VC-118A – Spiritual Machines [146DSR]

VC 118A - Spiritual Machines

VC-118A returns to Delsin to present his fourth album, Spiritual Machines. It marks an exciting shift in focus for Samuel van Dijk as his flagship project nears a decade skirting the deeper ends of techno and electro. Over the past two and half years, van Dijk forensically reviewed the key aspects of his production process as he dug down in search of the essence of the VC-118A sound. By creating his own complement of sample banks, software racks and devices, van Dijk was able to work with a hybridised analogue-digital system purely of his own making. Less in thrall to the strict rigours of techno and electro standards, Spiritual Machines’ 13 album tracks encompass more fluid shifts into abstract and downtempo, dub-inflected realms, without losing sight of the elements that have made VC-118A so compelling from the beginning. Burnished machine soul, aqueous atmospherics and immaculate drum programming abound, but in the mellow, enveloping sound world of Spiritual Machines you can hear van Dijk guiding his music into a broader form that sounds at once more assured and more inspired.

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VC-118A – Spiritual Machines [146DSR]

Shifted – Constant Blue Light [AVNLP006]

SHIFTED - Constant Blue Light

Shifted offers the latest distillation of his trademark sound. Guy Brewer’s fourth studio album and the first to arrive on his own Avian imprint, “Constant Blue Light”, explores new avenues in caustic minimalism. Eschewing the booming effervescence of his own more plosive dance floor material – Shifted takes a no less nuanced, but decidedly more introspective angle on this new LP. At the centre of Brewer’s practice as an artist, there has always been a sense of dedication to the refinement of a singular idea. In some ways “Constant Blue Light” represents a move closer to the apex of this approach. A continued exploration from a focused and diligent artist that provides yet another fully formed and beautifully articulated component to his own discography and that of the Avian label.

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Shifted – Constant Blue Light [AVNLP006]

Pye Corner Audio – Black Mill Tapes Volume 5: The Lost Tapes [LPS27]

PYE CORNER AUDIO - Black Mill Tapes Volume 5: The Lost Tapes

In the beginning, there was just a box of tapes and “Fate’s Gentle Hand.” It was the autumn of 2010, and an anonymous figure known only as the Head Technician, an employee of Pye Corner Audio Transcription Services (“Magnetically aligning ferrous particles since 1970”), found himself at an auction in the village of Coldred, pop. 110. He was on the hunt for tobacco pipes when he chanced across a trio of boxes listed in the auction catalog, which described their contents only as “archived magnetic recordings.” The sole bidder, he won the lot, and upon receipt of his purchase took possession of an unspecified number of mouldering cassettes and ¼” reel-to-reel tapes. The collection contained no identifying information save for a single phrase scrawled on each box: “Black Mill Sessions.” And so, armed with razors, eyedroppers, and a bevy of solid-state circuitry, the Head Technician sat down at his machines and got to work. Now, Lapsus presents Black Mill Tapes Volume 5: The Lost Tapes. The musical landscape has changed considerably in the past decade, but what is remarkable about the Black Mills Tapes material is that it hasn’t aged a day; its retro-futurist transmissions sound just as mysteriously compelling as they did the first time around. While they purport to faithfully transcribe the sound of yesterday’s technology, they end up being something more: a record of what we wish the past sounded like—a rickety tape transfer of desire itself, spooled and boxed, just awaiting discovery. 

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Pye Corner Audio – Black Mill Tapes Volume 5: The Lost Tapes [LPS27]

Sun Ra – Lanquidity (Definitive Edition) [STRUT237]

SUN RA - Lanquidity (Deluxe Edition)

Strut present the definitive edition of Sun Ra’s classic ‘Lanquidity’ album from 1978 with brand new 4LP box set and 2CD editions, featuring the widely distributed version of the album alongside alternative mixes by Bob Blank originally released in limited quantities for a 1978 Arkestra gig at Georgia Tech. Recorded overnight at Bob Bank’s Blank Tapes on 17th July 1978 after the Arkestra had appeared on Saturday Night Live, the album is unique in the Ra catalogue. “Most critics felt that it was more of a fusion-inspired record,” explains Michael Ray. “As the name suggests, the album is liquid and languid.” Bob Blank continues, “Musically, it was very ad hoc and freeform. There were horn charts but most tracks came out of improvised jams. Sun Ra just did his thing.” Comprising five effortlessly fluid pieces, the album eases in with Lanquidity. Danny Ray Thompson remembers, “This was one of Sun Ra’s on-the-spot compositions. It is almost like an Ancient Egyptian Stargazing Ceremony, mapping out the stars and the planets.” Where Pathways Meet is “Sun Ra’s funky version of an Egyptian march. Pharaoh is sending his troops off to fight and this is his pep-talk!” continues Thompson. “The music seems to take different pathways but still converges.” The loping groove of That’s How I Feel, features the reflective trumpet lines of Eddie Gale with solos by John Gilmore and Marshall Allen: “Marshall comes in with that snake charming oboe.” Says Thompson. The funky Twin Stars Of Thence weaves around Richard Williams celebrated elastic bassline while the haunting closer, There Are Other Worlds (They Have Not Told You Of), is pure “space music.” The poet Mama Nzinga described it as ‘The essence of light. Spirit takes a ride inside the deep dark space of just being.” 

