DMX Krew – Strange Directions [HYPELP009]

23 years have passed since Edward Upton first donned the DMX Krew alias, but the prolific British producer shows no signs of slowing down. Astonishingly, Strange Directions is the electro stalwart’s 21st full-length excursion. Predictably, it’s rather good, with Upton delivering a set that effortlessly body-pops between vocoder-laced electro workouts, melodious IDM, bass-heavy intelligent techno, gnarled Drexciyan throbbers, Artificial Intelligence style home listening fare and even a dash of muscular, tongue-in-cheek Italo-disco (the deliciously sleazy “Soft Networks”). As usual, the distinctive, off-kilter swing of original analogue hardware is present throughout, as Upton showcases his full range of talents.

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DMX Krew – Strange Directions [HYPELP009]

Function – Recompiled I/II [A-TONLP002]

Function retrospective landing on Ostgut Ton’s sublabel A-Ton. Essential techno selection. Recompiled I/II is the first of two vinyl-only releases of Function, which previously contained unpublished pieces as well as already out of print music. Function, one of the true techno-underground veterans, has been active as DJ and musician for over 25 years. He is a founding member of the Sandwell District collective, Berghain-Resident, operates the Infrastructure label and has been publishing Ostgut Ton since 2013.

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Function – Recompiled I/II [A-TONLP002]

Mekine U Teksi – Postanatolische Hybride: Die Steppenroboter LP [TFGC013]

Themes From Great Cities’ latest chunk of inspired, hard-to-define goodness comes from Mekine U Teksi, a fresh outfit formed by Murat Goktas and Irfan Derin. Dedicated to legendary, currently closed Dusseldorf venue Salon Des Amateurs, the mini-album – the duo’s debut release – is shot through not only with the arpeggio-driven pulse of vintage ’80s new wave, but also the chugging attitude of psychedelic nu-disco and the exotic, intoxicating melodies of traditional Arabic music. Of course, there are other influences that make their presence felt throughout – krautrock, dark Italo-disco, punk funk and dub disco – but these merely serve to enhance the duo’s core sound, which is rarely less than enthralling.

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Mekine U Teksi – Postanatolische Hybride: Die Steppenroboter LP [TFGC013]

Delusion Men – Stuck On The Border [FN007]

The founders of Future Nuggets are delivering their debut full LP as Delusion Men, marking the peak of almost a decade long conspiracy. Ion D (Utopus) and Camil Dumitrescu (aka The Holy Fix) have amassed on this album tracks and bits spreading over many years, raw gems and shiny nuggets resulted from intensive electronica fusions. After the smash EP of Delusion Men in collaboration with Khidja (on P-Balans sub-label), this LP comes as another irrefutable proof of Bucharest’s already mature -partially under the radar- scene of electronic psychedelic hybrids, fittingly represented by Future Nuggets and P-Balans.

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Delusion Men – Stuck On The Border [FN007]

K.Bytes – I Adore Commodore: Computer Music Flash [MGLP104]

K BYTES - I Adore Commodore: Computer Music Flash

After the creation of Computer Disco, Marcello Giombini produces the year after I Adore Commodore – Computer Music Flash, which was mainly made with a Commodore 64. Giombini was a veteran of music applications with personal computer, started with an Apple II Europlus and then converted to the Commodore 64 thanks to the presence of 3 independent music generators that allowed him to make more elaborate music easier. The record was inspired by the VideoGames of the time, so that the titles of the 10 tracks are inspired by the names of famous games. The music was created using four to eleven Commodore 64 programmed and synchronized with an external audio interface. At the time, Giombini, in his studio in a basement just a few steps from Nomentana, Rome, had organized a small school with courses of basic and computer music. The graphic is the same of original LP with inner-sleeve dedicated to Commodore 64.

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K.Bytes – I Adore Commodore: Computer Music Flash [MGLP104]

Wanderwelle – Lost In A Sea Of Trees [SSV011]

Amsterdam-based duo Wanderwelle return to Silent Season for their debut album which is inspired by the mysterious pagan tribes that once roamed across the European woodlands. ‘Lost in a Sea of Trees’ tells the tale of a lone traveller who enters a dark, ancient forest. Lured deep into the woods by something not of this world as he enters uncharted grounds. Step by step his journey is getting darker as he encounters strange phenomena and beings among the trees.

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Wanderwelle – Lost In A Sea Of Trees [SSV011]

Parrish Smith – Genesis Black [KHD001] [FREE DOWNLOAD]

In the second part of the Unlocking Sounds collaboration between the Netherlands Institute for Sound and Vision’s RE:VIVE initiative, the Research Center for Material Culture and Amsterdam’s Tropenmuseum, Dutch producer Parrish Smith digs through the Tropenmuseum’s ethnographic music archive and reads between the lines of ethnomusicology to confront the Netherlands’ colonial past. Assisted by the writings of Surinamese slave resistance writer Anton de Kom, Smith delivers a gripping social commentary entitled GENESIS BLACK.

