
Part 6 of the MD2 techno series dropping 4 hi-tech advanced techno tracks.

One year after the first excursion into his haunting world of sonic spaces on the Analog Amputations EP, machine wizard CVBox strikes back on Uncanny Valley with the follow up “Trawler Crossing”. And from start to finish this EP is a journey between Techno and Ambient full of unheard noises and grasping rhythms.

Marcel Dettmann and Steve Rachmad remixes for one of the stronger tracks of Non series, Trow by Maan.

Once again Mutex deliver a killer release with fresh and unique soundscapes. This time deep but pumping techno cuts are supplied by Egor Boss. New age techno heroes Thomas Hessler and Idealist complement the release with their exclusive touches.

Producer Greg Beato follows up his blazing ep for Funkineven’s Apron Records with another killer three tracker. Beato somehow just knows how to get it right combining all the crucial electronic elements, creating three absolutely monsterous tracks that will crush the dancefloor. Sure it’s been said before, but the music does the talking and this ep is a pure unharnessed example of such.

This is a piece of Estonian underground music’s history. More than 20 years ago, in Estonia, Hypnosaurus were pioneers of deep house and techno, the first ones to have gone with this new strange rhythmic music into the studio and into the dark basements of Tallinn. The remix is by the strange and wonderful Chicago producer Hieroglyphic Being. This is soul music of rusty funk-robots. For this remix he is said to have tried out new methods of dealing with sohttps://hipodrome.wordpress.com/wp-admin/post-new.phpunds, switching them on and off.

Italians Ksoul & Muteoscillator are back with some more dusty and degraded sounding tracks, this time for Holland’s irrepressible Dekmantel imprint. There are three new cuts in total from the pair, each exploring a slightly different yet always knackered house groove.

The launch of Avenue 66, a new imprint from the ACID TEST camp. A dark acid laced house cut with vocals by Ebony Ugo backed with a remix by Ukrainian producer Vakula, who provides a dreamy lush remix and ”Auset”, a monster head trip made for dancefloors and headphones alike.

Gay Marvine presents Bath House Etiquette Vol. 3… 1 Anxiety into Ecstasy – A clever take on a peak moment for the dance floor, fusing pieces of Chicago’s classic ”Street Player” (it was such a small space in time, I never knew what I would find, a musical path for all to see, anxiety into ecstasy) with the classic beats of The Bomb! which famously sampled the original for Henry Street in 1995. 2 America – The Bomb goes boom says Prince in this ecstatic take on ”America” found only in parts from the 21 minute 1985 12”. Guaranteed to pump your dance floor into madness. 3 Wait a Minute, Baby – One of the most gentle songs from Stevie Nicks on Fleetwood Mac’s Tusk perverted into a red hanky anthem. This mix is special because it allows you to play an almost folk rock moment as pure hedonistic disco, like a fantasy lost Cocteau Twins cut from 1979. 4 I Hate the Food I Eat – I have nothing nice to say about Sting except he made some also pre-Police Italo and perfectly overacted in Dune. An effortless groove that despite being over 30 years old sounds remarkably contemporary.

Beach Mode (Keep It Simple) is the perfect snapshot of Ikonika’s new album ‘Aerotropolis’. It’s also her first vocal track, graced with the voice of One To Watch, Jessy Lanza. Beach Mode combines sunny salsa-like chords and claves, inspired by latin freestyle dance music from the 80s, with Jessy’s vocals cutting in over some soaring rough synths. It’s a refreshingly straight forward and sensual piece of pop dance. Side B starts with a dub mix for all the vocal haters, while the Percapella version breaks it down into a syncopated drum track and a slightly dubbed take on the vocals, giving it a tracky and colder toughness reminiscent of early Chicago house music.

Secret Mixes and Fixes Vol 15 features The Fantasy, a 2 veteran Detroit DJ’s making their fantasy versions of untouchable songs.

The latest 12″ from Beats In Space Records features three tracks recorded between 2005 and 2009 courtesy of Tokyo’s humbly dynamic Gonno. A dynamic producer who is clearly not afraid to nest until crucial hatch time, Gonno flies the coop with a wingspan throwing psychedelic color at a sunburst sky. Blending a spectrum of musical influences from Primal Scream’s Screamadelica, to Basic Channel and personal touch points about the people (and animals) he’s met and the joy / sorrow they cause, Gonno’s productions blur the lines between art and life experience.

Selvagem is both the name of the DJ duo as well as the name of their monthly party in Sao Paulo, Brazil. Its a monthly sunset party that is considered one of the best in the city. They have hosted DJs such as Twitch from Optimo, Severino from Horse Meat Disco, Andy Blake from World Unknown and Paul Thomson, the drummer for Franz Ferdinand. They recently did a mix for Beats In Space that was 100% Brazilian music. From disco to funk, psychedelic, post-punk, electro and batucada. Its a mix of luscious rhythms, crazy translations and outer-world oddities that can provoke one’s inner savage. The three tracks on this EP were selected from this BIS mix.

This LP + bonus CD features the entire track listing, plus 5 bonus tracks from the Italia New Wave LP. This album represents the musical mutation that occurred after the post-punk hangover gave way to more frigid emotional shores, in-line with the synth-wave moment that was sweeping Europe and the white cliffs of Albion. This scene flourished in Italy between 1981-1985, and the musicians that came out of it are still revered today (particularly in the US). Robotic rhythms and intuitions that, besides sharing common ground with the electronic movements that had come before, also knew how to fill up the dancefloor! Featuring four previously unreleased tracks by Der Blaue Reiter, along with tracks by Modo, Actor’s Studio and La Maison, as well as the still fresh sounding contributions by true pioneers of the genre Neon and Naif Orchestra.

Having featured on the Non Plus Ultra 1980-1989 Vol.2 released by Domestica earlier this year, the distinct self styled ‘Necro-Pop’ of Funeraria Vergara is covered in greater detail by the Barcelona label with this lovingly presented retrospective of their demos and unreleased works. Covering a two year period from the early eighties, the eight track Despues De Un Dia Antes LP presents the young Burriana based Funeraria Vergara collective as a devilishly fun group dealing high octane synth pop with occultist overtones. Their one true hit “El Difunto” managed to find its way onto a 1984 cassette compilation of Spanish Wave and Punk called N-340 and features here along with a bunch of unreleased demos and a card insert detailing Funeraria Vergara’s curious rise to coin the Necro Pop crown.

Preceding the impending release of Charles Manier’s full length double LP Nation have put together this killer 3 track 12” of exclusive tracks to wet your appetites. These songs will never be released anywhere else. While featuring a live version of ‘Waiting for Electrocution’ from the forthcoming LP, the ‘Electrocution’ EP is much more than a preview. We witness a rough and wild take on the song with its fatalist lyrics subjugating listeners to a sweltering, dirty march.

The mythical Transedance from UK duo Night Moves is given a much needed official issue by Domestica Records and the Barcelona label have spared no expense. Despite the paucity of Night Moves discography, it’s clear the duo of Michael Guihen and John Davis have had an everlasting effect on the canon of synth music with their much admired debut. Transedance was originally released as a limited 12″ white label in 1981, finding favour on the dance floors of Europe and New York City yet never really gained the wider exposure it richly deserved.

Functional Techno release featuring original tracks from Developer and Grey Report label head Adriana Lopez.