VA – Distant Waves II [DWR015]

Dead Wax Records presents “Distant Waves II”, a follow up of the well received 2014 compilation. This was compiled in three whole years (and a lot of research work) and is a collection of songs that share some common factors: they all were made in the 80s, they all feature synths and they all are extremely sought after, rare as hell or just previously unreleased. There are obvious style variations as each band here is unique but “Distant Waves II” is quite more homogeneous than its predecessor. We have the upbeat, danceable minimalism of Standing Ovation, Boris Dzaneck, Störung, Doppler Effect and Factoría Ribbentrop. The cold, moody melancholy of Broken Tables and La Valse. Virtually unknown acts like The Sixth Sense, Seeing Red and Almost Anyone, heavily underrated new wave giants like Grey Parade and Puppets Of Mankind. An unreleased synth pop masterpiece from Almost Alone here, an unheard 7” rendition of a worldwide dancefloor smasher by Nightmoves there. A total of 14 amazing tracks, all ‘instant classics’

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VA – Distant Waves II [DWR015]

Mick Clarke – Play Time [FRV025]

CLARKE, Mike - Play Time

Frigio Records is going back in time for its latest release, some 38 years into the past. Back then a young Newcastle man was experimenting with early electronic instruments and synths. Mick Clarke is his name and nearly forty years later he is still at it. Two tracks have been borrowed from Clarke’s seminal Games LP, each given a bit of modern boot polish from MinimalRome’s Heinrich Dressel and Frigio father Juanpablo. “Walls of the Night” is a blissed out work of ambient prog rock abstraction. Think rumbling horror score and soaring guitar strings. Heinrich Dressel offers a giallo dipped remix. The building bars of the original are maintained, beats added for ballast and darkened organ keys for a remake etched with murderous intent. The flip is introduced by the dreamy “Time Is Now.” Slender synthlines intertwine with gentle strings in a cerebral work. Juanpablo tweaks the 1979 material. Syrupy acid lines swim in meandering currents, a thick beat keeping time in murky waters of modulations and undulations.

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Mick Clarke – Play Time [FRV025]

Shoc Corridor – A Blind Sign [DE164]

SHOC CORRIDOR - A Blind Sign (reissue)

Shoc Corridor was the London post-punk quartet of Paul O’Carroll (Voice, Synth), Andy Garnham (Synth, Drum), Chris Davis (Guitar, Bass, E-Bow) and Nogi Prass (Synth) named after the Sam Fuller film from 1963. The group recorded a 4-song demo during 1981 in a tiny flat Chris shared with Nogi in Notting Hill. As their collection of instruments grew they set up studio a few blocks away in Andy’s flat at 20 All Saints Road. There they re-recorded Sargasso Sea’ along with On Reflexion’ on a TEAC reel-to-reel 4-track machine. In the summer of ’82, the band was booked into Decibel Studios in Stoke Newington for two and a half days with Mark Easton of Shout Records, where they reworked the two songs. The group usually worked through studio experimentation rather than constructing their songs in a conventional way. Their equipment list included a Korg MS-20, Wasp, Pro-One, Roland TR-808, WEM Copicat, guitars, bass, e-bow and an assortment of effects pedals. On Reflexion’ began as a Blancmange backing track, since Stephen Luscombe would sometimes use Andy’s 4-track, Korg MS-20 and drum machine. Chris has memories of Paul disappearing from time to time to the neighboring graveyard for inspiration, where they had to procure him from to lay down vocals. Their debut 3-song 12′ single, A Blind Sign’, was released in October 1982 on Shout Records. For this re-issue we’ve included the original skeletal Sargasso Sea’ 4-track demo from 1981. Evocative and dreamy, the music escorts you on a tour of icy landscapes, with Paul’s rich vocals guiding the way.

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Shoc Corridor – A Blind Sign [DE164]

VA – Act II [PROPAGANDAM002]

The legendary Moscow club Propaganda celebrates its 20th Anniversary in April 2017 and launches a brand new record label. The label will cover different styles of intelligent electronic music, focusing on techno in the first year. At the beginning there will be released music by great artists who had performances at Propaganda club in past. More artists will be involved and more excellent music will be released over time.

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VA – Act II [PROPAGANDAM002]

Alderaan – Retina EP [WU049]

The argentinian Alderaan makes his debut on Warm-Up Recordings. He offers three slices of modern techno, heavy percussive based but whit a lot of intelligent elements inside. Oscar Mulero remixes one track, getting rid of the textures and focusing in rhythm and repetition in a minimalistic remake.

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Alderaan – Retina EP [WU049]

Johannes Heil – Exile 008 [EXILE008]

With no track names, minimalist artwork and a matter-or-fact EP title (simply the record’s catalogue number), it would be fair to assume that Johannes Heil’s latest EP is a forthright, no-nonsense affair. Predictably, it is, with the long serving German producer dishing up a quartet of throbbing techno box jams. While each track is a loopy, rhythm-based trip, there’s still variety across the EP. Contrast, for example, the fluttering, alien-sounding synth loops and crunchy snare hits of “Track 2” with the buzzing, industrial-tinged intensity of “Track 3”. Or, for that matter, the jacking drum machine percussion and heavy bass of “Track 4”, and the clandestine creepiness of standout cut “Track 1”.

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Johannes Heil – Exile 008 [EXILE008]

Glenn Underground – Atmosfear [PFG043]

‘Atmosfear’ Glenn Underground’s debut album was originally released in 1996 and set the standard for sophisticated dance music. Dreamy melodies, heavy basslines and acid grooves blend beautifully with jazz vibes and Detroit techno. Glenn Underground is the founding member of the Strictly Jaz Unit. He was raised on disco classics and freeform jazz in Chicago’s Southside, the place where house music was born. Taking inspiration from Chicago’s original pioneers, Larry Heard, Ron Hardy, Lil’ Louis, and the like, Glenn has produced many sought after house gems for some of the most well respected deep house labels such as Prescription and Guidance.

