pioneers Crash Course in Science and Mark Lane, alongside contributions from Skeleton Head, Revival Times, M/A/N/O/S, Ortrotasce, Minima Moralia, Silent Em, Horoscope and Paper Music. Moody, dancefloor-friendly and rebellious, this is “music for dissidents”.

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VA – Sangron: Volume 1 [EE019RTM]

Alessandro Parisi – Belmont’s Revenge [VIVOD020]

Closing the Vivod map series is Alessandro Parisi with this stunning EP, ‘Belmont’s Revenge’. 3 tracks in his slo-mo horror jak trade mark style. ‘Crossfire’ kicks things off nicely with it’s pulsing groove followed by ‘Ravens’, a slower, brooding type of soundtrack. Flip over for a remix of ‘Sages’ by the mighty Mick Wills who has done some nice work here. It builds and builds, perfect for getting lost in the fog and strobe. B2 is the original version from Parisi, a much slower, majestic cathedral horror affair.

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Alessandro Parisi – Belmont’s Revenge [VIVOD020]

Milium – Addis Abeba / Lord Stanley’s Cup [PT03]

PossblThings Records return with the debut single of Leipzig-based Milium. This record contains your blend of Lust & Angst, compiled for and dedicated to the club. “Addis Abeba” equals Side A – a collocation of groaning machines, bittersweet strings and seducing bass synths, defined with the aid of befriended producer Kator. Side B equals “Lord Stanley’s Cup” – a cloudy hike into that weird place where EBM and Electro meet.

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Milium – Addis Abeba / Lord Stanley’s Cup [PT03]

Claro Intelecto – Exhilarator [127DSR]

New long player from Manchester’s Claro Intelecto. Entitled ‘Exhilarator’, the 13 track album marks a return to action for the esteemed producer. A cinematic album of icy techno, weighty bass and poignant melody. From plaintive keys and slow motion drums awash with melody to corrugated industrial drums that don’t let up, this is a diverse album in both mood and texture. Moments of ambient celestial beauty exist next to breezy and summery grooves while skewed and sludgy acid sits next to serene underwater dub. Stewart’s mission to step outside his usual self has resulted in another landmark electronic album.

vinyl / CD

Claro Intelecto – Exhilarator [127DSR]

VA – Lesser Mysteries [BT021]

‘Lesser Mysteries’ brings together 5 up and coming acts to present a widescreen view on electro. Ben Cohen opens the EP with the atmospheric, hazy Entrance, Monotoxine uneases the ride with the squelchy, demented Positive Thinking. On the flip Tharsis Shelter Unit’s Start Transmission unfolds the B side with a sharp blow, before Stratowerx steps up with the impassioned Zero Hour Dispatch. Furious Frank closes the EP with the resonant Night Rider.

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VA – Lesser Mysteries [BT021]

Vectorvision vs Convextion – ZY Clone [LWK6]

A high-profile collaboration between rising star Vectorvision (AKA Dallas producer Brian Bishop) and all-round legend Convextion (AKA Gerard Hanson). In its original form, ZY Clone is something of a beast, sitting somewhere between the heavy, angular, acid-laced Dutch electro sound and the melodious, synth-laden, deep space bliss of Hanson’s usual Convextion fare. Bishop goes solo to provide the obligatory flipside remix, layering waves of glacial, cascading synthesizer lines and spacey chord progressions over an action-packed drum machine workout. Naturally, both sides are rich in bustling analogue drum machine hits and vintage synthesizer motifs.

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Vectorvision vs Convextion – ZY Clone [LWK6]

Late Night Approach – Clarence Mews [KLAKSON028]

Late Night Approach debuts on Klakson with a hyper funky electro twelve. The two tracks on the A side both show machine music that’s simultaneously human, whether it’s the melancholic shards of melody buried under “Clarence Mews” commanding rhythmic pulsations, or the beautifully striking chords on “Luvquest”. However, the b-side takes us to gloomy subterranean pastures with the uptempo banger “Primo”, while A2 “Kit” crosses over into broken beats but still keeps the same shadowy atmosphere.

