Contakt – Nobody Else [IH004]

The latest offering from San Francisco’s Icee Hot label finds the young imprint officially welcoming another artist to its gradually expanding roster, the Michigan-reared, New York-based producerContakt. Particularly on “Nobody Else,” Contakt’s flair for big-room melody remains intact, but he takes notes from classic KMS, filling out the song’s cresting synths with a full-bodied bassline, a hooky vocal sample and a sturdy rhythmic underpinning. “Tessera 04” goes deeper, channeling Maurizio while delving headlong into a dense cloud of synths and maintaining a steady sense of forward momentum. Remixes by Ghosts on Tape and Robert Hood.

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Contakt – Nobody Else [IH004]

Mike Dehnert – Roulement EP [ECHOC023]

The new release on Echocord Colour comes from Mike Dehnert, featuring 2 powerfull Techno-Tracks, typical stripped down Mike Dehnert sound, perfect for the peak time dancefloor. The remix comes from Mike’s colleague Sascha Rydell, a monster flowding powerfull track.

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Mike Dehnert – Roulement EP [ECHOC023]

Electric Street Orchestra – The Natives [DTR02B]

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This is a journey led by Jeedo’s Electric Street Orchestra to his native land, Detroit City. The Natives: It was created in direct defense to the assault on Detroit City. The uprooting of it’s original citizens is fastly becoming the norm, as the population has plunged by 25 percent over the last decade. The Natives is meant to celebrate all the pioneers, revolutionaries, Moms and Pops that somehow get last in the media’s coverage of newly imported ”do gooders”. Serpents: According the Bible’s Book of Genesis, the serpent is a symbol of evil who appears in the Garden of Eden to tempt Eve. The serpent is portrayed as a deceptive creature or trickster with ill intent. We’ve all encountered numerous snakes in life, however this metaphor can also be applied to the cities ongoing issue of land-grabbing by numerous corporations with empty promises to build farms. Reconstruct: This is the quiet after the storm, cleansing the palette for rebirth. A new beginning, one with hope and great promise. It was used as a sonic bed for the theatrical trailer of the award winning documentary ”Detropia”. Once again Waajeed AKA Jeedo has assembled a cast of sonic masters under one of his many monikers, Electric Street Orchestra. Including UR’s Mad Mike, DJ Skurge, Ray 7 and newcomers Tiny Hearts.

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Electric Street Orchestra – The Natives [DTR02B]

Other Worlds – Live From The Memory Warehouse [BOOMCHIK002]

BoomChik is back with a 2nd release  featuring Si Murray with his Other Worlds project. Solid basses and rattling percussion fuel an E.P. that gurgles with bright Detroitesque finesse and variety that shifts between large almost basic channel feelings, to glitteringly precise house music. A five track release, full of floating pads and spacious reverbs take you directly to other worlds as lush strings and tight percussion patterns do exactly what they intend and trip you back to memories of warehouse days. Murrayʼs extremely tight production and musicality give this an edge that though reminiscent of the tones and feel of days gone by, has itʼs feet firmly planted in the here and now.

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Other Worlds – Live From The Memory Warehouse [BOOMCHIK002]

D-Ribeiro – The Circus EP [SD028]

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Strong techno debut by D-Ribeiro, one of Rotterdams finest talents, on Syncom Data Records. Four deep and grooving techno tracks with a hint of house and a strong Detroit feeling: wandering in the night through empty streets.

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D-Ribeiro – The Circus EP [SD028]

Rick Wilhite – Connecting The Compass [RS007]

This bumper 3×12″ release sees Joe Babylon’s Roundabout Sounds imprint enlisting the help of respected Detroit house artist Rick Wilhite to curate a compilation of unreleased house tracks from like-minded contemporaries under the appropriately titled Connecting The Compass. Highlights out of the 11 track compilation, which includes the likes of Theo Parrish, Baaz and Sean Tate are numerous, but there are several standout moments; Karizma’s “I Think” lays tracky breakbeats over a sonorous synth melody, Marcellus Pittman’s “Wolf & Moonbeams” pairs otherworldly synths and an improvised analogue melody with a low-slung bass led groove, and Norm Talley’s “Track From The East” is a devastingly simple combination of driving claps and pitched organ chords.

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Rick Wilhite – Connecting The Compass [RS007]

XDB – Frocks [SIS020]

Sistrum proudly welcomes the return of Mr. Kosta Athanassiadis, aka XDB, back to the fold with the deep, hypnotic electronics of the Frocks EP. This three track EP features Patrice Scott on remix duties. This is another quality installment in the revered Sistrum catalog.

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XDB – Frocks [SIS020]

VA – Reverence [SRT155]

Paying homage to the beloved underground, a prime collective of neo-electronic architects spawn a quintessential four track vanguard. “The Greatest” by Drivetrain begins gritty and minimal, blossoming into an orchestration of vocal samples fused with melodic pads and acid bleeps. CloudMaster Weed utilizes the vocal stylings of Goddess Stephanie on the raw and sultry “Sweet & Delicious.” Rennie Foster makes a strong return to Soiree with “Low Boxing” – an amalgamation of silky vocal samples dropping amidst heavy syncopated acid. Lush pads provide the final polishing. J.Garcia’s “Lost” serves a commanding conclusion. The throbbing rhythm drives alluring female vocal samples thru an infectious late night sizzler.

