Synths Versus Me is back with their new album ‘Sex/Body/Touch’. This new album is the longest and more ambitious work they had produced to date, including up to 14 new tracks where find their usual eclectic amalgam of dance oriented darky styles; from EBM to synth pop, passing by electro beats, pure coldwave, italo disco or classical synthwave. All tracks has been recorded using only analog synthesizers captured on a external recorder without make use of daw digital conversions, excepting on the final process of digital mastering.
Camisole Records celebrates its 10th release with the reissue of ‘Electronic’, first Benoit Hutin’s LP. This promo album only send to radio and TV in 1980 is now regarded as one of the best Cosmic Library LP of this period. From the disco tinged of Test and Spot to the ambient and kosmische landscapes of Spectre or Synchronisme you can easily see why. The 5 original tracks are completed by 4 edits made by italo australian master Hysteric, Britanny edit wizard Shelter and Camisole boss Atton.
For a relatively new artist to release a double 12″ with zero filler on it is most impressive indeed, and that’s just what tape_hiss has done here on this, the 10th Love Note from Brooklyn. The first disc contains the EP’s deeper material, with tracks like Nasty Boy and Cognitive Dissonance getting filled to the brim with dark, foreboding basslines and anxious, dystopian melodies. Disc 2 finds tape_hiss flexing his muscles a bit more and going outside of what we’ve heard him do thus far; ie the rugged breakbeat funk of No Neck and Bad as Hell and the arpeggiated thunder and volatile percussion of Barely Trippin’.
What is Amateur Space Jazz One could call it a Lo-Fi Minimal Wavish version of Cosmic Space Jazz and anything closely related to it…from spiritual soul, G-FUNK, ethiopian jazz to ambient and everything in between…no knowledge of musical theory is required…Played with a D.I.Y punk approach on crappy digital synthesizers – preferably with dubious renditions of real instruments. Warmed up to the right temperature with some offbeat effectsbox. Multitracking is a technique widely used…to Create a “one person band with all its members oneself’s multidimensional copies in time.”…….Comes with a 24 page graphic novel written and drawn by Danny Wolfers himself and a Nightwind Amateur Space Jazz gummy domed sticker…….Let’s enter world of Amateur Space Jazz!!!
The long-standing partnership of Moufang and Meinecke hit album number five with On The Map. A conceptual piece comprising five tracks that explore and celebrate black music and cultural history in five neighbourhoods across America, we’re treated to an arresting blend of found sounds and motifs across the deliciously slo-mo soundscapes. From the coastal blues of “Norfolk” and the darker, paranoid twangs and unease of “Washington DC” and “Watts” to the strutting space bound “Houston” and jazz blasts of “East St Louis”, this could be M & M’s best trip to date.
New LP from Gigi Masin, Jonny Nash and Young Marco. Although their methodology remained the same, the inspirations were different. Whereas Clouds was intimate by design, The Distance reflects more on spaciousness, distance and time. It is instantly recognizable as a Gaussian Curve record, but feels different in scope and tone.
Èlan Vital formed in 2015 in Dunedin’s None Gallery, an artist-run creative community in a former pharmaceutical factory near the city centre. Their sound takes contemporary European cold-wave synth-pop dance music layered on analogue drum machines, then blends in the warm psychedelic organ sounds of 1960s garage rock. Distorted, overdriven bass guitar adds a further element of chaos into the mix. The expression Èlan Vital describes the vital force or impulse of life. The music on “Shadow Self” represents that life impulse in an ambiguous zone between machine and human worlds. A dense claustrophobic swirl of dark dance-tempo synth-pop blooms from gloomy cold industrial dance music with vocoder vocals into uplifting melodic dream-pop catharsis about memory, longing, and obsession.
Anthiliawaters has set out to explore the cold and almost isolated unknown with their stunningly lush Detroit-influenced album. Warm, jazzy synth pads supplying a melodic counterpart to the softly crunching, electro-tinged beats. A solid home listening fare for the living room that draws parallels to the beautiful and mysterious world of Drexciya and almost continues the journey of the highly popular The Other People Place – “Lifestyles Of The Laptop Cafe”. Being an almost unseen digital only release since 2008, the time couldn’t be more perfect for a reissue for the vinyl lovers. Anthiliawaters will take you with them on their soundtrack to life. Making moments, not music for moments. Anthiliawaters is Gosub.
Tobias. returns to Ostgut Ton with his third full length Eyes In The Center and expands the musical narrative laid out by his Helium Sessions EP (O-TON, 2016). The Berghain resident keeps exploring the vast modular synth-driven Techno, Experimental and Ambient territories on a journey in-between genres. Tobias Freund is long established as an influential artist and has – since the early 1990s – been working as a professional producer, sound engineer, label owner and strictly live musician. On Eyes In The Center Tobias. sticks to this mantra. The album, instead of following a stringent musical concept, channels a certain attitude and sovereignty fed by almost three decades of Tobias. expanding his skills in music production, in their entirety the 12 songs work as a raw, unpolished collage and evoke the spirit of (Post) Punk and the more experimental niches of electronic music. Think Chrome, Residents and Throbbing Gristle – but not Kraftwerk. Or think The Human League, Yellow Magic Orchestra and Der Plan, but think more in terms of musical attitudes and concepts rather than past sound aesthetics.
