
HFP010.5 is a group of tracks taken from the HFP005 recording session, rescued from the cutting room floor and transferred to a very limited 10” pressing 100 copies only.

HFP010.5 is a group of tracks taken from the HFP005 recording session, rescued from the cutting room floor and transferred to a very limited 10” pressing 100 copies only.

Warm, washy chords collide with bubbling, subterranean acid and crunchy drum work on this subtly epic debut from Swiss newcomer, Tissu, with his trippy delay-drenched synths giving everything an astral-aquatic quality.

Rhythm Nation with Terriers deliver three heavy and intense Techno tracks ranging from raw (without getting harsh) to deep intense string loaded Detroit rooted Techno. No peak time Techno tools, but tracks we’ll play over and over.

This is the second release on Eye Teeth, the new techno sublabel of Interdimensional Transmissions, a remix EP with interpretations direct from the peers of Israel Vines. Features an incredible peak time remix of “WWKD” from Silent Servant. It is followed by another powerful and surprisingly straight techno take on “WWKD” by the often more experimental and industrial Talker. The B Side features a version of “Relapse” by Eye Teeth founder and curator BMG. This is his first published remix created entirely on his modular.

It was a remorseless hatred that enslaved a people many millennia ago in the captivity of those who worshiped the sun and the moon and the gods in the stars and of the earth and beneath the earth. In toil and despair the people were flogged and cursed by the searing whip, scorched by the flaming desert sun above and burned by the abrasive sand below their feet. In agony, they cried out for rescue from the malice-bred bondage of the kingdom. “How long?” While ridden with anguish, their captors became plagued with disease and death, and so the enslaved fled. Within a day, they reached the edge of a vast sea from which mountains grew blocking them in on both sides, and as they looked back in terror they witnessed their captor’s army quickly approaching. A watery death spread out before them while a spear-pierced death raced in from behind.
Yet their cries for help were not unheard… billowing clouds rolled in and a tower of fiery blaze appeared as manifestations of the theophanic Glory-Spirit protecting and separating the people from the approaching wrath. With no where to go, the great sea split apart, and before them a narrow path was unveiled through the voided waters for the people to pass through to their deliverance. The army rushed in after them only to be swallowed by the raging sea that had just brought life for those who had been enslaved, but now brought death to the death that had held them captive.
Life for the people of God is a pilgrim journey through an alien wilderness under the shadow of death. So it was in days long ago. So it is in ours.

Boris Bunnik is back with a brand new album under his Conforce guise. Entitled Presentism, is his fourth under this alias and proves once that this most prolific talent is still very much an evolving producer. Presentism is more organic and less dystopian and mechanical than before, with a light hearted sense of joy and vivid musical patterns lingering long in the airwaves, and as such harks back to earlier full lengths like Machine Conspiracy, which leaned more on Detroit rooted techno. It is a collection of diverse musical compositions that leans more on musical structures than technical obsessions, and where his last effort Kinetic Image was a tightly programmed conceptual thing, this LP is a much warmer, more organic and aquatic bit of floating modern techno. As such, you get the sense Conforce is back and having fun with his music making once more, free from any rules and instead just crafting what he feels inside.
The expertly designed sounds of this album float and drift in subtly uplifting ways, right from the off. It is a diverse collection sounds with a fine sense of mood through, and that is what ensures it makes sense as a greater whole. At the same time it retains that signature Conforce sense of rhythm, underwater atmosphere and vivid seascaping that really takes you away from the world in which you live. Some tracks like ‘Realtime’ are slow and moody, others like ‘Erased Connections With The Past’ are more propulsive and physical and those such as ‘Monomorphic’ are heady, hypnotic affairs that make for beautiful electronic soundtracks

Since his emergence onto the scene in 2012, Acronym has carved a bold name for himself within the burgeoning sphere of techno championed by his Northern Electronics compatriots, with releases on Semantica as well as his own Dimensional Explorations imprint. ‘June’ continues to affirm the young producer’s reputation as a skilled craftsman of densely woven, atmospheric electronic music, whilst serving as a substantial contribution to the Northern Electronics catalogue.

