Sistrum proudly welcomes the return of Mr. Kosta Athanassiadis, aka XDB, back to the fold with the deep, hypnotic electronics of the Frocks EP. This three track EP features Patrice Scott on remix duties. This is another quality installment in the revered Sistrum catalog.
Paying homage to the beloved underground, a prime collective of neo-electronic architects spawn a quintessential four track vanguard. “The Greatest” by Drivetrain begins gritty and minimal, blossoming into an orchestration of vocal samples fused with melodic pads and acid bleeps. CloudMaster Weed utilizes the vocal stylings of Goddess Stephanie on the raw and sultry “Sweet & Delicious.” Rennie Foster makes a strong return to Soiree with “Low Boxing” – an amalgamation of silky vocal samples dropping amidst heavy syncopated acid. Lush pads provide the final polishing. J.Garcia’s “Lost” serves a commanding conclusion. The throbbing rhythm drives alluring female vocal samples thru an infectious late night sizzler.
Mixing elements of Dance Mania and Relief Records sprinkled with Detroit Techno, Black Boxx’s final EP of the series delivers 4 more solid dancefloor destroyers.
Wild Oats is proud to present the KMFH debut album The Boat Party. After a year of collaborative releases, Kyle Hall, under the alias KMFH, has produced a debut album; a fusion of original work, sample tracks, and raw edits. The Boat Party album artwork pokes fun at European summer boat parties and juxtaposes the destitute state of Detroit and its recent proneness to discarded luxury in financial crises. Mainly, the inability to leave and the sometimes pleasant isolation of a boat party is what the album exudes. The listener has a certain commitment to the material which definitely has its place on the dance floor. You can find tracks that have soulful, funky, and organic feels, while others have a more abstract, mechanical, and robotic sentiments. The Boat Party was carefully constructed which makes the album a cohesive mix of soulful etherealness and roughly raw sounds; KMFH’s cueing into the true aspects of Detroit.
New Marcelus 12” on his own label.. forward thinking advanced techno tracks with a little of that jacking chicago drive in it.
The second EP in their new “Lost Archives” series stands out in it’s clear dancefloor direction and it’s recognizable oldschool feel. On the A side Makam brings in a typical oldschool techno track which resemblances a mixture between old Jeff Mills material and Robert hood’s Floorplan output. The title of the B track simply points out it’s purpose. Roch and Pacou were resident DJ’s at Tresor, when they recorded this track for Roch Dadier’s Label Portrait in 2002. However, short afterwards it was recorded, Roch stopped his label, so this gem never saw the light of day. Pacou and Roch Dadier show us that tribalistic techno is still actual these days with this rhythmic piece of music.
Three chairs with a new releases… 4 hot tracks of which the opener Demigods (a1) is a sick acid injected Detroit house cut in a style fusion of Marcellus Pittmann and Theo Parris. 6 mile is another stunner on this Ep wih a nice rolling beat and an upbeat feel.
Maarten van der Vleuten, one of the godfathers of Dutch Techno and a true electronic music pioneer, on Shipwrec serves up his own recipe for Electro in the form of the ‘Internaut EP’. The title piece takes the rhythmic mould of the 808 but shifts the floorboards with industrial soundscapes and UK Techno sidesteps framing. A morphing and melting piece of otherworldly Electronics, over ten minutes of shifting synthsizer sands. “Holographic Inserts” lands with terse clips and pulsing basslines before a rumbling analogue chord breaks the surface. Warbling bulwarks of space meet clinical lines in an immense track of expansive proportions. An epic of atmospheric, sinister and sharp sounds; a style pushing the boundaries of Electro.
Jupiter Jazz dropping their inaugural EP ‘Booty Jazz’ are sucking the dancefloor into their flaming orbit and leaving all inhabitants senses back on earth. ‘Shake It Mama’ launches the booty theme with a vortex of dirty, dark 80s electro, growling low-end and Cameo style vocoder while a smoother groovier deeper vibe shimmers through ‘Technology’ on the b-side. Taking a weirder turn ‘Good Girl’ seals the package with a sleazy male vocal line, tight drums and hypnotic pads. So let Jupiter Jazz drag you into the black hole of ‘Booty Jazz’ for some intergalactic misbehavior.
Detroit DJ, producer and MC, ZHAO-SKI is proud to present his first vinyl release via Submerge’s new label Black Operation Records. As part of the track-e-zoid production team and the “keep it classic” movement, Zhao-ski has been involved in the production of some of your favorite hip hop songs from Detroit. No Vocals. Hipnotech style.
Hoya:Hoya welcomes the multi-talented Tadd Mullinix with his JTC alias. This time round, on ‘Park Days’, he flexes a house side that’s not been seen too often in his career of 13 years. Whether the driving groove of South Brooks, the late night drum machine jam of Argo, Creal’s ever evolving scatter, or the delicate Gallup, ‘Park Days’ is one of those records where everyone has a different favourite.
A Sagittarium brandished a fully formed blend of becoming house and techno and a cloak of mystery and both elements to his/her/their identity have remained intact across the smattering of material that has surfaced in the subsequent period. A Transparent Mind is a fine return for A Sagittarium pairing two original productions against remixes from Marco Bernardi and Aubrey.
Mark du Mosch’s second Tabernacle release exemplifies his trademark sound with tracks that overflow with goodness and surprise.
This winter Tresor dons hardhat and flashlight once again to exhume more lost treasures from its stated past. Under the guise of it’s own 10-year dormant Archiv Series comes a reissue EP straight from the heart of the club’s former Wertheim department store days, courtesy of long-time resident Juan Atkins.
Rekids have teamed up with Detroit’s Fit Distribution and enlisted the services of motor city locals Marcellus Pittman and Urban Tribe to put the 313 sound on ‘Working’ and ‘Taxi Talk’. On the former, Marcellus Pittman lays down his trademark blend of mechanical yet jerky old-skool drum machine rhythms and disorientingly dissonant, tripped-out synth chords – creating a somewhat eerie atmosphere that evokes images of Detroit’s manufacturing plants of yesteryear. On the flipside, Urban Tribe transform ‘Taxi Talk’ into a big room monster, using rumbling synth bass, electronic bleeps and laser gun snares to transport us back in time to a dark and hazy 90s warehouse rave.
Here’s a brand new stellar cooperation by Oscar Mulero & Christian Wünsch. The duo’s commitment is to depart from their trademark sound in search of a new transmission. They join software and hardware to create this four-piece EP that explores the deeper side of techno, heavily inspired by space and futurism, focusing on liquid textures, harmonic sequences and classic drum machine sounds, yet preserving the danceable feeling.
The Hipodrome Of Music 