vinyl / CD

Sun Ra – Lanquidity (Definitive Edition) [STRUT237]

soFa, Houschyar & Okay Temiz- Şelale [SC019]

SOFA/HOUSCHYAR/OKAY TEMIZ - Selale

Second Circle return with a special one-off album of music by Belgian producer soFa, German musician Houschyar and the legendary Turkish drummer and percussionist Okay Temiz. “Şelale” is the result of a string of sessions that began in Istanbul during 2018, when soFa spontaneously teamed up with friend Houschyar for a series of smoky jams in the young producer’s 5th floor apartment. They would meet again a few months later, with a plan to finish the EP, and whilst having lunch, the two decided to pay a spontaneous visit to Okay Temiz, with whom soFa had worked previously. In this latest collaboration, Okay Temiz weaves his percussive magic through six diverse psychedelic synthesizer and drum computer jams, alongside two exciting young producers.

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soFa, Houschyar & Okay Temiz- Şelale [SC019]

Raw Ambassador – Die Zukunft [ISR003]

Idlestates welcome Frankfurt-based Raw Ambassador to the label for their first solo album release. The Italian producer has gone from strength to strength over the last 4 years building up an impressive collection of 12″ and cassette releases, this debut solo LP is no exception. Drawing inspiration from a variety of genres, spanning from 80s sci-fi-inspired body music merged with harsher industrial and punk elements. Ultimately, we are delighted to share with you eight no-nonsense tracks that are sure to intensify the dancefloor.

Raw Ambassador – Die Zukunft [ISR003]

Nicola Kazimir – Post-Heretic Dracula X Chronicles II [LESPOINTS017]

KAZIMIR, Nicola - Post Heretic Dracula X Chronicles II

In “Post-Heretic Dracula X Chronicles II” the Dracula figure functions as a part fictive and part autobiographical metaphor. Dracula mirrors certain systematic (therefore also internal) conditionings and attributes in its whole ambivalent fluctuations. This character represents the complex relationships of a loving/living person in a neo-liberal capitalist system while oscillating between melancholia & rage, facing the preservation or loss of his love and standing in an alienated position towards the ruling order. The eleven featured compositions and their respective song names (both of them are riddled with references) playfully touch on conflicts between love, life and system-critique, without being too upfront about the subject-matter.

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Nicola Kazimir – Post-Heretic Dracula X Chronicles II [LESPOINTS017]

Joaquin Joe Claussell – Raw Tones [REKIDS183]

CLAUSSELL,  Joaquin Joe - Raw Tones

The first LP since 2008’s ‘Corresponding Echoes’ on his Sacred Rhythm Music, Joaquin Joe Claussell arrives on Radio Slave’s Rekids for ‘Raw Tones’, a nine-track excursion through the sound of his exquisitely soulful house music. Originally released on uber limited cassettes, the music within ‘Raw Tones’ caught the ear of Radio Slave, aka Matt Edwards, who messaged Claussell and convinced the legendary producer that the music needed a wider audience and, so, ‘Raw Tones’ the LP is here.

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Joaquin Joe Claussell – Raw Tones [REKIDS183]

Two Dogs in a House – Lost Dogs [LIESXX]

Two Dogs in a House is Jason Letkiewicz and Ron Morelli. This is a collection of Two Dogs in a House tracks from the archives spanning 2009-2013. Tracks 1-5 previously unreleased, track 6 released on vinyl on Lets Play House Records, track 7 unreleased remix of Black Deer and tracks 8-10 recorded in 2013, released on vinyl in 2015 as Doomsday Initiative II, with blessed permission from Nation.