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Glenn Underground – Atmosfear [PFG043]

VA – Plaza 001 [PLAZA001]

Plaza’s first physical release features 4 tracks from an all local lineup of Atripat, Consulate, Lanngman and Mike Midnight. This one comes from a special place, a place where raw electronic excursions go head to head with heavy machine fuelled jams. Conceived in the North Western Coast and commemorated from the depths of the City.

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VA – Plaza 001 [PLAZA001]

Ekman – Sturm Und Drang [SHIP051]

Roel Dijcks, better known as Ekman, is no stranger to Shipwrec. Following his Heimwee EP and Synaptic Feedback Loops comes a two tracker of serious proportions. “Sturm un Drang” gets the ball rolling. A rasping beat cuts into thick bass. A pool of liquified notes shimmers as an isolated world unfolds, a tactile world of arcing strings and clean complexity. If “Sturm un Drang” is a glimpse into an alien realm, “First Mover” is surely the beast that inhabits it. Bulbous bars trudge through a swamp of static, distortion drips from cymbals leaving melodies buried in the marshland.

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Ekman – Sturm Und Drang [SHIP051]

Abstract Orchestra – Dilla [ATA006]

“Dilla” by Abstract Orchestra has been generating a buzz since it’s inception in 2016 and subsequent UK tour, during which the album was presented to the public in its live form. Led by Saxophonist Rob Mitchell, Abstract Orchestra seeks to reflect the diversity of music sampled by Hip-Hop producers by presenting music that has the complexity of jazz, framed within the simpler structures of Hip-Hop. Complex harmonies are framed within simple loops and complex bar structures and time signatures can pass by unnoticed. “I selected the tracks on the album with very much the live performance in mind” says band-leader and arranger Rob Mitchell “So the album is a reflection of the tour and the music we performed”. Inspired by the legendary live performances of The Roots with Jay-Z and the 40 piece orchestral arrangements by Miguel-Atwood Ferguson of the work of J Dilla, classic arranging techniques underpin modern loop-based structures.The band itself is based on the classic jazz big band instrumentation of saxes, trumpets and trombones and features the cream of the north of England’s jazz scene who collectively have played with Jamiroquai, Corinne Bailey Rae, Mark Ronson, Martha Reeves, John Legend & the Roots, Roots Manuva and Amy Winehouse. “Dilla” by Abstract Orchestra is a tribute to the work of the highly acclaimed and influential producer.

vinyl / CD

Abstract Orchestra – Dilla [ATA006]

Ian Fink – Middle Birth [DSCVRY009]

Ian Finkelstein is a jazz pianist and producer. He has been an active member of the Detroit jazz community since the age of 14. A student of Geri Allen, he performed with Marcus Belgrave from 2010 until Belgrave’s death in 2015. He currently performs with the Robert Hurst Quintet, and is a founding member of Detroit music collective Video7. Ian self-released his first album of house music It’s Time in 2016. His keyboard work can be heard on tracks by Scott Grooves, Omar-S and Shigeto among others. He is a regular member of Scott Grooves’ Overdubs. Middle Birth EP highlights Ian’s dual talents as a producer and instrumentalist. Side A features two electronic cuts, Middle Birth’ and Mort Crim’ with Ian playing live drums and bass on the latter. SIDE B showcases Ian’s jazz quartet, he is joined by several of Detroit’s most talented young musicians: Marcus Elliot on sax, Ben Rolston on bass and Alex White on drums.

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Ian Fink – Middle Birth [DSCVRY009]

Loud-E – The Brasserie Heroique Edits Part 4 [BH040]

Berceuse Heroique pluck four percivals from Dutch disco DJ supremo, Loud-E’s Loudiefied [2008] album of edits, plonking them on one fine 12” for DJ use and exercise. You get four choice picks, a symphonic strut, a belting Afro-psych bit, some electrified rutting gear and a killer slow-mo stroke to close.

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Loud-E – The Brasserie Heroique Edits Part 4 [BH040]

Baltra – Rearview EP [NSAF002]

Baltra’s Rearview EP is back by popular demand! NYC resident and upstart producer Baltra has humbly created worldwide buzz for his saturated, NY/NJ House-inspired, RnB-inflected jams via a series of YouTube-only music videos, alongside self-released cassettes. This blissed out set of tracks had a limited press on Baltra’s own 96 and Forever label, and now inaugurates the birth of IDNK.

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Baltra – Rearview EP [NSAF002]

Owen Ezard – Acid Last [SHM003]

Shara Music presents “Acid Last” from Owen Ezard, owner of Shara Music, an EP that comes with 4 very effective cuts of slow vibes. As appetizer presents “First reload” a cover letter to open the appetite giving some clues of the tracks that follow …. acid at soft speed to start the walk by enveloping sounds that take us to the second proposal,”Acid Last ” where Owen develops an acidic sequence that evolves until getting into his spiral. And with some more bpms comes the wonderful remix by our beloved favorite Italian, Fabrizio Mammarella. the main course shines with percussions influence of Alien Alien, mysterious synthesizers taken from outer space and cosmic sound that will make lose your head … Last but not least comes “Break & Slow” with your hypnotic voices will guide you towards the exit of this labyrinth of Eclectic sounds that surely will not leave you indifferent …

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Owen Ezard – Acid Last [SHM003]

Outermost – Intruder EP [EVR025]

When the derangement has reached the limitless limits. Like the sound of a light-beam reaching the immense gravitational waves of a black hole. Is there sound in nothingness This is your Outermost reality.

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Outermost – Intruder EP [EVR025]