Indoor Plants – Udacha 15 [UDACHA015]

Udacha just gets better and better with every release, branching out into ever more exciting shapes and styles beyond their house and techno foundations. On this album from Vyacheslav Shutov aka Indoor Plants, wild fourth world visions collide with hardware processes in a dazzling display of transcendental music for those who like their thought-provoking tunes to pack a punch. The likes of “Targitaus” deconstruct club music conventions in a quest for new rhythmic purpose, and yet the soundsystem pressure is expertly sculpted out of the daring shape of the music. Elsewhere there’s surrealism in abundance, as on the wonderfully weird “Hunch”, and that’s just scratching the surface of this truly essential LP.

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Indoor Plants – Udacha 15 [UDACHA015]

Glenn Underground – Atmosfear [PFG043]

‘Atmosfear’ Glenn Underground’s debut album was originally released in 1996 and set the standard for sophisticated dance music. Dreamy melodies, heavy basslines and acid grooves blend beautifully with jazz vibes and Detroit techno. Glenn Underground is the founding member of the Strictly Jaz Unit. He was raised on disco classics and freeform jazz in Chicago’s Southside, the place where house music was born. Taking inspiration from Chicago’s original pioneers, Larry Heard, Ron Hardy, Lil’ Louis, and the like, Glenn has produced many sought after house gems for some of the most well respected deep house labels such as Prescription and Guidance.

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Glenn Underground – Atmosfear [PFG043]

Abstract Orchestra – Dilla [ATA006]

“Dilla” by Abstract Orchestra has been generating a buzz since it’s inception in 2016 and subsequent UK tour, during which the album was presented to the public in its live form. Led by Saxophonist Rob Mitchell, Abstract Orchestra seeks to reflect the diversity of music sampled by Hip-Hop producers by presenting music that has the complexity of jazz, framed within the simpler structures of Hip-Hop. Complex harmonies are framed within simple loops and complex bar structures and time signatures can pass by unnoticed. “I selected the tracks on the album with very much the live performance in mind” says band-leader and arranger Rob Mitchell “So the album is a reflection of the tour and the music we performed”. Inspired by the legendary live performances of The Roots with Jay-Z and the 40 piece orchestral arrangements by Miguel-Atwood Ferguson of the work of J Dilla, classic arranging techniques underpin modern loop-based structures.The band itself is based on the classic jazz big band instrumentation of saxes, trumpets and trombones and features the cream of the north of England’s jazz scene who collectively have played with Jamiroquai, Corinne Bailey Rae, Mark Ronson, Martha Reeves, John Legend & the Roots, Roots Manuva and Amy Winehouse. “Dilla” by Abstract Orchestra is a tribute to the work of the highly acclaimed and influential producer.

vinyl / CD

Abstract Orchestra – Dilla [ATA006]

Charles Manier – Luxus Steroid Abamita [BOP007]

Tadd Mullinix’s Charles Manier project returns with a third double-LP, Luxus Steroid Abamita, an edict of nine new amorphous transmissions and clustered, clangorous, hemi-synthetic funk. This is experimental machine music: it’s inspired by the fringes of dance, but skirts petrified arpeggios and other stock Wave and Technopop emblems. Its spirit elicits Sheffield Post-Punk and Düsseldorfer NDW desiderata, but exploits are crisp, psychedelic, and expansive.  Lyrics come as laconic Dada, sociopolitical impressions—in counterpoint to concrète tape smears, echoing guitar deluges, and entrenched in ever-shifting grime. A wide spectrum of density is proffered. Atmospheric zones are submerged, modulating knells. When tempos increase, sample & hold mutations make synthesizers sputter and writhe. The title track and opus,“Yopo (Calcium Tree)” carry this with heavy pulses—storming like locomotives.

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Charles Manier – Luxus Steroid Abamita [BOP007]

Bill Converse – The Shape Of Things To Come [DE158]

Dark Entries present the sophomore album from Austin, Texas analogue hardware enthusiast Bill Converse. Immersed in the early days of the 90s midwest rave scene, Bill began DJing at a young age in Lansing, Michigan. Luminaries such as Claude Young, Traxx, and Derrick May were key early influences. Techno, noise, ambient and tape processing are all part of his uncanny sound palette. ‘The Shape Of Things To Come’ is a 70 minute journey spread across two pieces of vinyl. It’s comprised of seven tracks recorded directly to tape with no overdubs, made at Converse’s home studio. At the time of recording, Bill was sending this material to Josh Vance (Josua Dorje Ngodup) for feedback. Most of the time Josh would respond in the form of artwork, and then Bill would create another track inspired by this feedback chain. Converse has dedicated this series of tracks to him. The songs on this album reveal a sublime influence from Detroit techno, early Chicago house, and Acid. For this album Converse slightly bumped up the tempos geared for dancefloor energy. Built around vintage synthesizer lines and gritty drum machine percussion, the tracks evoke how things have changed and how they have come to be.

