UK techno legend Mark Broom returns to Rekids Special Projects with Vol. 3 of his ‘Mutated Battle Breaks’ series. Bringing the third collection of heavy-hitting techno weapons for Radio Slave’s techno-focussed imprint, ‘Mutated Battle Breaks Vol. 3’ showcases eight precision-built no-nonsense tools, delivering yet another techno masterclass across the release.
A stalwart of the Dutch techno scene since the mid nineties, Jeroen Search has been ploughing his own furrow aside from the typical norms and standards of the techno scene with lasting integrity and unflinching dedication throughout the years. A coinage derived from the sharp, clinically designed blends he has come to be known for, that Search-sound has long established as a blueprint for DJs seeking laser-guided weaponry into their sets, and Jeroen’s maiden effort for RYC follows that very guideline. Starting with the massive pound of the title-track, “Enigma”, the EP knocks into your system with blunt force, ushering us into a no-frills corridor of hydraulic kicks and sizzling static. As per usual with Jeroen’s compositions, minimalism serves a purpose of exponential effect.
Klasse Wrecks presents Luca Lozano’s 4th album, a collection of both previously unreleased and brand new material. Recorded between the years of 2015 and 2022 and in the locations of various studios in Berlin and Sheffield, ‘Man Of Science’ collates some of the producers most accomplished and interesting work to date.
On Sentaku’s seventh release, Man/ipulate encapsulates Watatsumi’s spirit, the legendary water dragon. Known as the ruler of the seas and god of the oceans, he would control storms and rainfalls, protect its waters and transform into animals and human forms making him one of the most influential creatures in Japanese mythology. Uplifting house groovers.
Official reissue of dreamy Italian early house project, originally released in 1990, a total balearic house anthem this EP comes with 3 mixes, remastered.
Welcome onboard flight number CLEAR008 with service from Leipzig to the Bermuda Triangle. We are experiencing some difficulties at the moment, caused by an overpowered VR-System. As a result, we are subjected to steely bass thunders. Oddities of crisp and bouncy fashion. Dark, yet tempting. Bright, yet unsettling. We’ll initiate Project 15. The weather at our destination is expected to be leicht bewölkt, sonst hayter, though. This is the new normal, this is the new fear. Fasten your seatbelts and prepare to overtake reality.
Zeta Reticula returns for his third EP on Mechatronica with a dystopian blend of cold machine funk and ominous electro rollers.
Balkan Vinyl is kicking off a new run of 7″ vinyl releases – the “Kanlab series” – focused on celebrating underground artists from the label roster, is Suddi Raval. He makes his Balkan debut here with two deep-space hardware electro jams.
The Maltese machine funk specialist himself Keith Farrugia is back once more with yet more of his impeccable electro business as Sound Synthesis. This time the prolific producer is shoring up on Burnski’s Infiltrate label with four cool and deadly cuts.
DJ Overdose delivers again for L.I.E.S. Miami Bass party rockin floor shakers, and high speed, blade sharpened, trunk popping electro madness ran through his trusty sp-1200, programmed impeccably and ready for the club.
CAF? presents Gino Ritmo & Ricci Verace’s debut album: Night Shift (Part I). 808Hz’s Italo-sided project meets Ricci’s terrestrial and thirsty global wanderings to deliver a haze driven dance music, ranging from melo-synth-rides to harsher EBM-techno-strikes. Dark but warm at heart under the twilight.
This legendary Italo Disco song was first released exactly 40 years ago. On this occasion, ZYX releases a strictly limited edition colored vinyl with an exclusive remix by Flemming Dalum.
Artificial Dance announces the full archival compilation of work by Richard Zeilstra A.K.A. Genetic Factor. Recorded in different parts of the world, at different times – we hope this will give the world a glimmer of the mind of Genetic Factor. A mind that has been behind a variety of very influential operations during the years; including a string of radio programmes (Radionome & Spleen a.o.), working at Boudisque and running Barcelona’s first compact disc store. The songs featured are not an attempt of making a coherent ‘album’ but much more trials of interpretation of his world into ‘music’. His strong believe in non-musicianship makes it more thrilling than conventional musics, yet these recordings are not result of amateurism – they form a consistent reality of what excites him. Take a dive in the realm of the Genetic Factor…
Official 2022 Reissue. A Split Second’s cult coldwave EP Flesh was dropped back in 1986 on Antler Records. The band of Marc Heyndrickx, and Peter Bonne (aka Chrismar Chayell) only formed a year earlier but his debut single made a huge impact and has become a real classic of the EBM and wave world ever since. Numerous albums followed well into the 90s but rarely did the pair ever top this – the jerking rhythms, ravey electronics and retro-future chords all resonating as much with audiences now as they did back then.
Fortuna Records presents a post-punk shuffler from 1981, by Tel-Aviv-Brussels band Minimal Compact. The 12” includes an unreleased instrumental version plus a spaced-out extended dub mix by the living legend, Mad Professor.
WRWTFWW Records and MEG Museum (Geneva) announce a new full length album by celebrated Japanese percussionist Midori Takada (Through The Looking Glass), in collaboration with Buddhist monks belonging to the Samgha group of the Shingon school of Koya-san, led by Reverend Syuukoh Ikawa. “You Who are Leaving to Nirvana” is a majestic work combining a suite of six Buddhist liturgical chants and a musical creation by Midori Takada. After supervising the recording of the Buddhist chants, Midori Takada added her own compositions, with subtle layers of percussion and the melodies of her beloved marimba, giving full life to the sacred texts.
Contrarily to the rest of Tasos Stamou’s experimental discography, the musician’s latest album “Balkan Express” has a more obscure electro-folk approach. It consists of seven pieces, all recorded with seven different vintage electric keyboards from Stamou’s own collection, blended with oriental acoustic solos. Since Stamou grew up in the Balkans in the ‘80s, he wanted to pay homage to the essence of the sound of the era that unintentionally shaped a whole culture. It was when these inexpensive, available-to-all electronic keyboards with synth sounds and drum machines replaced traditional Balkan folk music ensembles. The acoustic instruments solos and melodies of the album were influenced by local traditions and the heritage of the Ottoman music. “Balkan Express” is meant to be a time capsule taking the listener to the folk-wave retro-Balkan subculture.
Levon Vincent returns with his fourth full-length studio album “Silent Cities” a striking departure from his previous records. This, his first release experimenting with the cassette format, Silent Cities is a kind of mixtape through more private moods and personal pitches (literally given Levon’s non-standard tunings). While Levon has always produced dance floor jams with the intention of raising people’s heart rates, Silent Cities began with 72 bpm: his average resting heart rate, and the concept of tuning the music he was making to his own body rather than increasing anything. This brought the tempos down to 72 bpm or even half of that, at 36bpm. Programming the record during the empty cityscape of Berlin lockdowns, this is the first time Levon’s created an album for the home stereo or for headphone listening whilst navigating through a city. A mixtape specialist in his youth; he was always wanted to play with the cassette format. The results are sure to delight any listener, with the ever-present ambient, krautrock, shoegaze, hip-hop and electro influences coming to the foreground on this work.
The Hipodrome Of Music 