The event will take place in Bucharest at Club Control, Friday August 7th.
Given the prolific nature of his output and close links to Jamal Moss, it’s something of a surprise to find that Motionless is Marco Bernadi’s first outing on Mathematics. It sees the Bristol-based Glaswegian in suitably nostalgic mode, dropping a quartet of tracks that pop and crackle with vintage analogue rhythms, raw electronics, and intoxicated acid lines. The A-side boasts two chunks of electro/techno fusion, with the vintage rave stabs, relentless drum hits and barely audible vocal samples of “Shiny Windows” most impressing. Flip for the skittering rave breakbeats, foreboding chords and undulating acid lines of “Finite Space”, and “Hater of Love”, a sparkling fusion of sharp electronics, bubbling acid bass and foreboding, anti-fun vocals.
Berceuse Heroique continue their quest to put out only the most distorted, dystopian and intense techno cuts by turning to Mark Forshaw. The wild freakery of A-side “The Fuck” is strangely alluring, with ragged, undulating acid lines and psychedelic electronics – most notable in a trippy multi-speed breakdown – sitting alongside head-mangling, in-your-face beats. The flipside I.B.M. aka Jamal Moss Remix is a little more straightforward, but no less intense, with juddering, cyclical loops and deliciously darting synth lines riding a pounding but rolling techno groove.
New release on Major Problems featuring some glassy-eyed triptych of techno variations from Terriers.
Some 17 years after it’s original release, Fingers Inc’s expansive debut album, Another Side, remains one of the greatest deep house full-lengths of all time. Here, the album gets the re-master and re-issue treatment, with the original double vinyl set being expanded to a triple to guarantee loud cuts for club play. While there are plenty of well-known Heard and co classics present – “Mysteries of Love”, “Bring Down The Walls”, “Can You Feel It” etc. – it’s actually the long-forgotten album tracks that really hit the spot. It’s on these moments – often influenced as much by ’80s soul and synth-pop as acid and Chicago jack-tracks – that Larry Heard, Robert Owens and Ron Wilson really cut loose.
Russian DJ and producer Dmitry Kovyazin aka Kovyazin D makes his debut on the Dutch label M>O>S Deep. He serves up three tracks of house that fit perfectly with the misty, roughshod vibe of the well established label. Up first is ‘The Iron Jack,’ which is a seriously slow but thumping house number with massive booming kicks, thunderous claps and cutting hits and cymbals. As the drums ping about, a paranoid synth line creeps in to get you thinking and the groove stays locked throughout. ‘Destiny’ is a more moody and subdued cut with circling spaceships hovering around a sunken metropolis. The drums here are lazy and inviting, and the overall mood is one of inward reflection. Finally, ‘Uralmash Buildings’ is an acid cut with scattered cow bells, thick bass and military sounding snares that makes for warm and uplifting listening.
Detroit legend Rick Wade is back with a nice new EP on Rymd. First up “Strong Arm” is the kind of real proper deep house that is often imitated but hardly matched. From the unmistakable knack of its groove to its swirling and mesmerising Rhodes in the foreground. “Funkopolis” gets deeper and as the name suggests has a totally killer bassline and just generally awesome soul goodness going on. Proper Detroit style representing here. Italians Deep 88 and Emotion (Ignacio) turn in some surprisingly good remixes on the flip that do their job well by not deviating too much from the originals and reworking the grooves into decent alternate versions.
The second release on the Fuck Reality label comes from Smallville regular Moomin, aka German producer Sebastian Genz. While flipsides “Room 207” and “Right On” are as deep, woozy, starry and twinkling as you’d expect from the long-established deep house producer, it’s A-side “You Are Sweet Sweet” that will undoubtedly attract most attention. It’s effectively an unofficial remix of Candi Staton’s dancefloor anthem “You Got The Love”, with the legendary vocalist’s iconic vocal riding a chunky, organic deep house cut big on rolling, disco-influenced percussion, chiming melodies and rich chords.
Four tracks extracted from the LP released in January 2015 in Detroit Underground Records, are pressed in a white vinyl limited edition to be used directly on the dancefloor. A trip from Detroit’s minimalism, hard, and concise Techno that cuts into predefined patterns and creates new boundaries to warm musical spaces in order to accommodate this new way of thinking.
Jon Convex releases Day After Day with a Matrixxman Remix and Light Year – Inside (feat. Louisahhh) with a Mr G Remix.
A&S aka Dimi Angelis and Jeroen Search are back on their own imprint. High quality organic techno at its best.
In yet another powerfully persuasive incursion the Berlin-based Nous imprint have invited Michigan’s Karen Gwyer to handle business for their 8th mothership release, who in turn has obliged with the really rather glorious ‘Bouloman EP’.
Florian Kupfer aligns with Fotomachine’s prospering Technicolour label and delivers four cuts that should be filed under ‘all killer, no filler’. First up “Explora (Slave)” gets all up in your face with its retro techno stomp but the chugging minimalist epic that is “Headpiece” is grinding, beatless affair. On the flip we have “Brute Force” which trances you out with its sinister analogue synth arpeggio; so simple but utterly effective. Finally there’s “Schpel” another experimental and atmospheric cut that is haunting as much as it is riveting.
On the third installment of Sand, label boss Nima Khak is back with his characteristic dance floor oriented analogue leaning techno.
Trax Research extracts a major find from Gene Hunt’s lost tapes. Don’t sleep on this limited, hand stamped one-sider!
The Hipodrome Of Music 