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VA – Reverence [SRT155]

KMFH – The Boat Party [WO013K]

Wild Oats is proud to present the KMFH debut album The Boat Party. After a year of collaborative releases, Kyle Hall, under the alias KMFH, has produced a debut album; a fusion of original work, sample tracks, and raw edits. The Boat Party album artwork pokes fun at European summer boat parties and juxtaposes the destitute state of Detroit and its recent proneness to discarded luxury in financial crises. Mainly, the inability to leave and the sometimes pleasant isolation of a boat party is what the album exudes. The listener has a certain commitment to the material which definitely has its place on the dance floor. You can find tracks that have soulful, funky, and organic feels, while others have a more abstract, mechanical, and robotic sentiments. The Boat Party was carefully constructed which makes the album a cohesive mix of soulful etherealness and roughly raw sounds; KMFH’s cueing into the true aspects of Detroit.

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KMFH – The Boat Party [WO013K]

Makam / Roch Dadier – Lost Archives – Part II [AERA007.2]

The second EP in their new “Lost Archives” series stands out in it’s clear dancefloor direction and it’s recognizable oldschool feel. On the A side Makam brings in a typical oldschool techno track which resemblances a mixture between old Jeff Mills material and Robert hood’s Floorplan output. The title of the B track simply points out it’s purpose. Roch and Pacou were resident DJ’s at Tresor, when they recorded this track for Roch Dadier’s Label Portrait in 2002. However, short afterwards it was recorded, Roch stopped his label, so this gem never saw the light of day. Pacou and Roch Dadier show us that tribalistic techno is still actual these days with this rhythmic piece of music.

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Makam / Roch Dadier – Lost Archives – Part II [AERA007.2]

The 3 Chairs – Demigods [3CH004]

Three chairs with a new releases… 4 hot tracks of which the opener Demigods (a1) is a sick acid injected Detroit house cut in a style fusion of Marcellus Pittmann and Theo Parris. 6 mile is another stunner on this Ep wih a nice rolling beat and an upbeat feel.

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The 3 Chairs – Demigods [3CH004]

Maarten van der Vleuten – Internaut EP [SHIP019]

Maarten van der Vleuten, one of the godfathers of Dutch Techno and a true electronic music pioneer, on Shipwrec serves up his own recipe for Electro in the form of the ‘Internaut EP’. The title piece takes the rhythmic mould of the 808 but shifts the floorboards with industrial soundscapes and UK Techno sidesteps framing. A morphing and melting piece of otherworldly Electronics, over ten minutes of shifting synthsizer sands. “Holographic Inserts” lands with terse clips and pulsing basslines before a rumbling analogue chord breaks the surface. Warbling bulwarks of space meet clinical lines in an immense track of expansive proportions. An epic of atmospheric, sinister and sharp sounds; a style pushing the boundaries of Electro.

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Maarten van der Vleuten – Internaut EP [SHIP019]

Jupiter Jazz – Booty Jazz [ELL011]

Jupiter Jazz dropping their inaugural EP ‘Booty Jazz’ are sucking the dancefloor into their flaming orbit and leaving all inhabitants senses back on earth. ‘Shake It Mama’ launches the booty theme with a vortex of dirty, dark 80s electro, growling low-end and Cameo style vocoder while a smoother groovier deeper vibe shimmers through ‘Technology’ on the b-side. Taking a weirder turn ‘Good Girl’ seals the package with a sleazy male vocal line, tight drums and hypnotic pads. So let Jupiter Jazz drag you into the black hole of ‘Booty Jazz’ for some intergalactic misbehavior.

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Jupiter Jazz – Booty Jazz [ELL011]

Zhao-ski – The Anti Scene EP [BOR001]

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Detroit DJ, producer and MC, ZHAO-SKI is proud to present his first vinyl release via Submerge’s new label Black Operation Records. As part of the track-e-zoid production team and the “keep it classic” movement, Zhao-ski has been involved in the production of some of your favorite hip hop songs from Detroit. No Vocals. Hipnotech style.

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Zhao-ski – The Anti Scene EP [BOR001]

N.A.D. – Dawn Of A New Age [RHRSS007]

Sometimes, through a combination of misfortune and bad timing, a fine record will go largely unnoticed on its original release. If it’s good enough, though, it will be rediscovered and reappraised through the hard work of record collectors. N.A.D’s The Dawn of a New Age, an unheralded British deep house classic, is one such example. Originally released by Tony Thorpe’s short-lived house label BPM Records in 1990, The Dawn of a New Age was on sale for little more than a week before it vanished from record store shelves, the victim of Rough Trade Distribution’s demise. BPM folded shortly after, consigning N.A.D’s first and only album to the annals of history as a little known and little-heard obscurity. The misfortune that beset the project arguably denied listeners more material from its hitherto unheralded creator, an English producer called Mustafa Ali. Before recording The Dawn of a New Age, he had created an early UK house classic, 1988’s “Close Jack Encounter”, as L.E Bass. Unlike much similar material of the period, The Dawn of a New Age still sounds fresh, futuristic and far-sighted. listen
N.A.D. – Dawn Of A New Age [RHRSS007]