
Lysergic dance music from Vakula. Workhorse for plowing dance floors.

When it comes to jackin’ Chicago style acid house revivalism, few can hold a candle to Paranoid London. As this long-awaited second album proves, the duo is the undisputed masters of sweaty, TB-303 driven jack-tracks and – as recent single ”(Vi-Vi) Vicious Games” and LP opener ”Starting Fights” prove – classic-sounding vocal cuts that recall the glory years of Fingers, Inc in the mid-to-late 1980s. Interestingly, ”PL” boasts far more collaborations than we’ve seen from Paranoid London before, including a string of ragged club cuts blessed with evocative spoken word vocals, a thrusting acid throb-job with lead vocals by Simon Topping and a suitably twisted, machine-driven hook up with Arthur Baker and Alan Vega (the raw and weighty ”Angel Of Hell”).

Leopoldo Rosa AKA Lerosa has been fighting against lazy categorization for years, offering up tracks that go way beyond the deep house sound he cultivated in the early years of his career. Those who still think he makes records like that should definitely check “Bucket Of Eggs”, his long-awaited second album, because it’s far more thrillingly wayward, off-kilter and alien-sounding than anything he’s released before. It’s rooted in house music – and twisted acid house, in particular – but also doffs a cap towards Rephlex style mutant electronica, turn-of-the-90s Bleep and Bass (the superbly weighty and spacey “Sheffield”), skewed electro (“Subterfuge”) and even deep space electronica (killer closing cut “Don’t Worry”). In a word: essential.

Fifth in the Mutant City Acid series. Four more takes on acid from different angles. Cardopusher opens proceedings with machine-driven EBM acid, then Steven Simpson channels analogue classic Chicago house styles. On the flipside, Matt Whitehead brings the 90’s UK rave energy, while Jozef K closes the EP with deep, lush, melodic acid.

Be yourself without reservation or fear. The night does not discriminate and at the club there are No Cameras Allowed. Navigating between jak-house, techno and acid, these tracks are designed to make you move while still keeping the Baz Reznik rawness!

Exhausted Modern from Prague (Endless Illusion founder) and the techno veteran DimDJ from Thessaloniki are going together on this split EP, the fourth release on Lyon’s imprint Blue Night Jungle. With their strong analog approach, they each explore the infinite possibilities of raw sound materials, going from wild acid aesthetics to classical Detroit’s electro aesthetics. Two universes that are largely complementary, strengthening each other, and therefore creating a beautiful representation of what Blue Night Jungle “Dance” sublabel aims to focus on. With this new release, Blue Night Jungle goes fully European by letting these two underground artist express themselves through a common way.


The sensory reaction to persuasive brain-wave activity suddenly makes Susan wonder: was that Dexter, or merely a sly fox? The glimpsing shadow disappears. I’m lost at a club but that feeling is good. I find patterns in repetitive rhythms. We are together, finally. De Sluwe Vos takes Susan on a very special binary journey full of Trans Magnetic Stimulations and more.. you feel me?

This is what legends are made of: Acid House, Chicago 1988, Mickey Oliver and his Hot Mix 5 Records, Larry Heard aka Fingers, Pierre, Phortune & Armando. Released in 1988, ACID LP was the first and only full length on Hot Mix 5 Records. It is much more than a classic album, it’s a staple for any self respecting DJ. This is probably one of the best Acid House compilation to make it out of Chicago. Still Music is proud to start its Hot Mix 5 Records reissue series with such a monument to House. Every track on here is a classic in its own right, with Pierre’s “Dreamgirl”, Armando’s “151”, the two incredible Fingers tunes ”The Juice” and “Ecstasy” and so much more. For the first time, this reissue features all the songs that were on the original release but remastered and on a red vinyl DLP. Don’t sleep on the ACID.

“It’s with a pride filled, yet heavy, heart that Schrödinger’s Box bid a welcoming return to the uncrowned King of Acid, Andreas Gehm. After Cosmic Interrail come four tracks of acid scorn, corrosive jack and twisted spite. Under his own name, and the time honoured mantle of Elec Pt 1, Cologne’s 303 contortionist serves three works dripping in bitter bars and skewered by claps and snares. “Captain Future” sits outside of the quartet, a carnival outake of whirling lights and crashing cymbals. Pure quality from the Acid King.”

Posthuman are London based cousins Josh Doherty and Rich Bevan. The pair have been pivotal in the recent resurgence of UK acid house via a steady stream of their own output, notorious I Love Acid club nights and their own imprint; Balkan Vinyl. It’s X-Kalay next and the duo have served up a pair of typically stripped back acid work outs. On the flip X-Kalay artist and up and coming acid wunderkid Lou Karsh reworks Airwave Uranium into a real 303 masterclass.

Next up on COS_MOS is a label debut from Tom Dicicco. The four cuts he offers here kick off with the hammering synth stabs and coarse claps of ‘Varykino’, a brutal twisted dance floor mover. ‘Laser Life’ then cuts loose, with squeaking machines and alien life-forms jumping about in a broken beat framework that brings off balance grooves to the party. Acidic bouncing bass lines jumping over the b-side on ’99 Rising’, where ‘Quiet Theory’ flips the script again, this time with percolating and trippy synth loops rising and falling with skeletal beats stuttering below. A well balanced party pack for every hour of the night.

Domina Trxxx welcomes Kovyazin D to the Family. The young and talented man from Russia already released on well known imprints like Chiwax and M>O>S Recordings. The Minimal Funk EP is a puperb electro record.

Dircsen is back on Soundtravels with four heavyweight dancefloor bombs, well worked out, 303 basslines, accompanied by moody synths. Dircsens tracks are always built to perfection, distinguished and raw at the same time. Timeless tracks which will last a lifetime.

Dona is back with another EP of emo-jakkin Mediterranean style dark-side. He walks the fine line between hope and hate on this one, mood-swinging his way through various shades of azure and off white.


Finnish duo Love of Eden is getting serious straight from the beginning of their self titled EP. ‘Don’t Tell Me’ is a jackin’ acid banger made for moving crowds with some Casio RZ-1 action and vocals that pretty much sum it all up: ”Don’t tell me what is acid, don’t tell me what is not!” Instant classic! ‘Clockwork Apple’ takes things to a more mellow and late 80s/early 90s Chicago mood, just like Larry Heard & Co. have taught us. The B-side starts with another Casio RZ-1 acid banger, when Love of Eden perform ‘Transfennica’. The EP comes to a beautiful end with ‘Rocla’, which once again paints a really powerful homage to the early pioneers of acid house.

ES-Q already successfully emerged on the scene with the massive club banger ‘friend zone’ on PXU. With his new EP called enter the system he strikes hard, again 4 straight up dance floor fillers for all the ravers dedicated to bleep.