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Late Night Approach – Clarence Mews [KLAKSON028]

Oscar Mulero – Pattern Series Compilation [WUPSD1]

It’s time to celebrate, nothing less than 50 releases spreaded along 17 years of existence. For this very reason we have planned an awesome remixes pack, splitted in two EP’s based in the limited clear vinyl Pattern Series originals and with an amazing digital release including all original cuts of the series not available digitally until now. If you weren’t lucky enough to get the translucent limited vinyl pattern series, now you have the chance of having them in your digital crate via the online version of the release.

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Oscar Mulero – Pattern Series Compilation [WUPSD1]

Peter Van Hoesen – Nine At The Beginning [T2X030]

Time To Express marks its 30th release, presented by label founder Peter Van Hoesen. The Belgian producer takes up the opportunity to expand upon his previous work on the Coast To Coast EP. No longer exclusively restricted to straight 4/4 rhythms, Van Hoesen’s music investigates hybrid, broken grooves infused with a clear sense of spatial sonic awareness. This is made clear with the first two tracks, Towards Manifestation and Shapeshifting. On the second half of the EP Van Hoesen launches two solid techno cuts, shifting from dense bassline work (Concrete Variation) to percussive, shuffling grooves (Fox Tactics).

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Peter Van Hoesen – Nine At The Beginning [T2X030]

Modern Heads – Elementi Compatibili EP [SL004]

Introducing the fourth release from Southern Lights, dedicated to releasing high-end modern techno. Our fourth release is a journey into magnetic realms and cosmic orbits from Modern Heads with the ‘Elementi Comptabili’ EP. Modern Heads is the production brainchild of Dino Sabatini and Gianluca Meloni, who together have pioneered their version of timeless techno, always capturing their vision of the future in the present. Elementi Compatibili comprises of four elements. Elemento A and C are both beautifully crafted ambient excursions, both softly navigating their way along celestial paths. Elemento B and D move from ambient bliss to more sharper, moving sequences.The hypnotism is more pronounced and a signature style of Modern Heads.

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Modern Heads – Elementi Compatibili EP [SL004]

Achterbahn D’amour – Acid Test 13 [ASD030]

Acid Test continues their journey with the return of Achterbahn D’Amour. On their first proper release in three years, Jool & Iron Curtis patiently craft an intricate sound world – with the opening track, major-key pads hearken towards a bright future, hi-hats rustle like leaves and on “Dehaveland,” percussive elements fall into beautiful, random unison like factory machines staging an after hours dance. Samuel Van Dijk’s vaunted VC-118A project steps up for a remix, turning in a taut techno version that unfurls smoke pillars of ghostly ambience. The duo wraps up the four-tracker with an unexpected dreamy electro turn, “Don’t Talk To Me.” Throughout Acid Test 13, they remain in lockstep with the label’s ethos – to bend, hammer and flatten acid lines into new, imaginative shapes.

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Achterbahn D’amour – Acid Test 13 [ASD030]

Legowelt – Legendary Freaks In The Trash Of Time [CWCS009LP]

Five years after the illustrious Paranormal Soul LP, techno derelict Danny Wolfers aka Legowelt returns on Clone with “Legendary Freaks In The Trash Of Time”. A vivid collection of twelve genre-defying tracks: from late-night hermit house to Memphis rap influenced slowjam electro, from Amiga 1200 technorave to cosmic spaceweed trance, including the whole universe in between. All blended together in a mix of subdued sensuality and psychedelic splendour, this album is flavoured with Legowelt’s typical crunchy LO-FI sampler and synthesizer aesthetic. Wolfers’ own hand-drawn sleeve artwork illustrates the album’s mood without the need for much further promotional blurb… colourful stories embodying societal malaise and its dwellers – yet with a dash of aspiration. Music for misfits, witches, dreamers, cyberpunks, outsiders, geeks, and freaks. Legowelt’s people.

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Legowelt – Legendary Freaks In The Trash Of Time [CWCS009LP]

Donato Dozzy – Afterhouse 01 [AFHS01]

Forward thinking futuristic house cuts on this new project by Donatto Dozzy called Afterhouse. Four driving dj tools that go deeep. Although renowned as a maker of dark, intense, doom-laden techno, Donato Dozzy has been known to dabble in house from time to time. That’s the idea behind his new Afterhouse label. Of course, nobody would expect Dozzy to deliver fluffy deep house or slick U.K garage. Typically, the four cuts here – from the brilliantly broken, analogue-rich wonkiness of “B”, to the hypnotic, Chicago-influenced late-night jack of “D” – all tend towards the dark and clandestine, with the producer’s usual murky aural textures present throughout. There’s a slightly more positive feel to the clattering drum machine hits and simple, otherworldly synth lines that mark out closer “E”, while the thrusting, loopy “C” feels like a pitched-down take on his usual techno sound.

