Hooved – Timeless EP [AMAMHVD001]

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Gaetano Vinci a.k.a. Hooved has been one of the most dependable producers on AMAM over the years, and more recently, his sound has mutated in some unexpected directions. Thats why its high time to give our knob- twiddling satyr his own special catalog code from now on, and here we present amamhvd001, or for those of you who prefer titles instead of strings of letters and numbers, the Timeless EP, his first 12inch of the year. The near-15-minute TMLSS 1 begins with a 2-step beat, and as it unfolds, the beats only get more broken, causing a sense of auditory psychosis while somehow remaining calm, cool and collected

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Hooved – Timeless EP [AMAMHVD001]

TM404 – Svans EP [KM030]

TM404 is a project where Andreas Tilliander embarks on a conceptual journey through classic Roland machinery. On the A-side of the Svans EP you can clearly hear the connection to Richie and his Plastikman project. The track 303/303/303/606/606 is heavy, slow grooving techno that brings the listener back to the dark emptiness of the Plastikman Consumed era. On the b-side the TM404 project is allowed elevated to new levels. With a Yamaha SY-1 and a Yamaha TG33 entering the machine park, TM404 for the first time, breaks his Roland oath and opens up the project to a future of new possibilities.

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TM404 – Svans EP [KM030]

Huerco S. – Colonial Patterns [SFT0371]

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On “Colonial Patterns”, Brian Leeds (Huerco S) treats his Kansas City region as a universe worthy of its own electronic music. To that end, Leeds deconstructs Midwestern techno and house tropes. The pieces are corrugated, rough, and decompositional. Working cheaply, Leeds conscientiously uses low-end software, synths and cassettes so as to subvert the gloss of so much urban dance music, giving tracks an impressionistic, emotive feel.

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Huerco S. – Colonial Patterns [SFT0371]

Obsolete Music Technology – Incite [EMP013]

New EP on Emphasis Recordings. Track “Incite” from ”Thoughts From Chicago Vol. Three” 7” (Eargasmic) gets a rearrange by Steven Tang, and a Dubbyman remix. A mid tempo goover called ”Slight” rounds out the EP.

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Obsolete Music Technology – Incite [EMP013]

Kel – Irritant [TANSPLAN001]

Kel is the solo alias of Skudge’s Elias Landberg, and on Irritant he inaugurates the Tanstaafl imprint’s Planets sub-label, supposedly intended to showcase “the music that orbits the core members of Tanstaafl”. With label co-head October having previously released on Skudge Records, Landberg’s appearance on the label makes total sense. Those who are familiar with Skudge’s work will know what to expect, but in Landberg’s hands alone their analogue hardware seems to take on a more urgent, exploratory quality; the title track’s synths bristle and chime against a rolling drum beat, while “MKS” sees languid textures pushed forward by a panicked rhythm. “Traces” is the most Skudge-like thing here with its unmistakeable dub chords, but it’s not something that causes the release to suffer as a result.

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Kel – Irritant [TANSPLAN001]

A Sagittariun – Across The Celestial Sphere [EDREAMS008]

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With his debut album prepped for November release, A Sagittariun drops a taster of things to come, in the form of the ‘Across The Celestial Sphere’ EP. ‘Clusters’ rolls out another dusty breakbeat in perhaps his most dancefloor-centric offering yet. ‘Fire Sign’ is a warm and jazzy slice of techno, whilst ‘The DNA Of Life’ is a moody, industrial electro joint…

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A Sagittariun – Across The Celestial Sphere [EDREAMS008]

Move D – The KM20 Tapes (1992 -1996) [OMRKM201]

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Having launched Off Minor Recordings with some of his own refined solo material under the Cry Baby J moniker, Jordan Czamanski adopts a more archival tone for the label’s second release, digging into the unreleased early nineties works of Move D. Recorded at his KM20 Studio in hometown Heidelberg (hence the name) The KM20 Tapes feel all too appropriate for contemporary analysis, drawing on a smudged and improvised approach to analogue electronics. The rugged drawn out acid of “Ovi Riese” in particular bangs the box in a degraded manner that is most pleasing. Excitingly, this is the first of an irregular series of archival material from Moufang on Off Minor with Czamanski apparently sitting on a tonne of tracks.