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Bill Converse – The Shape Of Things To Come [DE158]

Sterac Electronics – Things To Think About [VDLP001]

Some things are just too good to be hidden from view. That’s certainly the case with Things To Think About, the first album from Dutch electronic music legend Steve Rachmad’s lesser-known Sterac Electronics project. It’s a while, though, since the public has been treated to a heavy dose of Sterac Electronics material. He first established the alias at the turn of the millennium, primarily as an outlet for hardware-driven electro music shot through with funk and soul. Recently, Rachmad and Tom Trago decided to revisit the Sterac Electronics archive, discovering a killer collection of cuts created at different points over the course of the last 15 years. Now 9 of those spellbinding hardware jams have been gathered together for the first time on Things To Think About, a warm, rich and evocative collection of electro-fuelled workouts that giddily pay tribute to the music of Rachmad’s youth.

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Sterac Electronics – Things To Think About [VDLP001]

Lewis Fautzi – The Ascension Of Mind [POLEGROUP046LP]

It s time for Lewis Fautzi to introduce his first album on Pole Group, a collection of ten tracks of cosmic techno, carefully crafted making a soundtrack of the future, deep, intense and scientific. A coherent and complete collection of precise, surgical and futuristic music to be enjoyed as a whole adventure.

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Lewis Fautzi – The Ascension Of Mind [POLEGROUP046LP]

Nomade Orquestra – Estremundos [FARO198]

Nomade Orquestra return from the stratosphere via Brazil with their second offering: Entremundos (Between Worlds). Gazing outward through a kaleidoscope from the heart of Sao Paulo’s jazz scene, the collective consciousness of the ten-man orquestra has dreamt up an adventurous amalgam of earth’s most far reaching musical cultures. Recorded at Red Bull Studios, Sao Paulo, Entremundos is like a cosmic musical playground where Ethio-jazz, Indian classical and Oriental sounds dance around Afro-Brazilian roots rhythms and Northern hemisphere jazz, funk, soul, library music and hip-hop influences. The sheer vastness of the album is astounding, Nomade Orquestra have quite literally conquered the world in sound. vinyl / CD
Nomade Orquestra – Estremundos [FARO198]

Potter & Tillman – …Space…Rapture [HJLP002]

Reissue from this soul/jazz-funk fusion album originally released in 1982 on Poet Records. This sought-after album is an amazing and unique creative project produced and composed by David Eric Tillman including outstanding performances by some of the highest-level musicians whose common thread was their ability to kill up tempo and modal bop and excel in this jazz-funk/fusion style thanks to their up bop think quick knowledge.

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Potter & Tillman – …Space…Rapture [HJLP002]

Máma Bubo – Planeta Haj [JUP002]

Czechoslovakian band Máma Bubo was founded by Karel Babuljak in 1982; he put together five friends that he trusted. Having been more or less groping in the dark of music until then, Babuljak suddenly expressed a clear musical and human opinion to which the other members of Máma Bubo added theirs. A new band was born and although it had a clear face, it did not fit in anywhere, was hard to be connected with anything, and was isolated despite its openness. Máma Bubo always guaranteed an extraordinary and shocking experience which surpassed the level of entertainment. 1985: Babuljak’s disenchantment with the social situation as well as with artistic futility compelled him to a more profound attitude which resulted in a totally different concept, Planeta Haj, for Máma Bubo; yet, the concept was short-lived as if having been born in a place it did not fit in. In 2017, 2 LP of Planeta Haj, a record from 1985, was released on vinyl for the first time.

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Máma Bubo – Planeta Haj [JUP002]

Broken English Club – The English Beach [LIES094]

British techno veteran Oliver Ho has released some fine material as Broken English Club since debuting the alias back in 2014. The English Beach, Ho’s second BEC full-length and first for L.I.E.S, is the audio equivalent of a trip to a run-down North Sea coastal resort on a wet Wednesday in November. Full of end-of-days electronics, stripped-back industrial techno, moody minimal wave shufflers and bubbly EBM workouts, it’s as authentic a tribute to early ’80s electronic experimentalism as you’re likely to hear all year. Highlights include the Nitzer Ebb style bounce of “Pylon”, the foreboding, desolate electronica of “Rust Ballad”, the angry electro moodiness of “Carrion” and the rolling, organ-laden autumnal bliss of “The English Beach”.