“Parallel Reflections” is the debut album from 3KZ, the collaborative project between Z.I.P.P.O and Kaelan. This retro futuristic composition will elevate your mind, move your body, and touch your soul. Dreamy, romantic, and pure.
“Solar One Music is proud to announce this special record. Andreas left us suddenly at June 20th in 2016 after long health problems. Around that time we finished with him “The Worst Of Gehm” release. He was so happy about this project!!! Even one week later we got the terrible message that he died. We put alot of love and effort in this project to give him his last big monument! Special thanks to all his friends and labels like Mathematics Recordings, Abstract Acid, Creme Organization, Psycho Thrill and of course Bunker. RIP in Andreas! We will never forget you!”
‘Tone To Voice’ is John Heckle’s fourth long player, and second on Tabernacle. Science fiction tracks of the highest order demonstrating a subtle development of John’s already widely recognised sound.
There are less than a handful of bands that can honestly say they were equally involved in the early 90’s noise scene, the mid 2000’s dark ambient scene, and what simultaneously emerged as the power noise movement in Europe. Orphx is one of these pioneers and have gracefully interwoven their tortured electronic architecture among the various subcultures of fringe electronics, while seamlessly continuing on to remain a vital part of the contemporary wave of industrial techno hysteria. Mannequin Records presents an archival collection from the what could be considered the genesis of Orphx’s unique sound. Inspired by early industrial music and new waves of noise from Japan and Europe, the compilation is gathers together some of the best material from their first two cassette releases along with previously unreleased tracks recovered from the original 4 track tapes.
When the TSA agent left a little note in Mike Huckaby’s DJ case at the airport instructing him to protect the records that he dj’s with, little did he know that Mike Huckaby would be compiling his first LP. Given his length of service, it’s rather surprising to find that this is officially his debut album. This is a collection of previously released tracks that have been in demand ever since. It’s naturally packed with highlights, from the luscious minor key chords, jazz-funk bass and sneaky vocal samples of “The Jazz Republic” and thrilling peak-time stomp of “Dance”, to the jazzy piano flourishes, loose-limbed beats and starry electronics of “Groove Box”. Also worth checking is the fireside heat of bongo-laden beatdown shuffler “Mathematics From The Jazz Republic” and the sax-laden disco-house bump of closer “Flashback ’78”. A collection of too many classics, produced by Mike Huckaby.
7 yrs on, Fred P drops the second installment of “The Incredible Adventures Of Captain P”, subtitled Escapism, a constant stream of consciousness that takes you on a journey into a dimension of sound.
Medical Records in collaboration with our friends at Crispy Nuggets blog are happy to reissue a very obscure Australian gem from the 1980s. Ironing Music were a three piece band from Brisbane. They originally formed in 1984 as a result of their collective love for New Order, Human League and eventually Jean Michel Jarre and Cabaret Voltaire. Comprised of bass and electic guitar, Yamaha DX-7, melodica and an 808, they recorded a 12″ single as their sole outpt in 1985 in a limited run of 250 copies (obviously excruciatingly rare now!). It was recorded in their bedroom studio with at Teac 4 track. The video clip for the “hit” Shopping Bag Women was played on several national and local television music shows. They also recorded demos in hopes of landing a LP deal which unfortunately didn’t attract any takers at the time. They actually only played 3 gigs and were forced to disband after one of their members fell ill in 1986. The LP presented here included the original 4 track single as well as hand picked demos which nicely congeal to form a well rounded LP documenting the band’s brief existence. They can best be described as lo-fi synth pop with an emphasis on excellent pop songs and interesting synth/instrument arrangements.
The year is 2051. The human race has split into two groups. One maintained their basic human state, while the other transformed by tapping into their psychospiritual lifeforce potential. The second group created a higher dimensional civilization. They called it Xymeria.
Isle Of Jura’s first LP reissue, the highly sought after ‘Voyage – A Journey Into Discoid Funk’ by Brian Bennett originally released in 1978. A cosmic disco classic completely re-mastered from the original master tapes by Matt Colton.
The history of Planets … It has been 100 years since the British composer Gustav Holst introduced his most famous score «The Planets». An elegant musical tour to each one of our Planets in the Solar System, Holst brought forth imaginary visions of space that would survive many generations and decades after. As an important piece to the classical universe, ‘The Planets’ is regularly played throughout the World every year as it had been the most vivid translation of our cosmic neighborhood until now. The Electronic Music artist and producer Jeff Mills, pays tribute to this century of incredible musical production. He embarks to compose a sonic journey to re-discover our neighboring planets in a 18 piece suite that explores the nine planets, including the portions of space in between the Planets, the nine regions Mills calls Loop Transits.