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Donato Dozzy – Afterhouse 01 [AFHS01]

Jordan Fields – Chicago Dat Tools [RVRT014]

Some might say Jordan Fields is one of the most criminally underappreciated figures to rise out of Chicago in the late 90s, not for people who know what’s what though. After a career spanning more than 20 years he has established himself as one of the key figures of the underground. Coming out of where everything started, Chicago, Jordan released records on a handful of key labels like Catalyst, Track Mode, SOM Underground, Mood Groove, Maffia. He did not stop there and today he is still releasing bangers having never lost that magic touch that has kept him firmly grounded on the purest form of the underground, and that, after more than 20 years is pretty much unheard of. When we first contacted Jordan we wanted to go back to where it all started, we wanted to be transported to late 90s Chicago, to a time where it was all about the dance floor, when tracks meant something more than songs, when purely club-oriented music was the purest form of the underground. To be honest we were not expecting to get exactly what we wanted straight away, he immediately sent us a collection of tools straight out of DAT tapes he had, going all the way back to the 90s and early 2000s, so yeah to say that we are excited with this release would be a huge understatement. This is a collection of tools meant for the dancefloor, not reminiscent of some gone by era, these are the real deal, made by a true master, 20 years ago, for the future.

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Jordan Fields – Chicago Dat Tools [RVRT014]

Appian – Rite of Passage EP [SCRS012]

Elemental house grooves from Midwestern upstart Appian with a remix by Chicago’s Bell Boys. Warm, sensual, and gloriously straightforward, Stripped & Chewed 012 is a modern study in the timelessness of house music.

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Appian – Rite of Passage EP [SCRS012]

VA – Pantsula! The Rise Of Electronic Dance Music In South Africa, 1988-90 [RHMC003]

Late 80s South African dance floor winners only. Selected by DJ Okapi and Antal, the compilation holds tracks by Jivaro, The Hard Workers, Ayobayo Band, S.Y.B. & many more. This is the sharp electronic music that fuelled the local Pantsula dances during the 80s and 90s . A must have for fans of Bubblegum and Kwaito music. The 12 tracks selected for Pantsula! come from a very unique, very different time and place. They represent the birth of electronic dance music in South Africa, through the songs of one particular independent label from the time: Music Team. The sound represents the culmination of the bubblegum era, when South Africa’s disco artists outgrew their American influences and forged an increasingly electronic and ‘local’ pop sound. Evolving over time since long before the 80s, the distinctly South African subculture of Pantsula is more closely associated with an attitude, a style and a signature dance, rather than any specific sound. In the late 1980s and early 90s, Pantsula was also the name given to a new type of dance music taking over the streets of South Africa, influenced by earlier bubblegum and the rise of Shangaan Disco, but with a far broader appeal and a harder, purely electronic sound.

vinyl / CD

VA – Pantsula! The Rise Of Electronic Dance Music In South Africa, 1988-90 [RHMC003]

Biosis Now / Afro Train – Independent Bahamas V’s Ivory Coast Afro Funk [MUKAT053]

Few years ago label manager Nik played in France and the promoter pulled out a Biosis now 45 that he never knew existed up till then and was generally thought to be a long album track only. An extensive search revealed nothing online including popsike/discogs/ebay except a tropical seller who’d just bought a huge caribbean collection with the record included saying he’d never seen it before either and he was keeping it…Failing to secure a copy themselves the label licensed it instead and created their own 45 edit which retains all the funk & soul of the elongated album version into a 7 inch friendly format. On the flipside and 1973 Tumba Safari from Afro Train get’s a funky afrobeat re touch for peak time club play that would save you several hundred pounds on an original if you could actually find a copy!

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Biosis Now / Afro Train – Independent Bahamas V’s Ivory Coast Afro Funk [MUKAT053]