This September Nocta Numerica will release its twentieth record. In the meantime, to mark the occasion and look back on the past six years, they released the compilation “Twenty Moons – Nocta Numerica In 20 Tracks”, 20 tracks that represent the identity of the label: 19 of them are from past Nocta Numerica releases and one is exclusively taken from Zobol’s upcoming EP.
What better way to celebrate 100 releases than with a handmade box containing soul expanding music!? Höga Nord Rekords have reached an important goal and releases a rare box set containing all 12” from the HNRUK-series plus a new record from Birds, unique for this box. Except Birds, this compilation includes Dark Strands, High Boys, Vox Low, Timothy J. Fairplay, Fontän, Bird Of Paradise, Mythologen, Jamie Paton and Frak. This exclusive handmade box made in Norrmalms kartongfabrik in Stockholm, is a celebration to the Scandinavian Bronze age. You’ll find rock carvings like those on the artwork scattered over the land but mostly near Gothenburg, home of Höga Nord Rekords on the Swedish west coast. Archaeological evidence proves similarities in ornaments and pictures between the Nordic and European Bronze age, just like you find common features in the music released on our label. Though the acts in this compilation box come from all over Europe and beyond, they stem from an obscured and mysterious common source of escapism, purity and creativity.
Timothy J. Fairplay with some weapons of desire, a double 12″ of raw machine funk, drawing inspiration from classic electro and techno. Super crunchy and filled with attitude.
Heavyweight cargo, wrong shipping adress, delivered without demand. FRACHTØ1 is the very various artists EP on Lunatic, ticking all the boxes that lead through the past releases. Tracks that represent the numerous ways of todays saturated society’s struggle expecting a dark future‘s prophecy. Roberto Auser allows no introduction time with his dystopian “Neturality” system. CVBOX‘s air cargo sets a hard contrast with as lightly bleeping as confusing “Wingwalking”. Walk on with Credit 00 who shows who you really “Wanna B”, just before all dark matter fuse on the ipside of reality: Hayter’s voice is the oracle for the street: “Sooner Or Later” all pain ows together “In Den Hochofen Des Schmerzes” of the Iron Ore.
Mike Ash with a 4 tracker on No Survivors! Recordings. The title track is body melting Sub Bass meets synapse smashing 303 ACID riffs that roll over and over you in waves as Mike tweaks the frequencies to perfection. This is real Electronic Music performed not programmed. Cascading acid lines, washes of stomping crashing 808 drums and a classic synth break with filtered twisted vocal echoing around your head. Aggressive drums pound you from the outset, heavy distorted 909 type drum sounds, Detroit influences are apparent in the choice of lush pads and dynamic filter sweeps wound together by a gurgling acid line pushing and twisting the sound your head. Definitely not a static affair with all the frequencies in flux. Tense British Techno with the sickest, heaviest square wave bass possible. A stomper with just a touch of the theme to 80’s TV series Knightrider about the nagging synth line underpinning the 303’s, The Hoff would be proud.
Established during the UK’s lockdown, E.L.I. has been a means of escaping the monotony of a bleak situation. This new project of Mike Smith aka Crossover Network has been created for compositions only made with TR-707, TT-303, MS20, DX21 and a discordant voice. The result is a six-tracks EP between EBM, acid and dark electro : six crepuscular bangers for the body and the mind.
A spectacular debut by this mystery production team by way of London and Berlin. Deep EBM influenced Electro from beyond the rim with a dash of acidic retro futurism.
Umwelt is back on Midnight Shift, with another scorching 5-track EP designed to be listened in continuity. Ascending chorals, acidic swirls and horrific echoes rise above a mash of abrasive, caustic electro/breakbeat chaos with shapeshifting moods. Ambient track ‘Gate of Nothingness’ echoes and feeds back into ‘Fear On The Dark Planet’ with its arpeggiated refrain.
The debut release by the German underground label Panther Schallplatten, from the core artists Der Panther and Die Gestalten, is here. Deep electro that pulls the flow with acid synths and eccentric spoken words on the beats of analog drum machines.
Long term Seven Hills friend and collaborator Thee J Johanz returns to wax for the third instalment of our original release series. This release runs close to the heart for Johanz as it was produced in the wake of his mother’s passing and stands as a profoundly personal eulogy for loved ones passed. Where Goes Your Soul? has all the trademark spiralling synth lines and hypnotic rhythm making that we have come to love in Johanz’s music making.
Orson Records kick off 2021 with the in-form, Dublin based artist Cignol. The A1 is a groove ridden electro workout, which features an unmistakable Cignol acid line. The A2 showcases the first insight into Transparent Sound’s 2021 output; a stripped back remix which retains his signature style. The B1 offers more groove ridden electro, this time featuring an unforgettable melody alongside lucious pads. The B2 features a rough and ready electro cut, with a mean acid line penetrating throughout.
The third release of the Zodiak Commune Electro Acid Series is ready for landing. Serge Geyzel and Johnfaustus have some fantastic stories to tell. More space adventures are coming your way. It is time for The Return of the Space Gate.
Izorgor’s sound reflects his burly bouncer name. Drums pound and hi-hats slash in the mean and murderous “HDF-N”, a soundtrack for car crashes and late late club sessions. “Nosferatu” comes from a similarly evil place, percussion is fed through a mincer before a fog of distortion descends to smother samples. If you’re after a respite, you’ll have to wait or feck off home. “HDF-S” wades in. Similar to his sibling in terms of rancorous rhythms, this beast drips with 303 sweat and venom with just a touch of salvation in those soaring notes. Boris Brenicki, of Ontal fame, ends with his own sepulchral take on “Nosferatu.”
From the rampaging start of the EP, ”Eternal Remorse”, not a single note, guttural vocal, or fierce drum hit is out of place. The emerging greek artist Boris Barksdale, portraits the overall feeling of militaristic order encompasses music and vocal samples. The musical equivalent of that image, industrial society’s restless march to oblivion rendered as an infinite dance track, as aggressively vibrant as it is alienated.