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Move D – The KM20 Tapes (1992 -1996) [OMRKM201]

De Sluwe Vos – Vibe Over Money EP [SF001]

Dutch house producer De Sluwe Vos drops a heavy house hitter on the new Soulfood Records, including a Montel remix. De Sluwe Vos offers a nice contemporary version of classic peak time tracks rooted in the 90’s club house and (uk) garage tradition. Fresh, sexy and ballsy house music that will maintain its essential and funky edge ten years from now. Soulfood the new home of house in pure, raw and uplifting form.

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De Sluwe Vos – Vibe Over Money EP [SF001]

VA – Two House Limited Vol. 1 [TWOHLIM001]

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Two House Limited is a Vinyl & digital label based in Copenhagen Denmark Focussing on House music. The debut release is a compilation of four tracks by  Colman Buckley, Nick Beringer, Cram and Rikki Humphrey.

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VA – Two House Limited Vol. 1 [TWOHLIM001]

Jason Grove – Late Night Connections #1 [LAXES001]

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Skylax presents a new sublabel Skylax Records Extra Series #1. The first release presents the wonderful work from house maestro Jason Grove with some of the most timeless artists from both Chicago & Detroit, featuring vocals & productions of the great Merwyn Sanders (formerly known as Virgo 4) & legendary undeground resistance member Niki Marks.

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Jason Grove – Late Night Connections #1 [LAXES001]

Ctepeo ’57 – The Missouri Breaks EP [TART026]

CTEPEO '57 - The Missouri Breaks EP

CTEPEO ’57 (STEREO ’57) are a newly formed duo. They’ ve been around for a while and you might know them under different aliases. Their obsession with 1950s culture brought them together and they own a massive collection of Marlon Brando memorabilia. The 1950s were a decade of mystery and hoaxes, the cold war, the space race and the establishment of NASA. CTEPEO ’57 insists the cold war isn’t over and claim Russian astronauts landed on Mars in the late 90s to discover something truly amazing… It all seems far-fetched but who cares, when they make music like this.

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Ctepeo ’57 – The Missouri Breaks EP [TART026]

Borrowed Identity – Love For Sale [QUINTESSE035]

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Growing up in the deep south of Germany with multi ethnic friends and big interest in many different music genres of the world, Borrowed Identity built his wide knowledge in music. This variety in his musical taste is also the reason why he is working under different aliases producing a big variety of sound from ambient to house to experimental music and everything inbetween. Borrowed Identity debut EP on Quintessentials is another great example for his multistyle approach to music. You’ll find elements of house, disco, techno, ambient and more – always with an imminent love for music.

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Borrowed Identity – Love For Sale [QUINTESSE035]

Art Of Tones – Take Me Higher EP [WPH019]

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We Play House 019 brings us Art Of Tones with Lauer remixes. Art Of Tones aka Llorca provides in stylish fashion with two original tracks on the A-side. ‘Take Me Higher’ is vintage deep house music that will get any floor moving. Disco and funk-infused rhythms are paired with a diva-like vocal sample and a bassline to die for. ‘Damped’ explores that territory even further, and uses a sample from a certain well-known record that shall remain unnamed her. On the B-side it’s all Lauer in fine form, delivering not one but two remixes, each of them providing a different take on ‘Take Me Higher’. The ‘Al’ remix is a little deeper, and the ‘Bert’ remix will be the more instant dance floor piece, but you really should play both of them.

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Art Of Tones – Take Me Higher EP [WPH019]

Gherkin Jerks – Alleviated presents The Gherkin Jerks [ML9016CD]

GHERKIN JERKS - The Gherkin Jerks Compilation

The original 12” vinyl releases of Stomp The Beat and 1990 were two “Holy Grail” releases of Chicago House as they were only available for a short time before Gherkin Records went into inactive status in around 1991. At the time Larry Heard chose to not disclose the fact that he was the producer behind the Gherkin Jerks EPs. The two releases were a concept of experiments where he dove deeper into the equipment and do some creatively different tracks from his Mr. Fingers sound. These two legendary EPs have been heavily influential on other artists to this day. Often sampled or referenced they are true house classics and still amaze 25 years after their creation. Also on this album three bonus tracks, which are from the same Gherkin Jerks sessions but never released as such. Psychotic Fantasy was on the Dance 2000 pt. 2 album and Ecstasy is the full original take which makes its first appearance here. Reznaytor is an exclusive track for this release, never available before.

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Gherkin Jerks – Alleviated presents The Gherkin Jerks [ML9016CD]

John Heckle – Back Alley Terminator [TABR023]

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Recently acclaimed for his high quality remixes, this time it’s John Heckle’s turn to be remixed. Back Alley Terminator is a menacing and industrial single, accompanied by three suitably dark reworks from Andreas Gehm, Mick Wills and Valanx.

