After a period of inactivity Caustica Waveform is back with an E.P made up of three powerful original electro tracks. In true Caustica style the real deal shades of proper electro and featured and presented – classic electro breakdance and electro jazz all designed to make you move & groove. The record comes with a full sealed artwork cover and limited edition sticker.
With distorted arpeggiated synthesisers and cold metallic drum-machine patterns, William Wiffen from Yorkshire invites you to his sonic warzone. Höga Nord Rekords presents R.E.D. (Rapid Ear Damage), a stripped and harsh take on postpunk, motorik and EBM. With haunting and reverbdrenched synthesizers, Wiffen’s new project sometimes resembles acts like Two Lone Swordsmen in their dirtiest moments. R.E.D. is not a wholesome and pleasant experience. Heavily modified vocals, used more like an additional instrument, breaks through the distorted, hard, backbeat, contributing to the feeling of being trapped in a mental slit trench or bomb shelter: no light coming in – only sound.
Pablo Bozzi inaugurates his new label, Second Sight, with the various artists ‘Unknown Prospect’. The title says it all: boundless and vast, Second Sight’s intent is to promote the talents of innovative producers who defy genres in the pursuit of their own idyllic aesthetic.
Seminal EBM-techno outfit Code Industry surfaces on Dark Entries with a reissue of their Structure EP. Detroit-based musicians Rob Myers, E.N. Sevy, Kyl Crys, and William Keith formed Code Industry in 1989 following their previous project, Code Assault. Among the few Black artists working in the idioms of EBM and industrial during their time, Code Industry tackle issues of racism, the media, and the hypocrisy of patriotism. The band’s frigid synths and menacingly whispered vocals display their affinity for European EBM acts like Front 242 and Nitzer Ebb, but their adventurous production and high- tech grooves situate their work equally within the Detroit techno continuum. The Structure EP was originally released in 1991 via the legendary Antler-Subway label.
Experimentation on edits is a lost artform where one could be fearless and make things nasty. This is just the artistic endeavors of editing, looping and effects for historical purposes. Edits created and twisted over 20 years ago by Jamal Moss.
Panthera returns to Bordello, their identity still shrouded in secrecy. Following on from the four tracks of Synthesizer Hits, this unknown entity is back with a further quarter for Synthesizer Hits Vol. 2. Rich melodies and pulsing percussion characterise the infectious “Demon”. Key shifts and samples linger as textured toms and crisp snares keep the energy high. The tempo lowers for the considered “Stallion”. Bright and hopeful bars ascend before breaking to shimmering dawn. The juddering arpeggios and drum rolls of “Newlook” draw us back to the dancefloor. Melodies glow overhead in this celestial composition. The finale is steeped in the unforgettable tradition of italo. A heartwarming tribute to spaghetti dance, Panthera delivers an addictive rift, sparking synthwork and rhythms that are crisp.
Amsterdam and Naples based bassist Daniel Monaco (bass player for Nu Genea, Mystic Jungle & Capinera) joins the Rush Hour Store Jams imprint. A strong disco heavy two tracker featuring vocals from Mame N’Diack Seck Thiam and a wink to Cerrone, including instrumental versions. Released in conjunction with Utopia records London.
Om Unit and TM404 have both been researching production and compositional elements in the crosshairs of dub and acid for the last few years – Om Unit most notably with his Acid Dub Studies 1 & 2, and TM404 with his Acidub album in particular.
groove 15 is the final release in a series dedicated to attempts to combine ambient with footwork and 160bpm. The person responsible for closing this three-cassette series is Romanian producer Eduard Costea, known as DYL. In his work, he creates minimalist drum & bass structures, which he combines with illustrative music and atmospheric ambient. However, he does not limit himself to these aesthetics, freely changing tempos and moods.
Echocord welcomes the return of Mathimidori to the imprint with his ‘Anata’ EP, accompanied by a remix from New Yorker and Novel Sound boss Levon Vincent.
After some time of laying in the dark, the Warsaw-based Syntetyk label and club night series emits waves yet again with their very first cassette release by various friends from the local and global underground. Tape starts with a pathos ambient track by Mchy i Porosty, followed by a desert night drive dub by Rapha. The A side continues with a wavy melodic thumper by Olivia, accompanied by a nostalgic club diver by Czech maestro Exhausted Modern and a punkish fast paced hymn done by the Colombian prodigy – Filmmaker. The B side opens with Dogpatrol’s broken jungle track and carries on with Astma’s industrial dub-driven tune. Album slowly comes to a close with a nasty distorted wave by Dyktando, dystopian radiation emitter by Chino and ends with Mala Herba’s folk inspired epic ambient drone.
Feral Colony is the label of U.S. based artist Chris Mitchell (Vanguard Sound, Annunaki Cartel), focused on direct, improvised methods. The second cassette release “No Consensus” is a 7 grimey tracks album by Chris Mitchell himself.
Leftfield electro and acid for Lennard Ypma’s debut ‘Ladies Jam – on his own label Volunar Records. BLS and GH-1S on the A-side make up for a heavy West Coast and electro journey. The remix of GH-1S by Beau Wanzer is also not to be missed, with his signature touch and a nauseating bassline. Flip the record to the B-side for two mind-bending acid cuts. Ladies Jam is a heavily distorted and mechanic track with eerie leads that will drag you through acid punches, while Betonsmeer offers a slowed-down bunker-style cruise with earworming acid and heavy percussion.
BT78 sees the return of Shokh, presenting his first material in two years. Having contributed previously to the Cold Readings VA and with outings on Omnidisc and Kompakt, the producer presents his stone cold take on retrofuturism across four tracks.
Orpheu The Wizard is a Dutch DJ and co-founder of the infamous but sadly now defunct Red Light Radio. Coming through for the fifth edition of the Sound Of Love International series – which showcases the eclectic musical tastes of the DJs who play at the Love International festival in Croatia – this fresh selectors’ comp hears Orpheu crate-fiddle through cosmic disco, Balearic pop, synthwave and ambient.
Ferox mastermind, Mr. Russ Gabriel, with his second release on Rawax Motor City Edition. Work It EP a Masterpiece for deepnes.
Over the years veteran producer Mark Ambrose wrote some of the most unique, energetic house / techno tracks. The Journey is an essential and timeless compilation that collect his most rare and hard to find classics. Volume 3.
Transparent Sound are the original dons of UK electro, not exactly household names yet an act with so many under-repped classics that once you dive into their catalogue you might end up emptying your bank account on Discogs. To save you going down this calamitous path as well as to finally, raise TS to the level of notoriety they deserve, Tresor Records presents ‘Accidents 1994-2023’. Formed by Orson Bramley and Martin Brown in Bognor Regis in 1994, Transparent Sound have managed to create 30 years’ worth of some of the best electro from the British Isles, despite claiming to not know what they were doing nor how their instruments work.
The Hipodrome Of Music 