Parrish Smith – Genesis Black [KHD001] [FREE DOWNLOAD]

Sorry Bamba – Du Mali [ASVN045]

One of the most pivotal figures in the history of Malian music is Sorry Bamba. His work spans five decades and his music bridges the gap between Mali’s cultural traditions and new the music which arose from the musical cross overs which occurred in Mali’s post-Colonial period. Bamba was born in 1938 in Mopti. This is dissected by both the Niger and Bani rivers and known for its rich cultural diversity. Bamba’s father was a distinguished veteran of Emperor Samory Toure’s military and a nobleman in Malian society, however, this meant young Sorry was forbidden to make music, as under the nation’s caste system, music was an art form reserved for the Griots.

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Sorry Bamba – Du Mali [ASVN045]

Police des moeurs- Dédales LP [MNQ110]

Police des moeurs is a synth pop band formed in Montreal in 2010. Their debut full-length, after some quicky old out singles, is permeated by a cold, melodic and nostalgic music for broken hearts and dark minds. Police des moeurs is the soundtrack for the nuclear night, a transition moment between the end of utopia and the final ecological disaster. The world after the future. Police des moeurs main influences and interests are underground aestheticisms (1979-1981), industrial transformations and the process of electrification, norms and deviance, nuclear and environmental anxiety as well as paranoia, secret agents, spies and political extremists.

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Police des moeurs- Dédales LP [MNQ110]

Nacht’Raum / Band Berne Crematoire ‎– Expanded 1982​-​1984 LP [MNQ096]

Mannequin Records to presents a LP compilation of Michael Antener (Swamp Terrorist) early 80’s minimal synth/industrial projects Nacht’raum (with Michael Stämpfli) and, as solo, Bande Berne Crematoire. Michael Antener made his first recordings in the basement of his parents house in a small village nearby Bern, Utzensdorf. He started BBC in 1980, a hybrid of Neue Deutsch Welle and noise/experimental, making a household name in the international home recording scene of the time and participating to many tape compilations. Teaming up with Michael Stämpfli as Nacht’raum, he self-released the untitled mini-lp in 1983. Coming out from the same town of Grauzone, the duo moved into the darkest minimal electronic sounds, choosing German as main language for the lyrics and a Roland Tr-808 as main drum machine, bringing the sound to a proto-electro dimension. Nacth’raum will be historically a real gem in the 80’s Swiss underground electronic music, together with Mittageisen, Grauzone, Liliput, The Vyllies. Michael, by the way, later teamed up with Ane Hebeisen and they went by the name of Swamp Terrorists, releasing seven albums and touring throughout the world until the end of the nineties. At the end of the nineties he sold all his instruments and became independent as a graphic artist.

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Nacht’Raum / Band Berne Crematoire ‎– Expanded 1982​-​1984 LP [MNQ096]

Atelier Du Mal – Noblesse Oblige [MNQ069]

Brilliant comet of the Italian New Wave scene. Real deal. Atelier du Mal were formed in Florence in 1983 by Lapo Pistelli (synths, electronic drums), Iacopo Ficai Veltroni (bass, synth) and Ignazio Matteini (drum programming, percussions). Recorded in 1984, ‘Noblesse Oblige’ was the first and subsequently the only demo tape by the group, self-released using classic gear like Korg Ms-20, Roland Tr-606, Roland Tr-808, Roland Juno 60, Roland TB-303.

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Atelier Du Mal – Noblesse Oblige [MNQ069]

Karen Gwyer – Rembo [DBALP003]

Karen Gwyer returns to cement her reputation as one of the most individual and daring voices in dance music with ‘Rembo’, her first full LP for Don’t Be Afraid. Reflecting the sheer energy of Gwyer’s improvised, undulating and unpredictable live shows, ‘Rembo’ captures Gwyer in her element as a techno producer not afraid to smudge both the physical and emotional edges of what we may have come to expect in the club.

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Karen Gwyer – Rembo [DBALP003]

Old Coroner – Inside Us LP [W03]

Terrific 12inch purple vinyl and as Waste Editions crew are really into emotive and personal sounds ,on this occasion this new release ‘Inside us’ by Old Coroner can’t be otherwise. We can’t talk about a trend since the producer from Barcelona Victor Safont ,who is the man behind this project ,started producing synthwave music in 2003. Yes siree! Powerful beats ,dark textures and touching melodies which are perfect for a diabolic dance floor or a meeting at a lodge.

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Old Coroner – Inside Us LP [W03]

L’Avenir – Soir [CBR012]

L’Avenir is the cold synth side project of veteran electronic musician and sound artist Jason Sloan. Known throughout the space and ambient music scenes for his contemplative electronic soundscape work for over a decade; Sloan founded L’Avenir as a side project in 2012 to explore his long time love of synthpop and minimal wave music created purely from analog and vintage equipment.