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Broken English Club – The English Beach [LIES094]

DECA – Alkaidb [DECA002]

Originally released in 1986, “Alkaid” was the first solo release of DECA following his debut appearance on the cult various artists compilation “Angelo Segreti”. The original edition was published in a tiny edition on the independent Italian label Videoradio and to this day remains a rare and sought after album. Following Mothball and Bordello’s continued work with DECA, they make this diverse and fascinating collection of music available to a wider audience. On this instrumental LP we can hear elements of modern classical, synth-pop, dark ambient and even some middle eastern influence.

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DECA – Alkaidb [DECA002]

Joao Donato & Seu Trio – Muito A Vontade [GB002LP]

Go! Bop! present a reissue of Joao Donato & Seu Trio’s Muito À Vontade, originally released in 1962. Joao Donato is a legend of Brazilian jazz and Latin music and this is his legendary debut album. The well-skilled performance speaks of a great routine each musician has, but there is so much fire and hunger to be found within the compositions. The listener will experience rather relaxed slow jazz tunes with an obvious bossa nova groove and a leading piano that takes off from the backing rhythm of drums and standing bass. On the other hand, there are tunes with wicked piano staccato lines and a powerful rhythmic drive that is rooted in Latin music, but shoots forward on a ray of energy. The tunes are well composed and have a memorable structure that distinguishes them from the beginning free jazz hype back in the day. Joao Donato and his mates in the trio were jazzy boys, but they were also songwriters. Catchy melodies were as important as a great and skillful performance. The combination of both sides of jazz, and the crossover with Latin sounds, makes Muito À Vontade a special album, with other greats to follow. Muito À Vontade stands out as a landmark. If you feel that it is time for an equally relaxed, but exciting jazz record to enchant you, here you go. A sweet reissue of a classic from the early ’60s. Joao Donato and his trio play it rather smoothly but their passion hits you automatically after a short while listening. Even the slower tunes offer twists and turns that leave you feeling amazed.

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Joao Donato & Seu Trio – Muito A Vontade [GB002LP]

Marvis Dee – Midnight Dreams [VG003]

Although best known for producing alien electro, Jeremiah R also makes evocative deep house under the lesser-known Marvis Dee alias. Here he pops up on Voodoo Gold with a mini album’s worth of woozy goodness. The Rotterdam based producer brings us again a record full of warm, tape driven tracks. Highly recommended for lovers of a mixture of lo-fi 80’s cassette machine funk and groovy synth boogie.

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Marvis Dee – Midnight Dreams [VG003]

Philipp Gorbachev & The Naked Man – I Don’t Give A Snare LP [ARMA016]

Arma presents the debut Philipp Gorbachev & The Naked Man album. Philipp Gorbachev, the Russian musician and DJ, has been throwing killer parties and making some of the most innovative and exciting electronic music to come out of Moscow in years. In 2014 he released his debut album Silver Album but when invited to perform a live Boiler Room he had something else in mind: a band scenario. The resulting concoction was not something locked into a 4/4 beat but rather a much more organic, groove-based sound with funk-strutting bass lines and live drums that rolled and flurried around the beats that jumped around leading the charge of the songs along with Gorbachev’s Damo Suzuki-like vocals. Taking that experiment into the studio, ‘I Don’t Give A Snare’ is a wild ride that jumps genres, switches paces and alters tones frequently. The opening ‘Goodman’ exploding in intense rhythms and heavy, spiralling riffs that at times recall Sabbath but the ever-shifting drums and gargling electronics give a wonky freshness that feels impossible to place into genre. Whilst Gorbachev cites a range of influences from Beck to Blind Willie Johnson as being core to him, the primary motivation is the live nature of the project itself. ‘The main influence is the constant live experience we have as music players and performers. I want to get the most out of every party, every jam, and every dancefloor.’

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Philipp Gorbachev & The Naked Man – I Don’t Give A Snare LP [ARMA016]

Delta Funktionen – Junior High School Excursion To The Parallel World [RAM-X-10]

Following a near two-year hiatus, Delta Funktionen resurfaces in order to invite us on his Junior High School Excursion To The Parallel World. While the title evokes images of bad 1980s teen movies, musically the Dutch producer has delivered a double-pack full of what we would describe as “proper” techno and electro. That means thrusting rhythms, bold and restless basslines, intergalactic electronics and melodies that sound like they’ve been beamed down from, well, a parallel world. There’s naturally plenty of subtle variation – compare and contrast, for example, the booming rhythmic intensity and creepy melodies of “Torpedo” and the winding late night acid trip that is “Stingoperation” – but Delta Funktionen keeps his eyes firmly fixed on the dancefloor throughout.

