Childhood returns with a 4 tracker 12” by Mr. G. This record continues to elaborate on the rather obscure path that G already explored with last years album The Forced Force is not the True Force, yet focuses a bit more on the magic of the dance floor. Ranging from hypnotic patterns over house grooves to fast forward techno funk: this record clearly shows again that Mr. G always manages to keep his distinct signature sound we all love him for, even while advancing into unknown territory. Another magical ride, delivered by yours truly, the Childhood team.
A new dancefloor-ready 12 inch featuring remixes from close friends Mr. G and Direct Movement. Comes housed in hand-screen printed sleeve, designed and printed in-house by Grade 10.
Navigate’ is instantly recognisable as the work of its creator, armed and ready to bring the dance floor to hypnotic heights. With its rough and gritty sound, driving kick & synth stabs, and hauntingly majestic keys, we are thrown into peak of the night. On the flip, ‘The Guilt Within’ takes a turn to more ominous terri- tories, crafting an atmosphere on the other end of the spectrum to ‘Navigate’. A beautiful and delicate journey carried along by light skipping percussion, immersive sweeping pads and a puls- ing sub which all come together to take the listener deep inside themselves.
The G man found himself a protege. After the odd 50+ solo releases offered through his Phoenix G imprint Mr.G has found himself a young producer that has a style that connects with the Phoenix G output thus far. Mysterious Jayson Wynters offers a 4 track record that is hazy, technoid and threads into deep territories every now and then. ‘Unfamiliar Territories EP’ opens with the deep down perc jam named ‘Momentum’ a moody dubbish track that sets the tone for things to come. The title track offers a more emotive ride that’s being supported by tough saw basses and windy pads that float throughout. The B side openen Science is a tough house cut that is reminiscent of the glory days of US deephouse and sounds as a solid classic rather than a new cut. The closing down bit ‘1 more’ is the same story. Firmly produced drum patterns with classic bass sounds and hazy pads.
The G man returns to his Phoenix G home with a somewhat special album release. Where the usual Mr.G sound is still present on this LP, ‘Night On The Town’ showcases G’s more adventurous works and exposes some of his more exotic influences. African Rhythm sections, hints to EBM and low tempo chugs make this album very actual yet unique.
Jon Convex releases Day After Day with a Matrixxman Remix and Light Year – Inside (feat. Louisahhh) with a Mr G Remix.
For the latest outing on his prolific Underground Quality label, deep house veteran Jus Ed is joined by veteran UK techno maestro Mr G. Each producer delivers two tracks in their trademark styles. Unsurprisingly Mr G’s tracks are tough, stripped-back, atmospheric and heavy, with the hypnotic spookiness of “Freakshow” just edging out the bumpin’ beats, weighty bass and minor key chords of “Billares Londres The Rum”. In contrast, there’s an inherent tunefulness about Jus Ed’s two analogue deep house jams. Choose between the subtle steel drum melodies, sinewy synth-strings and Balearic house grooves of “GoTee Stroke”, and the ultra-deep dub house flex of “Heaven Sent”.
Rounding out this iteration of the Moods & Grooves classic series are two of its best selling releases from one of Detroit’s most prolific producer’s, Theo Parrish, and label head Mike Grant. The Mr. G remix of My Soul, My Spirit nets a pretty penny at the online marketplace so if the steep prices have deterred you, now is the time. Chunky was produced during the time Theo was a leader of Detroit’s raw & dirty house sound. In celebration of the Moods & Grooves’ 50th release it’s being offered on limited coloured vinyl.
Effective drum machine rocking techno tracks by the unstoppable Mr.G.on the Don’t be Afraid Special Editions series.
Here is the third and final part of my 2013 review, featuring my favorite albums released last year. In the first part of the review, the preferences of hipodrome followers are shown, according to the number of click and stars. In the second part, I presented some of my favorite events and performances from last year.
Now here it comes the serious business. Because there are so many good albums and different genders, I took the same approach as in the 2012’s review.
The list is covering all the genders that I like and post on The Hipodrome Of Music, so I came up with no more than 20 gender lists, going from house to techno, disco and funk to electro and new wave …
Here we go.
This post is about the followers of my blog and the most successful posts, the releases that gathered the most likes and clicks in 2013 from my visitors.
Mr.G is returning with a mint 4 tracker for the heads. 4 acey analog anthems with that authentic Mr.G. sound. Rich basses and excellent placed vocal cuts that allign with open hats perfectly.
Illuminating compilation of trax from stalwart London producer Colin McBean, spanning a decade and half. The man himself talks of his “soulful, twisted low-end funk sound” and he’s right on the money: his productions have found fans in disparate factions of the underground, from the afterparty tech-house set to the UK bass upstarts, via the deeper house heads. Long before he began his association with Rekids, the label behind this compilation, G was rolling out gold on his own Phoenix G and labels like Defected, Duty Free, Shuffled, End, Tag and Careless, under such aliases as The Reaver, Mango Boy and Halcyon Daze. For this 21-track comp he’s selected his own highlights from this vast body of work, and it’s effectively the most potent cache of secret weapons that a DJ could hope to stumble upon this year. Of the Mr G-assigned cuts pay special heed to the bass-licked warehouse thump of ‘Hear Me Out’, the jazzwise tribalism of ‘Jet Black’, the priapic boogie-tech of ‘Shelter (Unreleased Version)’ and the headier Detroit stylings of ‘G’s Strings’, while the lockstep discoid bounce of The Reaver’s ‘Mmmm’ and Mango Boy’s sickly minimal, psychedelic ‘Potion’ also impress.
The second edition of Moods And Grooves Classics, this time from Mr. G & G. Flame and Demarkus Lewis.
The 1st release in a series of reissues from the Moods & Grooves catalogue. Andrés – Out in the Open and Mike Grant – The Struggle of My People (Mr. G’s There’s Hope Mix).
Back and cooking up more funk and flavor with his second album for Rekids, Mr G proves he’s still the king of rhythm with ‘State Of Flux’. Packing more history than most of the top current producers put together, Mr G has been fine-tuning his breed of music for two decades. Described by the man himself as “it’s all about a bassline”, his music takes the formula of a ballad and the movement of reggae.