Exclusive 4-track EP including 12-track LP via download code. Taking influence from music, art and culture from across the globe, Roland Klinkenberg’s organic approach to the creative process is a superbly unique one.

Circus Company welcomes a new character into the fold in the form of fast-rising artist Borrowed Identity. Across the four tracks on the XXX EP, the perfect balance is struck between powerful rhythmic commands and psychoactive decoration, combining everything needed for a memorable club cut.

The revered Halal Prepared series on boe extends to its fourth volume with four new acts fresh to the label. Hotly tipped duo, Invisible Menders, made up of outstanding DJ Jane Fitz and thus far underrated producer Dom Ahtuam contribute a stunning Balearic bass-heavy house cut “Fifth Time Lucky”. Fresh from his solo EP, John Shima slots in a deep techno workout “Thought Wave”. Toby Tobias of Rekids fame pumps out some raw basement lofi vibes with his jacker “Sword Art Arcade” and rounding off the EP on a delicate note is Tim Smith’s soft and melodic 707 jam “Graphene”.

Some three years on from their last collaborative outing – the Wayne County Hill Cops (Part 2) 12″ on FXHE – Detroit producers O.B Ignitt and Omar-S join forces for another trip into Motor City deep house territory. They wisely explore different moods and approaches throughout, starting with the fluid, dreamy hypnotism of “Seem Like You’re All Ready” – an exercise in luscious loops and dusty drum machine grooves. There’s a lovely early ’90s bounce to the evocative synth bass, classic riffs and cut-up vocal snippets of “Follow Me”, while closer “Hold The Line” owes much of its’ instinctive power to a deliciously rubbery acid bassline and vintage US garage drums.

Chicago based producers Chicago Skyway, Taelue, & Chicagodeep come together to form the group “Simple Machines”. Their debut release offers a peek into the group’s world of sound, offering elements of deep and experimental house & techno.

Dego, Akwasi Mensah and Kaidi Tatham’s 2000 Black project is back with three timeless pieces that blend the group’s love for soulful futuristic beats and organic instrumentation beautifully. Firing on many levels and sure to tear up a floor or two this summer. To most headz, the producers behind 2000black need no real introduction. Initially inspired by breakbeat, house and techno, 4heros Dego has been constantly moving since the early nineties, enriching the drum & bass, soul and London boogie scene in his own unique way.

A handcrafted journey through a post-punk ghetto house childhood. All colours are beautiful pt.II. 6 Tracks by Pablo Mateo from Lackrec in Berlin.

A handcrafted journey through a post-punk ghetto house childhood. All colours are beautiful pt.I. 6 Tracks by Pablo Mateo from Lackrec in Berlin.

Here are some plain and simple cuts by yours truly Credit 00 that push just the right buttons to make people move. The tracks were made exclusively for his live set but they are too good to keep them back. Without superfluous frills these four bangers scream “Party” in every note but as usual with Credit 00 there’s also a melancholic side somewhere behind those tricky beats.

The dynamic Amsterdam-based duo Homework join the Let’s Play House family this May with their four-track ‘Palindrome 1’ EP out on the imprints White label.

Originally released on Dance Mania, ”I Dream You” is an absolute Chicago House classic. It is one of the deepest and most soulful releases the label put out in their early days, and it totally captures Vincent Floyd’s signature sound.

The first installment of 12″ EP from “Exhibitionist 2” DVD+CD due out in September 2015. In Jeff’s words: “Expanding the art forms in Dance Music has always been an agenda that needs constant monitoring because it has the ability to evolve and develop each and every idea. At angles that are not easy to see or understanding for most of the listening and dancing audiences, I’ve always felt that Dance music would make more sense to the people if they were allowed chances to understand how the music is being programmed and made – to witness this process from beginning.”

To Abstract Division, the city of Detroit and its artists are a major source of inspiration. As such, they decided their newest Metropolis EP was to be a homage, a means of giving back. This special package includes an original track that keeps close to the spirit of melodic, rhythmic, minimalism Detroit is known for. It also features three very special remixes by close friends Oscar Mulero – under his Trolley Route alias – Function, who ups the darker ante and Marcel Fengler who infuses it with his trademark Berlin funk.