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John Heckle – Back Alley Terminator [TABR023]

Crime Scene – Jam The Box [CC04B]

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Crime Scene kicks the geez out of the backyards of Crime City with 3 dirty street trax. CC 004 is a real underground oldschool jam. Tracked and recorded on real analogue hardware – no plugin fake! houze musique – straight to the ghetto of our heart!

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Crime Scene – Jam The Box [CC04B]

JTC – People Mover [ANSATZ1001]

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With the exception of the title track, People Mover EP is comprised of new tracks recorded by JTC especially for Ansatz. The tracks here represent JTCs ever expanding repertoire. Live synth and vocal work dance above solid rhythms which JTC is known for. The result breaks new ground for JTC as an artist, and dance music as a genre. People Mover is anthemicthe perfect ethereal intro to the EP and Ansatz as a label. Solutions is a solid mellow dance floor track with subtle build. Banter Block is a chaotic Afro-jazz carnival ride. Juvenile Conversation highlights some live synth work over a techno Roland rhythm.

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JTC – People Mover [ANSATZ1001]

VA – Trevor Jackson presents Metal Dance 2 [STRUT107LP]

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Strut present ‘Metal Dance’, a new compilation from one of the UK’s most respected DJ / producers, the man behind Playgroup and original founder of the legendary label Output Recordings, Trevor Jackson. Echoing elements of his renowned DJ Kicks mix from 2003, Jackson draws here on specials that have peppered his DJ sets for almost two decades. ‘Metal Dance’ mines deep and hones in on the more underground and danceable side of industrial, post-punk and EBM (Electronic Body Music), a phrase coined by Ralf Hütter of Kraftwerk but honed by later bands like DAF and Front 242 as socialist realist aesthetics were dragged onto the dancefloor during the mid-’80s. Jackson cherry-picks classics and rarities from this era, including a new edit of Nitzer Ebb favourite ‘Control I’m Here’ (sampled on Quartz’ rave classic ‘Meltdown’), the cold dance of Analysis’ ‘Surface Tension’, Neon’s dark ‘Voices’, re-interpreting a Master C&J riff from the early days of Chicago house, and hard-hitting dubs from Pete Shelley, Alien Sex Fiend and more. Herein lie sounds that have heavily influenced today’s crop of artists – from LCD Soundsystem and The Knife to Factory Floor and Hot Chip. Elsewhere on the album, Jackson brings in unexpected gems – a track from cult John Carpenter film ‘Escape From New York’ re-edited by Klein & MBO’s Mario Boncaldo, a lost album track by avant garde Spanish artist Diseno Corbusier and a UK promo-only mix of Yello’s ‘You Gotta Say Yes To Another Excess’.

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VA – Trevor Jackson presents Metal Dance 2 [STRUT107LP]

Tropic of Cancer – Restless Idylls [BLACKESTLP005]

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Restless Idylls is the first full length album from Tropic of Cancer, the solo project of Los Angeles-based Camella Lobo. Lobo debuted in 2009 with ‘The Dull Age’/’Victims’, a 10” single on Downwards and the first of three collaborations with Juan Mendez (Silent Servant). Two years later came a second Downwards release (‘Be Brave’, remixed by Cabaret Voltaire’s Richard H. Kirk), followed soon after by The Sorrow Of Two Blooms on Blackest Ever Black – the label’s third release and one if its most cherished. Since then there have been 12” releases on Mannequin, Sleeperhold Publications, Ghostly International (a Part Times Punks Sessions live split with HTRK) and a limited edition compilation, The End of All Things, compiling singles and unreleased recordings. Restless Idylls marks ToC’s return to BEB and consists of eight new recordings written in Los Angeles, with additional production from Karl O’Connor (Regis) in New York and London. Its themes? The usual: romance, devotion, pain and helplessness. Mixed up mortals struggling against the brute mechanics of fate, and proving unequal to the task. A forced retreat into private, precious idylls of longing, faith, mystery, even misery. The urgent motorik of lead single ‘More Alone’ is perhaps a misleading foretaste of the full-length, which is more lush, languid and extravagantly despondent than previous TOC material. Troubled hymns from an empty room, in a drowned world. A sensual and sepulchral psychedelia.

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Tropic of Cancer – Restless Idylls [BLACKESTLP005]