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L’Avenir – Soir [CBR012]

Casino Shanghai – Film [MEC009]

CASINO SHANGHAI - Film

Casino Shanghai was a “techno-pop” band started in the mid-80s in Mexico City. They released their debut and only album “Film” in December of 1985. An album considered today as cult status. Casino Shanghai were part of a great cultural change in Mexico and its music scene. The band made various controversial appearances on TV when a band without a drummer or guitarist was unheard of. All members had been in different notorious bands in the local scene. Ulalume was the lead singer of The Casuals (Punk-New Wave) and DenseUndergrowth (Avant-garde). Carlos Robledo and Walter Schmidt were part of Size (Post-punk) and have been playing together for many years in Decibel (Experimental). Humberto Alvarez played with MCC (Prog Rock) and is currently a well-known musician and multi-instrumentist. Before the band split-up they recorded two last songs in 1986, “Le Tombeau d’ Edgar Poe” and “L’Action Minimal”, as part of an unreleased solo EP for Ulalume. “Film” has been restored and remastered for this new edition including all original tracks plus two bonus: “Le Tombeau d’ Edgar Poe (Haunted Version)” and “Cuerpos Huecos” (Spanish version of “Hollow Bodies” available only on a promotional 7?).

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Casino Shanghai – Film [MEC009]

Negative Response – Oblique Angles [MR073]

Hand-picked selection of tracks by UK’s Negative Response in this initial limited run of 300 discs. Negative Response is a DIY minimal synth project that formed in 1980. They self-released 3 cassettes from 1981-1983 as well as playing a number of gigs from 82-85. The tracks embody a very melancholy atmosphere reinforced by their arsenal of early electronic analogue equipment. This collection will certainly appeal to fans of early bedroom synth artists such as John Bender and other DIY home recording moguls of the era.

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Negative Response – Oblique Angles [MR073]

Marker – Marker [MR072]

On his debut full-length album as Marker, New Orleans artist Mike Wilkinson eschews traditional pop catharsis for total submersion into a blue, luminous tunnel. Guitar, bass, and Wilkinson’s voice are all treated through a variety of outboard and software effects, gently blurring into one another. Written and recorded between 2012 and 2015, the songs distill themes of isolation and connection, unreliable memory, identity, and the problem of infinite introspection and its relationship with reality. Filled with surprise melodic turns and evocative, vaporous production, “Marker” is an immersive work of otherworldly pop, encouraging its listeners to retreat inside themselves.

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Marker – Marker [MR072]

Circa Tapes – Love & Venom [MR069]

Third full length album by Circa Tapes (solo project of Adam Killing of Kill Memory Crash). Following excellent previous releases on Romance Moderne and DKA, this third album displays the evolution of Killing’s spot on ability to masterfully blend dark early 80s synth, industrial and cold wave into a completely new entity. Much heavier and wonderfully darker, this LP will appeal to fans of classics like Skinny Puppy, as well as cutting edge EBM contemporaries such as Broken English Club, Boy Harsher and other cold wave / industrial hybrids.

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Circa Tapes – Love & Venom [MR069]

Terrence Dixon – 12000 Miles Of Twilight [OUTA006]

Italian label Out-ER (Out Electronic Recordings) welcomes long standing Detroit producer Terrence Dixon for a 21 track triple vinyl pack ‘12,000 Miles Of Twilight’. The legend has been putting out material since the mid-nineties. Recognized worldwide for his visionary, futuristic sound, Dixon unites ages of inspiration traversing diverse musical styles including electro, jazz and minimal sci-fi techno. This overall hypnotic approach can also be seen in his parallel project Population One, which appeared on Out-ER respectively in early 2016 with two-tracker solo ‘Temporary Insanity EP’. ‘12,000 Miles Of Twilight’ remains an experimental techno asset offering a non-linear, emotionally absorbing journey into the singular experimental edge of the Detroit artist, pulling the listener in all kind of directions from the opening track to the closing finale.

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Terrence Dixon – 12000 Miles Of Twilight [OUTA006]

Lives Of Angels – Hole In The Sky [DE172]

Lives of Angels was the brainchild of Gerald O’Connell from London, England.  ‘Hole In The Sky’ is an 11-track compilation of material from the Lives of Angels archives. Including two tracks from the original ‘Elevator To Eden’ cassette omitted from our vinyl reissue, two tracks from Color Disc compilations and 7 previously unreleased tracks. This compilation features the very earliest Lives of Angels recordings “Call Moscow” and “Somebody Else” as well as the final composition from 1986 “The Infinite Corridor” plus original mixes of “After Dark” and “Look Out Kid” different than the versions on the ‘Color Supplement’ compilation. ‘Hole In The Sky’ is an impressive example of early ’80s home recording; a DIY interpretation of the elegance and ambition of the previous decade’s krautrock.

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Lives Of Angels – Hole In The Sky [DE172]