
Heavy Underground Resistance and Detroit infected electro anthems by Die Gestalten.

For it’s inaugural release, label boss Sepehr provides the first electrified soundtrack for Shaytoon records with “Crown Jewel”. Listeners should expect visions of monoliths, obsidian mountains underneath blood-red soaked skies and freaky soundwaves while listening. “Crown Jewel” EP should be listened to while hitchhiking across the country with only a bottle of wine in a knapsack, dreaming of dancing to the drum.

Drenched in gloom and gloss, OorsprongPark’s soundscapes hexed our minds once again, and we couldn’t be happier to welcome back the Utrecht-based producer for his second release on Mechatronica. Dark Marble is bleak, gleaming and doubtlessly fluid, a sublime followup to his 2019 debut album Velvet Curtain.

PRZ reports for duty for the 9th release in the Hilltown Disco series with six no-nonsense, commanding, electro-cuts, delving into intergalactic territory with “Red Material”. Chateau Royal boss, Tel-Aviv based, PRZ aka Gal Perez spent over a year finely-tuning ‘Red Material’, flexing his rich and extensive production levels. The 12″ features some of the most intense and twisted, bass-heavy tracks the label has released to date. With fizzing drum machine beats, deep, space acid-lines, and the occasional disgruntled cyborg, Gal creates certified future-classics for the Hilltown Disco imprint.

With part 4 of the Astra Spectra series, Science Cult invites BinaryFunction showcasing three intense and dark electro cuts. The iconic Carl Finlow delivers a remix of “We Will Destroy”.



Undersound is very happy to present a new EP by London-based producer Sohrab. This EP showcases his wide ranging influences, with a diverse sound palette, while demonstrating his already-established personal aesthetic. The EP opens with “The Fool”, a steady four-to-the-floor track with esoteric eastern-tinged melodies, and continues with “Vertical Alignment”, a bassline-led emotional trip with interlocking evolving harmonies. The flip offers two contrasting moods: the rougher “Resolution”, a fast-paced late-night burner, and “Digital Bliss”, whose soothing synths evoke old school Goa vibes.

David Vunk’s mini album vinyl debut on the most legendary cult The Hague record label Bunker records. Expect the true techno acid.

Dutch mainstay Jeroen Search is a true genius of building linear grooves, either subtly breathing or powerfully bouncing. Minimalistic, hypnotic loops simply introduce the varied 5-track EP, followed up some by some heavyweight acid-house punchlines. The flip makes its name, changing course again in order to head deeper for a more heads-down exploration of the bleep-space nebula. Sitting firmly nestled in the center of the record, Magnet Tapes is that endless loop suspended in time and space, slowly working its way into one’s consciousness with every repetition. Search cleverly captures this moment to introduce some sounds beyond the structure of track and loop, challenging our conception of music yet playfully igniting the mind’s imaginations.

J. Mono is back on Dalmata Daniel with the Redate II release, an emotionally filled journey of 12 songs, recorded between 2015-2018, all showing deep thoughtfulness of composition, mastering soundwaves and harmonies. There are no cuts or edits, all songs are live recordings from J. Mono’s home studio. The songs vary in tempo and genre, a unique mix of acid, idm and electro with pulsating bass and drums. – all of them filled with a range of emotions, melancholy and inwardness.

“Crollo Nervoso” (Nervous Breakdown) is a collection of tracks recorded in Berlin Schönlein Strasse between 2018 and 2020 by Italian super-duo (and cousins) TANS & Mike Tansella Jr. as Sons Of Traders. This is their 2nd full album, with over 80 minutes of sonic mayhem from SOT mostly inspired by Genesis P. Orridge, 242, A.S.F., Esplendor Geometrico etc. in the Italian 80’s wave tradition. Additionally there are over 24 minutes of remixes by the likes of Chris Mitchell, Chupacabras, Elena Sizova, Jaundice, and Memory Clap Acid.

Kovyazin D returns to Craigie Knowes for the first time since 2017. ‘Last August’ is packed from start to finish with post-apocalyptic club-sludge, forged with the slap and kick that has been woven into Kovyazin’s productions for the best part of a decade. A long-overdue reunion between artist and label that does not fall short of expectations.


Umwelt returns to his own New Flesh Records imprint with his unique EP to date this year. ”Escape The Future” sees the French producer concluding his Future trilogy started in 2015 with ”When Future And Past Collapse” and pursued in 2017 with ”Encoding The Future” on Netherlands based Shipwrec. Fuelled by industrial and post-apocalyptic atmospheres, Umwelt’s brand new 12” gathers together all of the elements that made his dark sound so recognizable, a digest of complex yet dancefloor rhythms fused into insane synth oscillations and Rave influences. Melodic ”Escape The Future” is a much anticipating five tracker blending Umwelt’s unique aesthetic and style, obsessed by a pessimistic vision of the future.

”Principi d’incertesa” is the debut by 4Cantons, a Berlin based musician from Barcelona. The EP is filled with dark elektro tracks, spiced up with touches of techno, EBM and acid, making them perfect for some body work on the dance floor.

Larionov & St. Theodore team up for their 3rd collaborative EP for Craigie Knowes. The ‘Thunderstrike EP’ spans their signature sounds with extensive use of the Roland SH-101, TR-808, thunderous claps and snares layered with melancholic synthesis. A robust EBM / Electro record built to electrify dancefloors.

From the mind of VernoN comes the first release of Eupasia, a label that tells the story of a mythic world built under the ground by some undead worms that have gained human characteristics. This first EP evokes gloomy and misty ambiences, followed by electro rhythms and rough basses, creating tension and resembling claustrophobia feelings.

Undersound introduces Wedding Acid Group (Galactic Jackson, J. Mono & Saint Leidal The 2nd) and also inaugurate a major redesign of the label. WAG are a group of three friends based in Budapest, jamming on both classic Roland gear, but also modern instruments like the Monomachine. All the tracks were recorded live around 2016 in the Ballacid studio ‘Ujpest’. The EP opens with three fast paced tracks where emotional melodies are intertwined with classic 909, 707 and 606 drums. The flipside presents the uplifting ‘Chocoball 707’ and closes with ‘Paprika Dye Acid’, the slowest jam of the EP. Overall, the tracks offer a glimpse into the emotional world of these three talented Hungarian producers and we are extremely happy to have them on board for their second vinyl release.