Two Dogs in a House – Lost Dogs [LIESXX]

Cavalry Stone – Valeria´s Dream [SOTA048]

CAVALRY STONE - Valeria's Dream

Cavalry Stone duo its back on Soil Records along side with another Soil Records member like Rambal Cochet and a very warm welcome to Toni as he already work with the group Moken also already on the crew. A quite different way of EBM with two remix that goes from industrial to Goa/Trance feeling.

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Cavalry Stone – Valeria´s Dream [SOTA048]

Harlem – Bait [VEYL025]

HARLEM - Bait

VEYL welcomes Harlem to the label for a new seven track album titled ‘Bait’. The Stockholm-based duo of Martin Thomasson and Johan Skugge bring a vast history of production behind them, operating since the early aughts and known for their work in dub and minimal techno. ‘Bait’ ventures into new territory for the project, delivering infectious strains of body music, new beat, industrial and beyond coupled with soul-stirring vocals which quickly dig beneath the skin. The release is about everyday manipulation, soft power and persuasion. We exist in a world in which corporate management techniques are deployed in our everyday lives, nudging each other for short-term gain, slowly hallowing out any lasting trust while ultimately all being crushed by a hyper-capitalist system. From the opening synths of the title track to the ominous ending notes of ‘Night Vision’, we also uncover funky grooves and diabolical floor shakers which remind us of something from the past but exist perfectly in this corrupted new world.

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Harlem – Bait [VEYL025]

Raffaele Attanasio – Nuovo Futuro [AX099]

ATTANASIO, Raffaele - Nuovo Futuro

Axis Records presents the latest release from the heterogeneous Raffaele Attanasio. The multifaceted Italian has delivered an eclectic sound over the years, from devious techno to melodious rhythmic beats. Attanasio delivers a jazz-tinged, angular, progressive and championing album by coalescing influential factors: a musician father, a multifarious palate in music, and prowess as a multi-instrumentalist. “Nuovo Futuro” is creating a new future by travelling to the past. Digging into the Zeitgeist of Naples post-second world war, Attanasio extrapolates the sound to present day, combining modern flair with an enriched sound. The influence of American blues and jazz is felt in his hometown, celebrating the lore of Neapolitan musicians through the track ‘Parlesia’. The history comes to life through these compositions, influenced by 70s spaghetti films and rich Italian exuberance. Ardour, lust and avidity ensnare the listener in ‘Indagini Sospette’. This album is a journey through the streets where he grew up, but also, encapsulates a wandering mind, meandering into the harmonious Mediterranean under the watchful eye of Mount Vesuvius. ‘Equilibrio Dinamico’ is a snapshot of the working mind of Attanasio, balancing the impromptu of jazz with a gentle caress of his honed craft. Melodies are soft, smooth, progressive and fulminating the constraints of contemporary music. It emanates a renaissance for a sound that Axis is espousing in their releases.

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Raffaele Attanasio – Nuovo Futuro [AX099]

Infravision – Illegal Future [F//022]

INFRAVISION - Illegal Future

The Illegal Future LP by Infravision is the soundtrack to a (not so) imaginary future constructed with clear cyberpunk aesthetics, inspired by films like Strange Days, Blade Runner or Akira and of course by the current disturbing era. Through their titles, lyrics and sonic palette Kendal & Pablo Bozzi channel a dystopian narrative on themes of virtual reality, police brutality, ultra-authoritarian leadership, illegal nocturnal activities, border controls, ecological crises and space colonisation. It is their ambition to imbue the italo, EBM, early trance and breakbeat sounds of the 80s and 90s with an undeniably modern touch, making claim to their very own distinctive and powerful sound : Italo Body Music from another reality.

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Infravision – Illegal Future [F//022]

Bruxas – Muscle Memory [DKMNTL086]

BRUXAS - Muscle Memory

Dutch psych-musicians Jacco Gardner and Nic Mauskovic create a new take on no-wave, post-disco with their debut LP as Bruxas, Muscle Memory. It’s their third work for the Dekmantel label, following up earlier EPs Mas Profundo (2017) and Sirocco (2018). Immersing themselves in a world of bohemian synth, the duo ex periment with vintage machines and cosmic effects, swimming in rhythmic grooves and psychedelic tones. It’s a style that reflects their respective musical backgrounds, and long partnership, one in which that has strengthened their collaborative, musical muscle memory.