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Delta Funktionen – Junior High School Excursion To The Parallel World [RAM-X-10]

Staffan Linzatti – The Dynamic Dispatch [FIELD025]

Staffan Linzatti is back with a well balanced spaced-out techno triple pack on the ever evolving Field Records. Ever since ‘The Event’ we knew that our reality was becoming more hostile towards our presence in it. The very fabric of it was changing, and we would either have to change with it, or change our reality. A program called ‘The Dispatch’ was created as a means to preserve human existence through an infinite number of simulated universes. A simulation in which each universe would serve as a world for future humans. A world indistinguishable from the ‘real thing’. As we write this, ‘The Dispatch’ – your future as humans – is being coded and compiled. During execution, our existence will end – and your new world will replace ours. Our story, our memories will live on in your reality. Our creation, embedded deep within the ‘The Dispatch’, will be a brave tale of perhaps our greatest achievement – if not our very last.

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Staffan Linzatti – The Dynamic Dispatch [FIELD025]

Nick Höppner – Work [OSTGUTLP026]

Panorama Bar resident Nick Höppner gets to “Work” on his second solo album on Ostgut Ton, connecting the territories of House music with the ease of Alt-Pop. Work as in labor. An axiom that fuels the capitalist system just as the Techno/House scene economy says that one needs to keep oneself busy to make a living. As a musician, things are complicated of course. It’s a long way from the romantic idea of creating music simply for the sake of art to becoming a full time musician. Those who have accomplished this feat often find themselves in a professional loop of writing the music, producing it, promoting it (with an info text like this), releasing it and then hopefully selling it. After leaving his full time job as Ostgut Ton’s label manager in 2012, Nick Ho¨ppner went fully freelance, focusing on his musically diverse, deep and dynamic DJing in and outside Berghain’s Panorama Bar, but more importantly spending more time in the studio. The result was his critically acclaimed debut album Folk (Ostgut Ton, 2015), various 12′ releases and remixes, and now his sophomore LP, Work, which, more than ever, lays out his refined production skills and his talent to work the machines until they reveal their inner ghosts: nine new songs that now dodge the dance floor, then fully embrace it.

vinyl / CD

Nick Höppner – Work [OSTGUTLP026]

Gunnar Haslam – Kalaatsakia [BK025]

The latest transmission from the world of Gunnar Haslam, Kalaatsakia wildly sprawls across the intersections of techno and more abstract sounds to take us on a wideranging journey from the subterranean to the coastal, from blown-out dub tones through fractured rhythms. An incredible work that is not easy to pigeonhole, Kalaatsakia is a full length album that navigates and sketches landscapes where new languages are created from old, dead ones to emerge as the lingua franca of interconnected immersive zones. Haslam is an avid home listener of dub, dancehall and calypso, and that influence is quickly felt as Kalaatsakia launches with a tight electro snap and dubwise crash. Kalaatsakia advances and retreats seasonally, tightening up for the floor with the chrome-plated ‘Broadcast’ and ‘Kjolle’ while splintering apart on ‘Kalapuyan’ and ‘nxbound’. Its constituent parts are often left to collapse in on themselves, smearing themes into residual trails. As the narrative of the album disintegrates and unfolds into more deconstructed territory, it stretches out even further with a striking skittering mental tease, settling into burbling sub-audible vocals and resonant spaces that all form a part of Haslam’s self-created subconscious language.

vinyl / CD

Gunnar Haslam – Kalaatsakia [BK025]

Riz Ortolani – Si Puo’ Essere Piu’ Bastardi Dell’ispettore Cliff? [FLIES023]

ORTOLANI, Riz - Si Puo Essere Piu Bastardi Dell'ispettore Cliff? (Soundtrack)

Previously unreleased full edition for this explosive jazz-funk score by Italian Maestro Riz Ortolani, created in 1973 for the crime-movie Si può essere più bastardi dell’ispettore Cliff’ (also known as Mafia Junction’). Only two tracks from this OST were published at the time in a now extremely rare C.A.M. 7-inch, but that was enough to create the legend. Four Flies had access to the original C.A.M. master tapes, so to present here the complete session for the first time. Just expect one of the funkiest piece of the whole Ortolani’s career: car chases, sex scenes, vicious kills are served here by amazing drum breaks, fat bass lines, captivating horn section and wonderful guitar effects. Totally outstanding session, and a real new classic for all crime-funk lovers.

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Riz Ortolani – Si Puo’ Essere Piu’ Bastardi Dell’ispettore Cliff? [FLIES023]