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Bruxas – Muscle Memory [DKMNTL086]

Filmmaker – Vlad Tapes [BDMS001]

First blood on Body Musick is propitiated by Filmmaker with his longest release to the date. Vlad Tapes is a four-sided impaling sound collage full of new and old explorations, all mixed on a trippy yet muddy way.  This raw jams will guide the vibe’s idea for the next sonic manifestos on the Body Musick discography.

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Continue reading “Filmmaker – Vlad Tapes [BDMS001]” →
Filmmaker – Vlad Tapes [BDMS001]

RNXRX – Impreciso [VEYL024]

RNXRX - Impreciso

RNXRX returns to VEYL for his debut album, ‘Impreciso’. No stranger to the label, the artist first made an appearance on ‘Previously Undisclosed Rituals’ and then again with ‘Sigil’, a collection of B-sides which act as the perfect prelude to this offering. Derived from an alchemy of inspiration, the album is the result of endless nights unearthing samples, vinyl oddities, effects databases from a bygone era and the artist’s own post-processed vocals – imprecise components which all combine perfectly to form this LP. Unconstrained by genre, ‘Impreciso’ journeys through strains of body music, psychedelic rock, soundtrack and more, delivering electronic experimentations which expose the artist’s darkest tendencies while revealing a long admiration of post-punk, hip hop and science fiction’s finest. Twelve tracks falling somewhere between homage and reinvention, ‘Impreciso’ operates with 80’s circuitry, throws back to 90’s beat nostalgia and drills into a cyber-verse for a familiar yet unexpected trip perfect for this moment.

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RNXRX – Impreciso [VEYL024]

Asymmetrical – Blind Faith [RWCLTR017]

ASYMMETRICAL - Blind Faith

Raw Culture turns 5 and for its fifth anniversary it is its handyman Asymmetrical to blow out the candles, with the album, Blind Faith. Inspired by Ben Elton dark, savagely comic novel where he imagine a post-apocalyptic society where religious intolerance combines with a confessional sex obsessed, self-centric culture to create a world where nakedness is modesty, ignorance is wisdom and privacy is a dangerous perversion, Blind Faith aims to be a critique of post capitalist society and to redesign the idea and the relationship in the contemporary club. Two densely engraved sides for a total of 8 tracks ranging from EBM to techno, from electro to New Wave, all connected by raw rhythms, noise and distant voices.

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Asymmetrical – Blind Faith [RWCLTR017]

Colin Potter – It Was [PLA042]

POTTER, Colin - It Was

Platform 23 presents “It Was”, a collection of tracks from Colin Potter, chosen from his 1989 cassettes Recent History Volumes 1 & 2. After a burst of activity, mainly on his ICR label, from 1980 – 82, the tapes were the first released music in seven years and highlighted the intervening period. While much of his earlier recordings have now been reissued by Dark Entries, Deep Distance and Sacred Summits, It Was covers the period where Potter recordings were limited while working as an engineer at his IC Studio, and pre-date his work with Nurse With Wound. The ambience and guitar of The French Polisher leads to Diary Of A Nobody, an embodiment of Potter, sequencers and guitar against submerged, metallic percussion rising. Dense, claustrophobia follows in Solidarity At Wujeck Colliery towards the guitar refrains of Persistence. Side two starts with Green Fields, where plucked guitars are surrounded and consumed by arpeggios. Propulsion without percussion, the layers of arps shift and redefine before the scatter of Saw with reversed synths and guitar acting as counterbalance. Nine Months, a possible centerpiece, has an autumnal atmosphere; crashing cymbals and ambulant guitar, leading to the closing Ships That Pass In The Night, a hazy drift of slowly sequenced synths & primitive voice samples.

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Colin Potter – It Was [PLA042]

Electric Party – Play [KH036]

ELECTRIC PARTY - Play

Amsterdam, 1982. Smoke fills the streets, squatters clash violently with the police, uprising is in the air. In this disorderly mess, the worlds of activism, art, fashion, and nightlife converged into an explosion of creativity. Amidst all of this Electric Party, the brainchild of René van Rijn, released the ‘Work’ tape on Amsterdam label Fetisj, now a cult cassette for the few who remember. Forty years ago they created this unique blend of no wave, mutant disco, funk, and experimental music. This record consists of 3 of the best tracks from the ‘Work’ tape and 6 unreleased tracks from forgotten cassette tapes, all remastered and restored where necessary. Among them the unreleased anthem ‘Caribe’, which was recorded in Spain as the opening track for a Spanish discotheque in 1987.

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Electric Party – Play [KH036]